nope - those are chinese gongs - some just have natural phasing - I don't know how that works but there it is. Also, according to the gong samples I have you can get a large number of different sounds depending how they are struck. Heck, I forgot, Norm has a gong - a pretty big one too - I bet he could make you some custom gong samples if you'd like.
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I am working with free midi creations i have done and the copy past function with pitch alterations in midi then mixed and edited for the morning of the hog. (no ground it is all ice)
I am working with free midi creations i have done and the copy past function with pitch alterations in midi then mixed and edited for the morning of the hog. (no ground it is all ice)
Superb organic track, free jazzy style mixed with electronics can bring along a most vivid ambiance. Should check in here more often..... Amazing track
here this might need to be chopped up and layered then stretched somehow with Paul's stretch program. but this a section of the 32 min performance just rendered right from the record.
Thanks Chris I was going to try to eliminate that sin pan effect thinking it was too much cause I used to do lots of that but maybe constancy is important to a kind of style?
Was going to layer or track this into the jumping on 2 but could not do that legitimately anyhow by the end I start part of the jumping on 2 song, coming next. first here i set the levels then at about min 2 something I sync the beats between…
She comes around to steal the day.
When she comes around, she wonβt behave.
and all good people kneel and pray.
cause she never frowns at a chance to play.
Planets collide and stars expire.
And I blame that girl for bringing us fire…
http://improvfriday.ning.com/
recorded for the Japan benefit happening this weekend (right now) over at improvFriday. Stop by and help or just give a listen.
My father brought a koto back from Japan after WWII, I thought this might be a good time…
Four different tracks of Roland SE-02 controlled via MIDI by a Casio DH-100. Choosing different voices on the Casio causes settings to change on the Roland, which were then tweaked a little. Submitted to Sound-In "Roleplay Improv" for 1-8/2/2024.
I really like doing things between midi instruments made by totally different companies.. I do it with my novation supernova II and my microkorg xl it's just a matter of learning to ways that the midi signal is mapping back and forth...
Trial run after rearranging some electronic doodads on my side desk, most notably the pictured Drone Stack and HypnoDrone from Kaiser Electrical Instruments in lovely Duluth, MN. Recorded at the end of a rare week-long ice event in north Alabama.
Experimental ambient stuff is the best.. I like the scratchy sounds connecting with stereo Pong pan process especially when the rest of the sounds are not in any beat form or texture.. thanks ππΆπ§π΅πΈπ½
For female voice and harp in Pythagorean tuning
IV
His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six oβclock;
And short square fingers stuffing pipes,
And…
Excellent thanks for taking time and making this happen.. βΊοΈ this is a most abstract poem like Candy dishes made from a car Axel's while hanging from circular rainbows spilling out of a glass of milk π₯...
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
Three different versions of a similar line created using the onboard sequencer on a Roland SE-02. the different voices were created by changing settings on a Casio DH-100 digital horn attached via MIDI, and playing the horn. Submitted to Sound…
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
I'm working on a series of new pieces for an electro-acoustic album. As this one is most are done using Pure Data as a somewhat compositional playing in the process. I'm capturing real time playing to loop tables and then laying them into an…
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
Comments on Newbold's stuff
nope - those are chinese gongs - some just have natural phasing - I don't know how that works but there it is. Also, according to the gong samples I have you can get a large number of different sounds depending how they are struck. Heck, I forgot, Norm has a gong - a pretty big one too - I bet he could make you some custom gong samples if you'd like.
this one is less defined some how
ooo 0:16 - like the electric guitar feedback sound! you are getting a lot of great textures!
brilliant electrofiasca!
wowza
the actual stretch is like an hour and fifteen minutes the video production compressed that stretch :).. fyi..
also,, really nice in the headphones
a bit of electrical magic
the video gives the impression of galactic nebula super imposed on visceral human organic residues - this is a really unique video Bill.
much more effective with the video and stretch! this looks so cool!!
Had a few listens this morning...what a weird and delightful way to start my day:) Brilliant!
Superb organic track, free jazzy style mixed with electronics can bring along a most vivid ambiance. Should check in here more often..... Amazing track
sounds good so far, gonna come back for the rest later.
Thanks Chris I was going to try to eliminate that sin pan effect thinking it was too much cause I used to do lots of that but maybe constancy is important to a kind of style?
nice I like the sound sin the panning sweeps a lot.
peaceful - wonderfully chilled - I enjoyed it very much!!
thanks It was really fun too to make them. :)
Wild tones.
sure!! I would love to hear what you can do with this. :)
I like it! Can I do something to / with / about / for it?
Comments made by Newbold
The lyrics bring me back into 15 years ago and I knew someone like you are describing.. Yes a totally different time in my life.. π§¬βΊοΈ
Wow π³ love your use of the synthesizers in a guitar πΈ style. Nice drum π₯ placement πΊ
awesome,.. wow
Ohh wow π― so π cool π
Yes oh so great π.. WOW π²..
So nice ππ really did a great job with this
I really like doing things between midi instruments made by totally different companies.. I do it with my novation supernova II and my microkorg xl it's just a matter of learning to ways that the midi signal is mapping back and forth...
Nice ππ
How do you create this sound??
Experimental ambient stuff is the best.. I like the scratchy sounds connecting with stereo Pong pan process especially when the rest of the sounds are not in any beat form or texture.. thanks ππΆπ§π΅πΈπ½
Excellent groove and beat.. πͺ
Totally different song from the shower song it's hard to believe it is just a tempo change.. thanks..
Excellent thanks for taking time and making this happen.. βΊοΈ this is a most abstract poem like Candy dishes made from a car Axel's while hanging from circular rainbows spilling out of a glass of milk π₯...
I agree with Jim.. but more than ghostly some kind of robotics ghost haunting our ears and minds.. and yet not long enough to get us too scared π³
I can hear several Jerry Garcia riffs bouncing around in this one.
Repetitive single notes... I have always loved.. and the dissonances just perfect.. I feel that dissonance on a piano πΉ is really good.. it's a kind of music I like more than a harmony and standard chords.. thanks for sharing this and playing.. wonderful π
I like this idea π‘ you have here βΊοΈ
I kinda think that there is a lot more to learn about playing a saxophone π· than what the Casio DH-100 would teach me.. although it was released in 1988 .. it's cool yours still works.. and quite well at that.. with a saxophone my problem is the wood reed buzzing that tickles my whole face.. I don't get that with my trombone.. but saxophones and clarinets the reed buzzing was very hard for me to make happen.. gosh I have over shared yet again lol π
Pure data pd π€― just not easy to create compositions but once I started using maxy like I do I can see how much patience pd requires that I just didn't have.. I have now found touchdesigner it's only been out on the net since 2000 .. but I bet touchdesigner and pure data are able to talk in real time.. π with each other and I don't really know what that could mean for live performance.. ??
Beautiful π