#4 for the RPM Challenge.
Have you heard this melody before? This is one of those where I wonder if I've unconsciously "borrowed" something from someone. Translation: the Fly Boat, like the tourist boats that ply the river Seine and their bright…
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
Song #2 for the RPMC. My goal is to have 12 short tunes (1-3 minutes long), so I need to pick up the pace.
Again, quartal tuning on the top 3 unison pairs of the 12 string. I've been listening to Ralph Towner's Blue Sun, hence the title.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #9 for the RPMC album "Bones".
I'd had this rolling around in my head for about a year now, and even played it live with the SD&Q trio. Didn't quite turn out as planned, which is not unusual.
Ditty #10 for RPMC. I really had a hard time trying to come up with the final track, so I fell back on the old loop/delay/ebow improv formula, which I had hoped to avoid on this album. Kind of acoustic Breaking Light. Well it crossed the finish…
please see linked video => A Harmonic Series composition, Reverend Terry Jones, radical Islam, radical Christianity, doing harm in the name of religion.
I took recordings of mandolin, guitar, and bass and processed them in Paul Extreme…
please see linked video => A Harmonic Series composition, Reverend Terry Jones, radical Islam, radical Christianity, doing harm in the name of religion.
I took recordings of mandolin, guitar, and bass and processed them in Paul Extreme…
Well done. I'm all for free speech, but I question motives of those who want to burn books, flags, etc. for any "cause". I think the burner's seek attention for themselves more often than not.
@jarvis & kirklynch - no notches, capo @ 3rd fret over the neck, then 2nd capo @ 5th fret under the neck on bottom 4 strings only, sort of an open Cmaj, standard tuning. The intro is an ebow, which I rarely use on acoustic. thanks yawl
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
An ambient guitar piece done rather quickly, warts and all.
Stems from ideas I've been developing on my new JamMan looper pedal (catnip for guitarists if there ever was such a thing).
Year: 1999
Album:
Land of the Lost
Artist's description:
Forgive me my voice!
This may be the most difficult vocal part I have written and tried to sing - but the vocal dissonance IS intentional.
Everything here (except vocals of course…
Yeah B, weird. If you look at comments, the picture is not available and there's a big white box. If you view more, the picture is present, and also a slice of it at the top of the screen. Interesting bug.
Comments on kavin.'s stuff
Nice acoustic work. :)
Lovely taste of France. Great playing Kavin! Bee
I didn't make out what you said, listening again... Sounds Russian! And also, do you think I sound like Mac? :)
It sure did. And now for something completely different! Nice one!
far out
Sooooo beautiful! w;-)
Interesting and unique. I like that balance between staccato and drone.
OMG - can you say brilliant? w;-)
Absolutely LOVE this track! w;-)
You amaze us, & we always want more! Superb track! k&w
Inspiring!
Someone plays guitar like George Harrison!! It's beautiful...
Oh yes! Like that slide...
Superb album, K.
Has someone brought their A-game this year???
Just spectacular!
you really into led zeps eh?..u got their soul in this one..i love it.."it doesnt matter now.."
love this one..its like gushing water in the stream..greatt..cool cool progression
Has a Led Zep feel to it, great
I think it worked out just fine. If you tap out the creative well, fall back on what you know, and you do so damn good at it
Comments made by kavin.
Nice use of silence and note formation. Great!
When I was a lad we used to melt crayons to make multi-colored candles (it was the 60's), seems to me more constructive than outright burning crayons.
Well done. I'm all for free speech, but I question motives of those who want to burn books, flags, etc. for any "cause". I think the burner's seek attention for themselves more often than not.
Nice mellow jam with thunderstorm, very good.
@jarvis & kirklynch - no notches, capo @ 3rd fret over the neck, then 2nd capo @ 5th fret under the neck on bottom 4 strings only, sort of an open Cmaj, standard tuning. The intro is an ebow, which I rarely use on acoustic. thanks yawl
Badass, yawl. I can attest BG is microtonal having seen him, his strings bends are often slightly sharp, an amazing gtrist when he wants to be.
Bowed/ebowed mando, how about that. Great sounds and arrangement.
I like the rhythmic dynamics on this 'un and how it floats in and out of a sonic haze.
which button to push..
This has a bizarre carnival feel, Mephisto's merrygoround? Calms down to a nice resolution at the end.
Loop on man! Meow.
awesome, thanks for the tip. Been looking for timestretch software like this!
This is trippy good. Like Santana in a blender.
Wow. The amazing glu has a tune with that same title. I wonder where he's been? Miss him.
Bump for the newbies to enjoy this track!
Like all the tonal contrast going on, and the analog (?) synths.
Yes it was a longer improv, which I edited down to the best bits. Thanks much!
Ever heard of Robert Wyatt? Very much that style. Good job.
Great electro-jazz. Cool.
Yeah B, weird. If you look at comments, the picture is not available and there's a big white box. If you view more, the picture is present, and also a slice of it at the top of the screen. Interesting bug.