*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
I asked CaptGene for something funky, trusting that a fishing guide from Babsom Park would know exactly what I was talking about. He did. The Captain knows funk.
I used to have a link to his original version here, but that is no longer available…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
Love it ....way too short .....but I suppose .....thats Original pieces for you....you just get into them and there gone and your left wondering so you play it again ......it's double player for sure but I still ....stand by ....love it and way too short.....
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
There are 3 styles of the Rumba Guáguánco pattern: this one originates from the Cuban province of Matanzas (to the east of Havana).
“Rumba” is a Spanish term for a gathering of musicians, singers & dancers (what West Africans refer to…
Ok, so I'm just a percussionist, and if your only tool is a hammer, the entire world looks like a nail. I get it. And I also get that our songs are our children, so we should be very careful about whom we let them play with.
When I first heard…
well, I've given you guys a couple years to answer this.What is the time signature on this piece? Can you snap your fingers to it?
Didn't think so.
Chris, this is a master piece. I just love it still.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Shirt: *Pilón* is not only the name of this pattern, but also the name of a town on the southern coast of Cuba. Perhaps both Pilón coffee and the pattern are connected to that town in some way.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
I used about half of the tones produced in my stop sign video as samples looped in Kontakt and improvised on an 88 key controller in 17 equal notes per octave. Not something you'd listen to for enjoyment.
Last one to upload today (probably)
Year: 1977
Album:
Classical Clones
Artist's description:
Something I found on tape - the best of the 6 pieces.
Me preforming a Villa Lobos piece about 1977 - a recording made while preparing for a recital…
Original Artist's description:
A cover of George Harrison's All Things Must Past created to mark TiS' imminent passing. Yes my voice sucks - if you want to take a shot at singing it contact me. now Norm joins in - any more takers?
In 2009 I ran an internet contest where contestants had to use one or more of the samples provided in their piece. Here I put together a number of the samples I provided into one piece.
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Fulfilling a request by Acid
The video is the whole point / show here. Please put into the comment section what you think the occupants of the car you see at 1:00 where thinking. Or alternately the kid on the bike at 1:20.
Fulfilling a request by Acid
The video is the whole point / show here. Please put into the comment section what you think the occupants of the car you see at 1:00 where thinking. Or alternately the kid on the bike at 1:20.
Great drumming. Bass drum kicking "Son clave" pattern the entire time while he works on the snare/cymbals... this is very difficult (for me) to do - probably why I don't play trap-set.
I wanted to see how much "music" I could get out of one chord and four notes. Sorry that it has a sort of cheesy 80s sound at times, but that's when I started playing guitar and it's hard to reprogram your brain. The chord is Bsus2 and the solo…
This is a recording of Norm and me playing together a few months ago. I didnt have any percussion instruments so Norm was on a Roland electric trap set and I had a cello. I looped some of the stuff we did that night, and retrofitted the rest…
Daisy and I both know that as soon as you get far enough away from the perimeter, the pain inflicted by the shock collar ceases, and is only a bad memory. A small price to pay for the freedom to run over the hills all night with the other freed pups.
We don't care if you hollar.
I walk 13 miles of barbwire just to sing my song
I walk 13 miles of barbwire just to sing my song
I walk 13 miles of barbwire just to sing my song
I walk 65 miles all along
I walk 13 miles of barbwire just to sing my song
I walk 65 miles…
I love this tune, it's a little bitter but still love it :)
i wrote it a couple of years ago, gladly it's here now, i really hope you like it.
Instrumental
Music: Diego Cardenas (somno project)
Diego Cardenas: Guitars, Keyboards
Steffen Offermann…
Alas, Richard is gone. But the remaining 3 briefly together in London at the O2 a few weeks ago: May 12. Lots of YouTube videos of it - I love the part where Waters hits the wall and it digitally disintegrates beneath Gilmour, playing the solo for "Comfortably Numb".
http://www.youtube.com/watch?v=-L42YTWSJtI
Can't Stop Myself by Chris (Vaisvil) and the Clones - Gothic Techno-industrial metal - ISDN stereo => from 1996
Can't Stop Myself
the thoughts they in my head
spinning around
the thoughts they eat my head
and rip me down
they want me to do…
Comments on Norm's stuff
With a ooooh Yeahh!!!
Loving this - wish it was muuuuuch longer! Had to share it on FB.
I just stumbled across this today! E X C E L E N T
Love it ....way too short .....but I suppose .....thats Original pieces for you....you just get into them and there gone and your left wondering so you play it again ......it's double player for sure but I still ....stand by ....love it and way too short.....
Kickin beats. Totally diggin this!
Very cool! Missed this one
well, I've given you guys a couple years to answer this.What is the time signature on this piece? Can you snap your fingers to it? Didn't think so. Chris, this is a master piece. I just love it still.
Love the flange and the triangle (Or whatever steel you used) Goodness all over!!
@Shirt: *Pilón* is not only the name of this pattern, but also the name of a town on the southern coast of Cuba. Perhaps both Pilón coffee and the pattern are connected to that town in some way.
I drink that every morning..Delicious Espresso.
ok, ok. So its chicken on 3? Love the suga cane beets bro! Congrats 2R's!
Cool!
really cool and a mighty fine production !!
I mean percussionists...yeah that's it. Percussionists!
Big boys tend to be drummers...
Super swish beats!
Super nice groove man!
Norm, just how many chickens have you raised? ;-)
Aaw, now I want chicken. With Bee.
A great tribute to the new little man. Amazing track, really diggin this groove. :)
Comments made by Norm
Hair raising!
Nice playing Chris!
Diggin' out some of the older ones! Spring Cleaning? My how things have changed...
I remember that!
Beautiful Richard!
Lovely!
Very revealing!
If things start to look like that while one is driving, I would suggest pulling over and calling a cab!
Ha! I guessed it before seeing the video!
Are you actually bowing a stop sign??
Great drumming. Bass drum kicking "Son clave" pattern the entire time while he works on the snare/cymbals... this is very difficult (for me) to do - probably why I don't play trap-set.
Great club song.
Many times less is more. It's amazing how much you got out of so little. Sounds great.
Lovely!
Paulstretch?? Sounds like the sound was stretched. Cool!
Daisy and I both know that as soon as you get far enough away from the perimeter, the pain inflicted by the shock collar ceases, and is only a bad memory. A small price to pay for the freedom to run over the hills all night with the other freed pups. We don't care if you hollar.
I believe that Reefwalker is just demonstrating his mathmatical skills... but I'm sure that 52 miles of barbwire walking feels like 65. :)
Alas, Richard is gone. But the remaining 3 briefly together in London at the O2 a few weeks ago: May 12. Lots of YouTube videos of it - I love the part where Waters hits the wall and it digitally disintegrates beneath Gilmour, playing the solo for "Comfortably Numb". http://www.youtube.com/watch?v=-L42YTWSJtI
Somno project?? No. Bien despierto ... y sonriendo.
Rage! (Oh, and I for one am very happy that you disregarded that dark advice.)