I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I am working with free midi creations i have done and the copy past function with pitch alterations in midi then mixed and edited for the morning of the hog. (no ground it is all ice)
I am working with free midi creations i have done and the copy past function with pitch alterations in midi then mixed and edited for the morning of the hog. (no ground it is all ice)
Superb organic track, free jazzy style mixed with electronics can bring along a most vivid ambiance. Should check in here more often..... Amazing track
here this might need to be chopped up and layered then stretched somehow with Paul's stretch program. but this a section of the 32 min performance just rendered right from the record.
Thanks Chris I was going to try to eliminate that sin pan effect thinking it was too much cause I used to do lots of that but maybe constancy is important to a kind of style?
Was going to layer or track this into the jumping on 2 but could not do that legitimately anyhow by the end I start part of the jumping on 2 song, coming next. first here i set the levels then at about min 2 something I sync the beats between…
thanks sister and Chris
@vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.
As she leaped into the crater and then falling for what took forever she ended in full possession of a controlled psychosis and she was rapidly loosing any kind of control to the silver pearls in a perilous discombobulated series of metapsionic…
tell me about the game or a link or something this is an image of the current game I am at now..
http://i693.photobucket.com/albums/vv295/h92o/configure%202/PIC_1757.jpg
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
It's the soul-low as effective for red-tax and sailboats off the edge so we can melt the sun and wake Poseidon for the next fiscal year if you want?,, Maybe if you play the track backward the witches wood would break into new lifeless meanings of the way to go, somehow again. ??
check the video I took the song and layered and stretched it with the video editor :) the video footage is the song being made real time the layered one third doubled atop the two thirds of the video with all the sounds included ..
The complete "how to" article and online play back is on my blog http://chrisvaisvil.com/?p=404
Yesterday I was able to capture the Fractal Tune Smithy midi stream of an "on the fly" relay re-tuned performance in Sonar 8.5 by use of LoopBe1…
A piano solo in the JI version of Wilsonistic pivot on C tuning posted to the Just Intonation group by Margo Schulter 12/25/2010. The piece was improvised on a M-Audio 88es using Pianoteq 3.6 and recorded in Sonar 8.5 with some editing of the…
Comments on Newbold's stuff
brilliant electrofiasca!
wowza
the actual stretch is like an hour and fifteen minutes the video production compressed that stretch :).. fyi..
also,, really nice in the headphones
a bit of electrical magic
the video gives the impression of galactic nebula super imposed on visceral human organic residues - this is a really unique video Bill.
much more effective with the video and stretch! this looks so cool!!
Had a few listens this morning...what a weird and delightful way to start my day:) Brilliant!
Superb organic track, free jazzy style mixed with electronics can bring along a most vivid ambiance. Should check in here more often..... Amazing track
sounds good so far, gonna come back for the rest later.
Thanks Chris I was going to try to eliminate that sin pan effect thinking it was too much cause I used to do lots of that but maybe constancy is important to a kind of style?
nice I like the sound sin the panning sweeps a lot.
peaceful - wonderfully chilled - I enjoyed it very much!!
thanks It was really fun too to make them. :)
Wild tones.
sure!! I would love to hear what you can do with this. :)
I like it! Can I do something to / with / about / for it?
this track could use a drum kick at 2:04/5:15...anyways this is cool..
thanks sister and Chris @vaisvil I have them connected right now just they only work like that when they are interfaced with a midi program on the computer, otherwise they ignore one another. ?
I like the arp work - more microkorg here? Have you tried hooking up the supernova to the korg via midi and audio?
Comments made by Newbold
As an experienced user I can find no other way to describe these mysteries. *channels more power through the broken lights to you*
soo sooooo cool:; this stuff is like very very real at times.
I have that problem from time to time the wave form is there it just does not work ,,, a few days ago it happened to a whole song of mine really upset me because I liked the sounds I had made..
reminds me of a mixture of such a variety of songs.
It is good to get this out to the web finally :)
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
here the microkorg is the "lead" while the supernova II does the "undertones" I am trying to sync the two in post producion ,,, some of the stuff from yesterday is sync but I used buzz modular synthesis to do that.
tell me about the game or a link or something this is an image of the current game I am at now.. http://i693.photobucket.com/albums/vv295/h92o/configure%202/PIC_1757.jpg
thanks the more of this a was actually recorded first then this one was second... the video is in production with the layering effect
It's the soul-low as effective for red-tax and sailboats off the edge so we can melt the sun and wake Poseidon for the next fiscal year if you want?,, Maybe if you play the track backward the witches wood would break into new lifeless meanings of the way to go, somehow again. ??
check the video I took the song and layered and stretched it with the video editor :) the video footage is the song being made real time the layered one third doubled atop the two thirds of the video with all the sounds included ..
has an almost slowed down crafty guitar like effect just more organized then that. pretty.
have to make more of these videos when there is the more powerful computer back from the shop :) ,,
very pretty Chris I like the running chromatics here.
distorted spots were confusing in order to discern exact melodies but that might of been the idea...
this sounds like something I did, well the guitar work when I altered it in cubase. It is really nice to hear similar stuff in other places!!
very expressive hypotheticals and they are really beat wise in thought developing with the sound tensions .. nicely worked - in other words
the universality is quite satisfying, special breath effects could be more intense ,, Maybe..
listening to this album ,, I like the blue-mars effect :)