A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
Here's to Johnny!
Gifted composer. Talented musician. Supportive friend.
127 songs of posted AT rockin' goodness, posted from
2008-2011: the Stone Age!
Thanks for all of the tasty tunes Johnny.
5/4 120bpm.
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
sculpture and image by Timothy Schmalz - used with permission. Lyrics and quite a story if you follow the links http://chrisvaisvil.com/i-have-seen-him-orchestrated-version/
As you know, I love this piece. It is so rich and complicated, that it is mind-blowing. And while I am not certain this is the final mix for this (it really should all be acoustic, shouldn't it?)it is so delicate and intricate from a metric point of view that we (by "we" I mean all of us who hope to be involved in the final version of this)will need to spend some time together in advance to decide exactly how to tap our feet to this.
Love it.
this was originally a song about breaking through paradigms but turned into a song about a girl.
Keys and string samples from Korg, MIDI with the old Ensoniq,
one diving board.
Thanks for the listen ,enjoy... RW
Norm played the percussion first, which is a Bembe pattern; I couldnt help playing a melody and creating lyrics for this perc track. Thanks for the listen, Enjoy!
Recording some match lighting samples recently and felt compelled to put some music to it.
I put the mic up to some raw acoustic guitar. Bass and lead added with FX. Norm added percussion, making it sound waaaay better.
Contributors:
lyrics…
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
2010 24 hour challenge. Record a 24 minute song in less then 24 hours.
Work has been so crazy music has been taking a back seat. I might have to try this concept again to get anything done on the creative side of things. :)
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
A collaboration with buddies of mine from songcrafters.org Just dug it out again today and thought I'd share it.
Gnasty - Guitars, T-Jam
Ratatat-tat Drums
Me - Bass, Vox
Comments on Norm's stuff
I love stuff like this....must take you a few layers to get this all in.
Your right on the list NOrm but there's a lot more characters in the crowd too they have not come forward yet.....
Excellent as always Norm
Another beautiful beat man!
I used a hammer on a drum once. Once.
MORE COWBELLS :)
The doctor of style is in. Did I hear a triangle in there?
Norm, you Rock and you know a Hell of a lot about Conga Music! I will need your Skills on future tracks if you'd allow me the honor....
Well, red headed Bee loves it!! So will my red headed grand daughter, like me, she likes to work it too!
NICE!!!!
:) now I am playing guitar, over this rythm, and I like it!!!!
Sweet! Can't stop listening to this one!
Hammer it down Norm, as usual i love your percussion jams.
rattle your cans...pots n pans...c'mon and clap your hands!
*sits back and waits for the games to begin* This is awesomely inspiring, Mr Beats.
And I'll say it again.....excellentt
Excellent Norm
Excellent
hammer time! lots if different instruments here. cool tune
Excellent!
Comments made by Norm
As you know, I love this piece. It is so rich and complicated, that it is mind-blowing. And while I am not certain this is the final mix for this (it really should all be acoustic, shouldn't it?)it is so delicate and intricate from a metric point of view that we (by "we" I mean all of us who hope to be involved in the final version of this)will need to spend some time together in advance to decide exactly how to tap our feet to this. Love it.
Still digging this one!
Many thanks Chris!
...
...
There be me too. "Hey, a coin of all things!"
Ahhhh. Cool breeze tonight. Still loving this.
Still laughing at this one...
Sneaky little bastards! This still sounds great.
Epic, indeed!
Now I have delicious dusty, orange cheese powder all over my fingers! Excellent bi-product!
Light fuse, get away!
An awesome chemtrail followed by a loud report.
Bad ass!
More banjo! Much easier to hop a train with a banjo on your knee than with my congas - next stop Roanoke!
A two-door subcompact car won't eat much... but this kicks!
Interesting, absorbing; cool; refreshing... ah, and interesante.
Shit the bed.
Ah. That's what I'm talking about. I've been curled up in the corner of the house, twitching for a Launched fix. I'm much better now.
Excellent!