Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
Solo acoustic finger picking thing I've been working on for a while. Sometime around 1968 I started studying with Mr. George Bennett who taught me the rudiments of finger picking. Later when we played some gigs together he also taught me the rudiments…
Another one from back when I was tracking to actual tape. Was going to do a new version at some point, but decided I had lost interest. Sometimes there's no sense in recreating the past! Recorded probably the beginning of 2007
...nice energy here, man. I like the freshness I pick up in much of what you are writing/performing.
Thanks for your interest/comments. Maybe we can colab. on something some time soon.
Peace- kss
A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
So, while tinkering in your shop you spy the new H4 sitting there, beckoning. You grab the guitar and spontaneously generate this very pretty thing, to break in the H4. It's another impressive performance! To respond to your question... I plan to be here, at least to listen to the great music. Barriers to recording include all the usual, oceans, stubborn equipment, yada yada. Eventually, there will be more music.
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Kirk, thanks so much for your nice comment. I miss hanging out with all my friends that were in this band, but I must admit I miss working Chris Mitchell the most. His guitar playing was top notch & always surprised me in really cool ways. One of the hardest parts about leaving Dallas for Tennessee was ending that musical collaboration that had been ongoing for nearly a decade...
New stuff has been slow in coming for me lately, but I found this lurking on my hard drive from a while back. Frankly don't remember how I did it except that it was all live to 2 tracks and at one point one of my synth patches glitched out on…
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
New stuff has been slow in coming for me lately, but I found this lurking on my hard drive from a while back. Frankly don't remember how I did it except that it was all live to 2 tracks and at one point one of my synth patches glitched out on…
New stuff has been slow in coming for me lately, but I found this lurking on my hard drive from a while back. Frankly don't remember how I did it except that it was all live to 2 tracks and at one point one of my synth patches glitched out on…
I hesitate to upload this, but there are a couple folks around who like this sort of thing. This is an edited down version of a jam I had with myself back at the end of 2007. Live to 2 tracks with the aid of the Jamman. I think it was the first…
Just one of those passing moods. Just finished today - august 2 2009. I resisted the temptation to try to develop it any further and just let it be what it is
A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
I hesitate to upload this, but there are a couple folks around who like this sort of thing. This is an edited down version of a jam I had with myself back at the end of 2007. Live to 2 tracks with the aid of the Jamman. I think it was the first…
A moody solo acoustic thing that I came up with playing in a long forgotten tuning. Just got a new Zoom H4N, so this was recorded in my shop sitting at my reedmaking bench may 12 2009
Solo acoustic guitar recorded January 2nd 2009. Hope to do a longer more developed version at some point ,but for now just a short version to learn more about using new DAW software.
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
I can't hide the fact that I've listened to Pierre Bensusan. Or that I've longed to return to Paris.
I hereby name this the "bridge to nowhere" mix since it was the musical content of the bridge that I spent the most time on.
If you've heard the song before, I've provided a shortcut video that plays the bridge from last night's version vs. tonight…
The song was constructed around a field recording of Lacandon men paddling across the lake in Métzabok, Chiapas (Southern Mexico). The Lacandon speak "Hach T'an," which is a Mayan dialect-- this is the language you hear in the track. Unfortunately…
It's the "do no harm" mix.
Because, theoretically you won't hear any difference between this and "technique 43".
Which is sad really, given how many hours I spent on it. Hours spent on the oh-so-exciting put-everything-in-Logic step…
Written and Recorded August 29, 2009
Details: Martin D1 (DADGAD - capo V), Shure SM57, Audacity, Sound Forge.
Late night improvisation in remembrance of my father.
That twanging sound at the beginning of the song is me putting my acoustic through an amp with all knobs on 10. Acoustics feedback at 440mhz, which is an A note. The song is in A. It kind of sounds like a high tension electrical wire.
Recorded August 28, 2009
Details: Martin D1 (DADFGC - capo II), Shure SM57, Audacity, Sound Forge.
After digging this tune up really I really wanted to try it again on acoustic (which I don't play much). This is a second take recorded in…
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
This is the audio version of my blacksmithing lesson from http://ironangelforge.blogspot.com/
This lesson is Blacksmithing Basics - Absolute Basics. It covers terms and the most basic tools in a quick overview, so that students of the craft…
Recorded August 26, 2009
Details: Epiphone Les Paul (DADFGC - capo II), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity, Sound Forge.
Written in 1982 after a trip to Wyoming with a couple of Alex DeGrassi cassettes....
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
A Prog Rock instrumental with guitar and keyboard melodies and solos. Three parts to this song. Depicting peace and joy on The Path of Light. A cross between Yes and jam band music. Randal Pflum, all instruments except drums.
Comments on kirklynch's stuff
you made me laugh out loud reading the description :) beautiful playing beautiful piece, thank you so much for this!
Lovely as always! And cute story. :)
lovely swingin tune there, guv. Completely envious of your awesome guitar work! It dances!
...nice energy here, man. I like the freshness I pick up in much of what you are writing/performing. Thanks for your interest/comments. Maybe we can colab. on something some time soon. Peace- kss
LUSH RICH SPARKLING lovely
So, while tinkering in your shop you spy the new H4 sitting there, beckoning. You grab the guitar and spontaneously generate this very pretty thing, to break in the H4. It's another impressive performance! To respond to your question... I plan to be here, at least to listen to the great music. Barriers to recording include all the usual, oceans, stubborn equipment, yada yada. Eventually, there will be more music.
wow, that's some gnarly guitar work!
Kirk, thanks so much for your nice comment. I miss hanging out with all my friends that were in this band, but I must admit I miss working Chris Mitchell the most. His guitar playing was top notch & always surprised me in really cool ways. One of the hardest parts about leaving Dallas for Tennessee was ending that musical collaboration that had been ongoing for nearly a decade...
Nice and fresh sense of development here, man. Thanks for the kind comments earlier. ks
This whole jam is great, I really dig your style of playing on this piece, and I especially love the lick about 2:40 or so... so smooth...
beautifully done!
...beautiful decisions/arpeggions --you texture-meister --RICH ; thanks for the soulful sounds (Also- thanks for the encouraging notice.)
@ LAM- thanks for the comments man- much appreciated. I wish the axe was attached a little better most of the time :)
Is that guitar humanly attached to your hip, you both sound as one:)
Wow! Awesome..are you related to Santana..
Short but sweet, I like it..
Love it!
Awesome man!
great again!!!
this one is so very good
Comments made by kirklynch
Wow! Nice playing man. Love this one
Lovely this time around as well!
I'm a sucker for heavy guitars with a ton of effects. Love it!
You amaze me once again with your creativity !!
Lovely track there!!
That's just beautiful man. Tugs at the heartstrings
Nice ditty and a kind of change of pace for you. Like it!
Very cool. Mix sounds great in headphones
Yeah- great atmosphere! Wish it were longer
Dig it- Rocks hard. Love the guitar sounds
I like it. nice dark feel to it
OOoooh- Doug this is just gorgeous. you gotta do more acoustic stuff man!
very cool- inspirational
Interesting stuff man. I actually use a piece of railroad iron myself to forge the keys for the instruments that I build
Beautiful one Doug!
Incredible! Love it
Very cool- Dig it!
Really nice- great sounding production!
Really pretty- would love to hear a longer version
Nice-I like it. Oddly fits my mood this morning