This track started with an accident.
I started building a pattern in Elysium. When I was happy with that, I recorded a bunch of it with Live. I loop recorded with quantization. When the thing looped around, I realized that Elysium was still…
A 30 minute track (creation time).
Went for dinner with friends that were having trouble getting along.
They were in my thoughts whilst I put this together.
It starts out with trashcan drumming.. makes me want to move! Then it evolves with all the rhythmic synth layers... I likey.. If you are passively looking for input, I'd recommend thinking about how to utilize more negative space to emphasize that trash can rhythm at parts...I think you do this in a different way.. in sections rather than throughout the track.. and well, my recommendation comes with a big fat disclaimer... I tend to want to hear the wall of sound layers deferring to tribal beats :-) , Maybe gate or cut out parts of those polyrhythms on certain beats. I like the grinding end too.
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
When you do this kind of track it evokes a feeling of travelling without moving.
It reminds me of being a passenger in a car on a motorway at night, slightly tired and letting the world glide, carelessly, past me.
I've always liked that feeling.
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
A little study using Dmin6 and Dmin7 with a little D dorian dressing.
The cover art in the mp3 is by thomwisdom:
http://www.flickr.com/photos/thomwisdom/2605283686/
Sometimes magic happens. Sometimes it even happens to me.
Open D tuning (low to high D A D G A D). Just a practice session where I had the guts to press record.
No drugs. Just beer with dinner. Maybe they put something in the creme brule…
Started off with me just goofing around with Battery and a couple of other NI things (which are new to me) and grew into this...
It may still have places to go.
I'm better at using my pots and pans for music than for food, so I post this tune in hunger. 3 pots, 1 pan, and a tabla.
"i'm just a gangsta in the jungle" recorded in the amazon. It's actually a part of a monologue that I will likely never post…
First draft.
Dedicated to my mother on her birthday.
In the outro: Trombone, Horns, Clarinets, Mouthpiece buzz by Andy Hentz (arrsuarez) and organic drum related sounds by Glu.
My evening challenge: compose and record a piece in an evening. Song titles will reflect the time of day when the day's light slips into the darkness of night.
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
So one too many coffee's and I have insomnia, I decided to mess about with my prototype sequencer Rytme and one of the Logic piano presets (Piano Motion).
I came up with this piece (in the key of A Major) which is rather repetitive (a quality…
This track makes me strangely uneasy. Because of a hiccup cure that involves saying "now" at the exact time you're about to hiccup. Concentrate hard enough on the task, your hiccups will just stop, leaving you a little on edge (still expecting a hiccup)...
So I hear your track saying "now" and I get that same on edge feeling. Creepy. And weird.
I'm working on a March RPM... it is "record per month" after all, is it not? So, this month I plan to expand on some ideas with glubotic... I hope to make the album a full hour.
2009 Record Production Month Challenge offering. Very pleased with the collective results. The title came from my friend Zane. His iced tea was in a damaged cup. Thus the title. There are various quotes in the song including some from Mishima…
02 – Falling Down Again. Written 17th/18th Feb. Recorded 17th/18th/19th Feb.
A slightly schizophrenic pop song, with a vocal section that also betrays me wanting to be a Beach Boy. Worryingly there is actually a red sticky trickle that seeps…
Comments on mmi's stuff
very solid beats. nice base and pads
Way cool! This really drives! Nice!
You got a great track out of it. I dig the blend of synth/guitar.
very atmospheric. I found myself staring off into the middle distance. chill
Ooh, I like my rhythm hot.
It starts out with trashcan drumming.. makes me want to move! Then it evolves with all the rhythmic synth layers... I likey.. If you are passively looking for input, I'd recommend thinking about how to utilize more negative space to emphasize that trash can rhythm at parts...I think you do this in a different way.. in sections rather than throughout the track.. and well, my recommendation comes with a big fat disclaimer... I tend to want to hear the wall of sound layers deferring to tribal beats :-) , Maybe gate or cut out parts of those polyrhythms on certain beats. I like the grinding end too.
Love this!
Another one that made me come running over...wonderful, MMI, a rip yer heart out beauty.
What a wonderful feeling this evokes! Lovely!
good work..hard chords to get on the guitar..
Oh, this is delicately gorgeous!
When you do this kind of track it evokes a feeling of travelling without moving. It reminds me of being a passenger in a car on a motorway at night, slightly tired and letting the world glide, carelessly, past me. I've always liked that feeling.
Very nice, subtle, wonderful atmosphere. . Makes me want to get out the guitar and looper.
Damn.. it makes me want to throw this book across the room and hook up the studio proper.
super lush. It just keeps getting better.
Still a great track- hadn't heard it for a while
like the ear candy!
yeah.
Smartly wistful. No clutter. I really like it.
Wonderful, well done.
Comments made by mmi
Just keeps getting better and better.
Beautiful. Just the sort of thing my wife secretly wishes I was capable of writing for her.
Wow. Surely a nominee for the Groovemeisterschaft der Welt ;-)
Wow. Just wow.
I think that room and the laptop mic add something that you might have lost in a more formal recording environment. Well done.
Blown away. I fear what you will do with an e-bow :-)
You've hit on something special here.
Very very cool. I think you're definitely on to something.
This track makes me strangely uneasy. Because of a hiccup cure that involves saying "now" at the exact time you're about to hiccup. Concentrate hard enough on the task, your hiccups will just stop, leaving you a little on edge (still expecting a hiccup)... So I hear your track saying "now" and I get that same on edge feeling. Creepy. And weird.
So hot and so chill.
Squaaaaawk! Screeeech! Whoomp-whoomp-whoomp.
Oh yeah, now we're soldering.
I've wet myself
Wow.
Heh, I love these "throw-away" warmup treasures. Awesome.
Hot squishy (gluey?) goodness. The modulation (at around 0:50) caught me off-balance. Nice surprise.
laughing my ass off! Brilliant!
Love the Fripp guitar sound. Schwiiiing!
Brilliant.
Lighting up and powering my morning!