An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
A happy kind of electro pot-pourri.
The process:
- find a sound, noodle in Ab
- find another sound, develop a compatible noodle
- repeat a couple of times
- program a beat
- add replicant
- find other sounds for a B section
- find more sounds…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
A happy kind of electro pot-pourri.
The process:
- find a sound, noodle in Ab
- find another sound, develop a compatible noodle
- repeat a couple of times
- program a beat
- add replicant
- find other sounds for a B section
- find more sounds…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
it's always a pleasure to listen to your work MMI. I dig how you incorporate anything you wish into your music. You've got an open mind and this allows you to express yourself so beautifully in your aural creations.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Derivative- This one was not supposed to be on the album, but I changed my mind and worked on it. The reason for the intended omission was because the riff, which I have been playing with for a few months, just sounded so derivative of Dear Prudence…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
The fourth piece in my 'Dissolving into Noise' collection IV was made entirely with my new Reaktor instrument "Yottskry" (see the [demo video](http://www.youtube.com/watch?v=KEjtiTeR8w8) for more info on Yotskry).
I used Yotskry standalone…
A personal anti-war song...or something like that !-)
"
I wrote this song,
It came from the inside,
Because of that,
I can make it stop.
"
Gear used: Dark Energy, Micron
I know, you think I've completely lost it. This is actually a cover tune. Originally done by Wall of Voodoo around 1979. I did it from memory and ear, so I'm not sure if I got the notes or the Key right. It don't matter though, It was fun.
I…
I recently bought the Imperfect Samples [Braunschweig Upright](http://www.imperfectsamples.com/website/samples/braunschweig/braunschweiguprightpiano.php) (Pro) sampled piano for Kontakt after falling in love with the sound of the demos.
I have…
Hi folks,
It's good to back after RPM and the blackout of 2010.
A couple firsts here. I recorded this 100% with the computer. I never plugged in to a computer before.
I've always used a Roland VS machine and burnt my
songs/tracks to SCSI…
So I just figured out that the EXS24 sampler instrument in Logic Pro (the DAW I use) can also import SoundFont2 files, which I happened to have a bunch of from a previous life as a Cakewalk user. All the tracks in this tune were played using old…
I came up with the main bass riff on my electric bass, but after recording it I was unhappy with the tone, so I used a sampled upright bass. On top of that is a layer of doodling "lead guitar" (played on my bass), a dreamy semi-harsh organ sound…
Comments on mmi's stuff
love your 24 and the perfect album cover too.
I dig all of these. A fantastic 24 hour effort. And I second what Kirk said, I want to be a fly on the wall in your studio! :)
Retrohappytastic with maybe a little bitterretrosweet also.
Oh my.
Beautiful choice of voices in here - very beautiful in fact. I can feel the sun shining in the garden of my sonic dreams.
Another nice result. I don't think I'd end up with something this enjoyable to listen to if I tried a 24in24!
Nice! Bits of this remind me of some of the more electronic stuff that Anthony Phillips did back 30 years ago
This has a great flow to it that feels very natural, and the choices of sonic elements are fantastic. Nice work!
Really like this one! Lovely track!
Yay! Let's hear it for apps. Like this a lot.
Strange and understated, I really love this.
very cool man. very, very cool!
The recipe obviously worked! Great stuff man. Wish I could be a fly on the wall for a day in your studio
it's always a pleasure to listen to your work MMI. I dig how you incorporate anything you wish into your music. You've got an open mind and this allows you to express yourself so beautifully in your aural creations.
Whoa horse! Heavy MMI. I like this one man. Real cool sound.
Nice, I enjoyed this. You should paint yourself into corners more often!
Beautiful one man!
this is beautiful... I really love this, thank you.
MMI, there can never be too much figure skating.
very nice album!
Comments made by mmi
Awesome twisted genius here. Love it.
A thing of magnificence, strength and beauty.
ooh I like this
Very nice.
This'll be on a Mexican Radio soon. Nice stuff.
Wow! How am I only discovering this now?!?
Holy shit! Bravo!!!!!! This is truly inspiring.
Sucker for the wistful slide guitar.
As though you stole this from Iggy Pop's home studio. :-) Awesome!
Peter Murphy and Lux Interior's illegitimate love child. Oddly compelling.
Welcome. Your new computer overlords are very pleased.
Wow, quite the eclectic record. Don't change. And I quite like this track (I'm a closeted Pelican fan)
Beautifully haunting.
Hot swampy goodness.
Yes!
holy crap! Not too early to tell that this is making the album. Don't change a thing.
Great fun! I feel young again.
Volcanic!
Wow. Just wow.
Very very nice way to start my day.