An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
A happy kind of electro pot-pourri.
The process:
- find a sound, noodle in Ab
- find another sound, develop a compatible noodle
- repeat a couple of times
- program a beat
- add replicant
- find other sounds for a B section
- find more sounds…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
A happy kind of electro pot-pourri.
The process:
- find a sound, noodle in Ab
- find another sound, develop a compatible noodle
- repeat a couple of times
- program a beat
- add replicant
- find other sounds for a B section
- find more sounds…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
it's always a pleasure to listen to your work MMI. I dig how you incorporate anything you wish into your music. You've got an open mind and this allows you to express yourself so beautifully in your aural creations.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
I'm better at using my pots and pans for music than for food, so I post this tune in hunger. 3 pots, 1 pan, and a tabla.
"i'm just a gangsta in the jungle" recorded in the amazon. It's actually a part of a monologue that I will likely never post…
First draft.
Dedicated to my mother on her birthday.
In the outro: Trombone, Horns, Clarinets, Mouthpiece buzz by Andy Hentz (arrsuarez) and organic drum related sounds by Glu.
My evening challenge: compose and record a piece in an evening. Song titles will reflect the time of day when the day's light slips into the darkness of night.
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
So one too many coffee's and I have insomnia, I decided to mess about with my prototype sequencer Rytme and one of the Logic piano presets (Piano Motion).
I came up with this piece (in the key of A Major) which is rather repetitive (a quality…
This track makes me strangely uneasy. Because of a hiccup cure that involves saying "now" at the exact time you're about to hiccup. Concentrate hard enough on the task, your hiccups will just stop, leaving you a little on edge (still expecting a hiccup)...
So I hear your track saying "now" and I get that same on edge feeling. Creepy. And weird.
I'm working on a March RPM... it is "record per month" after all, is it not? So, this month I plan to expand on some ideas with glubotic... I hope to make the album a full hour.
2009 Record Production Month Challenge offering. Very pleased with the collective results. The title came from my friend Zane. His iced tea was in a damaged cup. Thus the title. There are various quotes in the song including some from Mishima…
02 – Falling Down Again. Written 17th/18th Feb. Recorded 17th/18th/19th Feb.
A slightly schizophrenic pop song, with a vocal section that also betrays me wanting to be a Beach Boy. Worryingly there is actually a red sticky trickle that seeps…
Comments on mmi's stuff
love your 24 and the perfect album cover too.
I dig all of these. A fantastic 24 hour effort. And I second what Kirk said, I want to be a fly on the wall in your studio! :)
Retrohappytastic with maybe a little bitterretrosweet also.
Oh my.
Beautiful choice of voices in here - very beautiful in fact. I can feel the sun shining in the garden of my sonic dreams.
Another nice result. I don't think I'd end up with something this enjoyable to listen to if I tried a 24in24!
Nice! Bits of this remind me of some of the more electronic stuff that Anthony Phillips did back 30 years ago
This has a great flow to it that feels very natural, and the choices of sonic elements are fantastic. Nice work!
Really like this one! Lovely track!
Yay! Let's hear it for apps. Like this a lot.
Strange and understated, I really love this.
very cool man. very, very cool!
The recipe obviously worked! Great stuff man. Wish I could be a fly on the wall for a day in your studio
it's always a pleasure to listen to your work MMI. I dig how you incorporate anything you wish into your music. You've got an open mind and this allows you to express yourself so beautifully in your aural creations.
Whoa horse! Heavy MMI. I like this one man. Real cool sound.
Nice, I enjoyed this. You should paint yourself into corners more often!
Beautiful one man!
this is beautiful... I really love this, thank you.
MMI, there can never be too much figure skating.
very nice album!
Comments made by mmi
Just keeps getting better and better.
Beautiful. Just the sort of thing my wife secretly wishes I was capable of writing for her.
Wow. Surely a nominee for the Groovemeisterschaft der Welt ;-)
Wow. Just wow.
I think that room and the laptop mic add something that you might have lost in a more formal recording environment. Well done.
Blown away. I fear what you will do with an e-bow :-)
You've hit on something special here.
Very very cool. I think you're definitely on to something.
This track makes me strangely uneasy. Because of a hiccup cure that involves saying "now" at the exact time you're about to hiccup. Concentrate hard enough on the task, your hiccups will just stop, leaving you a little on edge (still expecting a hiccup)... So I hear your track saying "now" and I get that same on edge feeling. Creepy. And weird.
So hot and so chill.
Squaaaaawk! Screeeech! Whoomp-whoomp-whoomp.
Oh yeah, now we're soldering.
I've wet myself
Wow.
Heh, I love these "throw-away" warmup treasures. Awesome.
Hot squishy (gluey?) goodness. The modulation (at around 0:50) caught me off-balance. Nice surprise.
laughing my ass off! Brilliant!
Love the Fripp guitar sound. Schwiiiing!
Brilliant.
Lighting up and powering my morning!