something made in thumbjam -0- I had deleted all the saved songs from my thumbjam memory and reinstalled thumbjam 000 it was occupying about 15 gigs of space for the music I had already downloaded 000 this is a fresh start ,.. I may have to reinstall…
I like the development in this. Nice work - you always pull out the unexpected from the synths you work with regardless of the format. I would not have guessed this to be Animoog!
soaring and raw. something heavy gliding through the air, a pulsing, undulating and morphing strange beast...then it seems to touch down, hopping over the hills.
All matter is alive... in away.,,. Things, everything, everywhere is alive everywhere,... even photons make decisions, how do they do that? the molecules in my body but the molecules everywhere it is all alive,.. life is everywhere life is a living…
very much in the structure of cells dividing, multiplying...vibrant resonance, also spreading...shifting while also staying the same...like a map of wild territory, you never quite know where you are except in the experience
taking one song and using the audio frequency to modulate the frequencies of another song. then I play both songs mixed or mashed together then I go back and play the frequency modulations and the songs all together .,, totally mixed like that,..
taking one song and using the audio frequency to modulate the frequencies of another song. then I play both songs mixed or mashed together then I go back and play the frequency modulations and the songs all together .,, totally mixed like that,..
Now and perpendicular to now, where shadows are, as we will create the next song of music and make sounds together in the now but also in the perpendicular to now for the theme at sound in. of course any music on theme or not is ok. At right angles…
just more in the mix here with the last three to four minutes IMO taking away from the music, I can delete that if you think so? we are just continuing down the tape I made in 2006 one of many, hundreds actually and I can not keep them straight,,
Thanks AMUC,.. I created this in performance playing all the sounds on the supernova II and microkorg xl ,, the microkorg was played via midi notes from the supernova II,.. because they are from two different companies there midi definitions do not mesh easily the values get sent .. and "something" on the korg changes IDK what ,, but i can hear what I am changed in the sounds it makes.. this is so fun to experiment with .. I am glad I started trying this out since about 2015,.. ooo
remapped the original therapeutic healing logic project into different instruments and like that,.. enjoy. 9 tracks total with separation in stereo going on.
wow---Darmok with hands held open.. :)
It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
Thank you Greg, Colleen, and Andrew for your comments. I need to add a little more from that day so long ago.
The Battle for Layfayette Square were improvisational warm ups and cool downs for practicing this progressive rock attempt that clocks…
Initially a contribution to an upcoming Chris Vaisvil record. I did several short real time played or created samples and remixed live in a new Pure Data patch I'm developing the 53 seconds I did for Chris with my original samples enhanced…
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..---
yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
excellent such total control going on.. it is interesting .. lots to hear. it is almost chaotic anarchy going on to be resolved by the delicate touch of the those final chords. wow
Using a hang drum and hand pan apps, Pure Data oscillators recorded live, mixed down with a manipulated oscillator track and a city market sample on the end from Freesound.org contributing member Klankbeeld https://freesound.org/people/klankbeeld…
classic electronic constructions with sound. so great. == but ?- is there a loose knob .. I love loose knobs.. they get the stuff that are machine specific to just one machine.. mmm I can't tell, but I am not hearing any loose knobs., going on.. sometimes I think ... maybe I am the loose knob... hehe.
The end of this is.. the best part .. that part with out drums just is what I like... Things like that as a whole song would be neat. Anyway people usually like drums.. I like sound effects..
nice.. don't lose that embouchure, I have lost mine. I am not willing to put the time in again to get it back.. since I have had a trombone again..--- you know it is not that I can't play the trombone .. it is that the sound is not like that of someone playing with an.. embouchure -- nice whisper like effects toward the end..
Comments on Newbold's stuff
love the metallic sounds you get at times out of this!
this is cool! I like the mix of classical and electronic here!
What are you doing to this place man?
This is great!
Another great piece!
I like the development in this. Nice work - you always pull out the unexpected from the synths you work with regardless of the format. I would not have guessed this to be Animoog!
soaring and raw. something heavy gliding through the air, a pulsing, undulating and morphing strange beast...then it seems to touch down, hopping over the hills.
very much in the structure of cells dividing, multiplying...vibrant resonance, also spreading...shifting while also staying the same...like a map of wild territory, you never quite know where you are except in the experience
I like that it is a kind of fly buzzing ... LOL just on and on with the fly that won't die :) cool
Anybody got any fly spray?
Evocative stuff.
kkkkk
i have a lot of boogers today
yes that is what I am using here to record my supernova II .. the midi and audio --
test
do you use REAPER DAW?
Thanks AMUC,.. I created this in performance playing all the sounds on the supernova II and microkorg xl ,, the microkorg was played via midi notes from the supernova II,.. because they are from two different companies there midi definitions do not mesh easily the values get sent .. and "something" on the korg changes IDK what ,, but i can hear what I am changed in the sounds it makes.. this is so fun to experiment with .. I am glad I started trying this out since about 2015,.. ooo
What a strange sonic dimension this is. Very immersive through headphones.
Intriguing soundscape!
well the links only work in the albums I guess 000 🦖🦖🦖🦖
Comments made by Newbold
wow---Darmok with hands held open.. :) It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
great.. this is sounding more experimental then avant garde .. not that I have ever been able to tell the difference them at times- What were those original words you spoke.. I sorta think I know what you said but yeah Have to make sure.
nice... powerful-
very delicate in its way--
yes very powerful music and lyrics.. can't quite hear the lyrics but I am glad you wrote them out the lyrics are the best I have seen ..-- wow
good sounds going on in this.
I started listening to this the day before but had to do something it was getting off to a great start --- I am back to finish.. and listen to the beginning again..
this.. this is so neat.. it has many different elements in a wide variety of way shapes maybe but a kind of protest in sound very good.
it is hard to tell that it is not the original. .. very good cover..--..
subtle creativity going on .. it is most minimal in nature I like that --- I will post here with I said on the fb group..--- yeah not other.. worldly but between that other worldly and this worldly-- It is .. intense I find the saw sound often with feedback 'extreme' delay settings on the supernova. 0--0 I have come to look for the buzzsaw = sound in the digital delay settings on my machine. It is a balance of feedback and feedthru that makes it what it is. for me. this is a great because I hear my sounds there too. but this is totally controlled and out of flux where when I make the buzzsaw .. it is in constant change .. with nothing regular about it at all .. yours it the regularity that sets the song apart.
excellent such total control going on.. it is interesting .. lots to hear. it is almost chaotic anarchy going on to be resolved by the delicate touch of the those final chords. wow
these birds are great.. :) such great textures in the mix.. it is ..-- is great.
nice stuff. here.
classic electronic constructions with sound. so great. == but ?- is there a loose knob .. I love loose knobs.. they get the stuff that are machine specific to just one machine.. mmm I can't tell, but I am not hearing any loose knobs., going on.. sometimes I think ... maybe I am the loose knob... hehe.
thanks Jim --- it is quite the frequency mix going on-- I am just getting my feet wet with the macbook pro I have now.-- is quite a machine.-
nice work here--
nice and mellow .. ---
The end of this is.. the best part .. that part with out drums just is what I like... Things like that as a whole song would be neat. Anyway people usually like drums.. I like sound effects..
nice.. don't lose that embouchure, I have lost mine. I am not willing to put the time in again to get it back.. since I have had a trombone again..--- you know it is not that I can't play the trombone .. it is that the sound is not like that of someone playing with an.. embouchure -- nice whisper like effects toward the end..
rather long but well worth the listen the sounds are new and old going on in a wild mix that I like ..--