Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
My RPM challenge this year: acoustic guitar instrumental album with no more than three tracks on each tune (ok, maybe four!)
This one is a single track with no overdubs. On the 12 string, the 4th,5th and 6th string pairs are tuned a fourth apart.
very excellent,,, once a long time ago, when i lived in Del Rio i built a 6" newtonian,, at night i used to go down to the end of the road,,then on to the dirt and set up,,, with a dark sky from horizon to horizon,,,, wowieee,, Orion has always been a treat,, if you have a scope or even binoculars,, the sword contains one of the best of all treats to see,,, this is a really nice piece,, im on #7 for my rpm....
Beautifully crisp Kavin.
I understand your love of the universe. Tess and I were gazing at the crescent moon and Jupiter last night totally spellbound. Makes one feel very small!
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
An ambient guitar piece done rather quickly, warts and all.
Stems from ideas I've been developing on my new JamMan looper pedal (catnip for guitarists if there ever was such a thing).
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
Yeah B, weird. If you look at comments, the picture is not available and there's a big white box. If you view more, the picture is present, and also a slice of it at the top of the screen. Interesting bug.
I loaded Sonar with a couple audio tracks + echo and recorded my wife's seagull acoustic via a dean markley soundhole pickup.
After the take I multiplied a couple times and edited a touch.
This is really just a test for a planned piece like…
Comments on kavin.'s stuff
Has a Led Zep feel to it, great
I think it worked out just fine. If you tap out the creative well, fall back on what you know, and you do so damn good at it
Such a full sound and terrific tempo. Well played! Nice tones too, yes, lovely!
wow - great stuff!
Nice slidework
Mighty cool change ups, paralell harmony, call and responce. I can tell this has been developing a while . Trully fine playing and writing.....Steve
Great playing.
Nothing wrong with acoustic breaking light as far as I'm concerned. Nice stuff man!
Sweet! Like the slide work
super pretty! I love the change at 3:20
Very lovely - evokes feelings of dusk in the summer time.
Beautiful playing man.
very excellent,,, once a long time ago, when i lived in Del Rio i built a 6" newtonian,, at night i used to go down to the end of the road,,then on to the dirt and set up,,, with a dark sky from horizon to horizon,,,, wowieee,, Orion has always been a treat,, if you have a scope or even binoculars,, the sword contains one of the best of all treats to see,,, this is a really nice piece,, im on #7 for my rpm....
Beautifully crisp Kavin. I understand your love of the universe. Tess and I were gazing at the crescent moon and Jupiter last night totally spellbound. Makes one feel very small!
this is incredible work
very very beautiful/sweet,,, this is a 12 string?.. sooo well done
Stands good as a solo track, but really Orion's belt mix
Damn...amazing.....
Lost for words......great mix!!!FAV'D
Very nice!
Comments made by kavin.
Badass, yawl. I can attest BG is microtonal having seen him, his strings bends are often slightly sharp, an amazing gtrist when he wants to be.
Bowed/ebowed mando, how about that. Great sounds and arrangement.
I like the rhythmic dynamics on this 'un and how it floats in and out of a sonic haze.
which button to push..
This has a bizarre carnival feel, Mephisto's merrygoround? Calms down to a nice resolution at the end.
Loop on man! Meow.
awesome, thanks for the tip. Been looking for timestretch software like this!
This is trippy good. Like Santana in a blender.
Wow. The amazing glu has a tune with that same title. I wonder where he's been? Miss him.
Bump for the newbies to enjoy this track!
Like all the tonal contrast going on, and the analog (?) synths.
Yes it was a longer improv, which I edited down to the best bits. Thanks much!
Ever heard of Robert Wyatt? Very much that style. Good job.
Great electro-jazz. Cool.
Yeah B, weird. If you look at comments, the picture is not available and there's a big white box. If you view more, the picture is present, and also a slice of it at the top of the screen. Interesting bug.
Great sonic space and execution, BL will be favoriting/dl'ing this.
Hi Rick! I sure like this. been hanging out with Wendy Carlos?
Howr you doin Rick? Peace to you brother, and thank you for your wonderful music!
bumping this cos it got buried in a massive upload..
I love the range of mood and texture in your music!