Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
from "the Hardest Blow" featuring vocals from Tess Savigear and solo guitar from Kavin Allenson
It’s name is sadly the same as me, without me
It cannot follow through doorways, the same way
Just saw the rainbow fall over
It’s game remembers…
from the album "the Hardest Blow" featuring vocals from Dana Detrick-Clark
I can't see your sorrow, innocent and blind
Better luck tomorrow, leave this all behind
I think I'm feeling something, but I'm not sure what it is
Maybe you could…
I asked CaptGene for something funky, trusting that a fishing guide from Babsom Park would know exactly what I was talking about. He did. The Captain knows funk.
I used to have a link to his original version here, but that is no longer available…
This is for today's Improvfriday. Being all a first pass improvisation against a drum beat - there are mistakes. I did go back and spiced up the drums just a bit. everything but the drums is my Roland GR-20
this is from last week's improvfriday and was performed on an AXiS 49 driving Kontakt's sax ensemble and jazz drum kit. The deep reverberation is on purpose.
This is an improvisation on a theme I play all the time when I sit at the keys. Sort of a warm up I've been playing for a very long time. It is very simple and I may have used it here already. My apologies.
Long drum solos aren't for everyone - I get it. Just do what many at Grateful Dead concerts did and look at it as an opportunity to go get another beer. On the other hand, if you are the sort of person who cheers at the fireworks show, I hope…
@Sis: LOL!
Sir Bedevere: There are ways of telling whether she is a witch.
---Are there? Oh well, tell us.
Sir Bedevere: Tell me. What do you do with witches?
--Burn them.
Sir Bedevere: And what do you burn, apart from witches?
--More witches.
--Wood.
Sir Bedevere: Good. Now, why do witches burn?
--...because they're made of... wood?
Sir Bedevere: Good. So how do you tell whether she is made of wood?
--Build a bridge out of her.
Sir Bedevere: But can you not also build bridges out of stone?
--Oh yeah.
Sir Bedevere: Does wood sink in water?
--No, no, it floats!... It floats! Throw her into the pond!
Sir Bedevere: No, no. What else floats in water?
--Bread.
--Apples.
--Very small rocks.
--Cider.
--Gravy.
--Cherries.
--Mud.
--Churches.
--Lead! Lead!
--A Duck.
Sir Bedevere: ...Exactly. So, logically...
--If she weighed the same as a duck... she's made of wood.
Sir Bedevere: And therefore...
...A witch!
Black Cat
Words and Music by Tharek Mokbul ( OsCKilO )
My heart will miss a beat
Each time
I see your pain
I know this is the end
But I
Will fight this tide
The battle is complete
Both sides
Have won this time
I will remember you
So proud…
Comments on Norm's stuff
My western ear loves this!!
How can you have any slicy basses if you don't eat your vaisvil?
I thought I had faved this MF. Sorry, it's faved now boys. Great sounds.
I do like the gutsy bass in there, great percussion keeps us on our toes.
i can dig brother man ∆∆Libra∆∆
This is badass, guys. I have to keep coming back to it!
SUPERB!!!!! w;-)
Very cool groove! Nice work!
Felt real good. Nice job fellas. :) very interesting. Coll bass riffin' too.
Take me to your Leader.... this is an awasome (however you spell it ) cool piece...
this is very cool. I've been wanting to experiment with poly-rhythms too. Nice stuff Fellas!
Love the description. Very educational as well as entertaining. :) U2 make a good team.
polyrhythms, thanks for explaining that - Tasty percussion. Also, Vaisvil does a great job playing along this groove
This is great top beat dig it.
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
sublime beats and awesome groove what more can anyone ask for?
Enharmonic what? :) This is where it's at, guys! I'm diggin' it to China. Very cool!
Very nice drum and bass/guitar work. Love the complexity and the groove!
y u m m y ! la llave es la clave, si!
Explosive chemistry here, guys! Brilliant work! Love that rhythm, love that raunchy guitar. Sounds like conjuring up mischief on a hot day.
Comments made by Norm
Nice work guys! I love it.
Very strong.
Ecumenically enchanting.
Thanks Sis. Although I'm not suprised, I didn't realize that - I have now updated the credits.
Nice keys!
Brilliant!
Excellent! I don't believe that I have ever been mashed before! Many thanks!
Smooth. Love the bass.
Good one! Very nice improv.
tastey riff...
Awesome!
@Sis: LOL! Sir Bedevere: There are ways of telling whether she is a witch. ---Are there? Oh well, tell us. Sir Bedevere: Tell me. What do you do with witches? --Burn them. Sir Bedevere: And what do you burn, apart from witches? --More witches. --Wood. Sir Bedevere: Good. Now, why do witches burn? --...because they're made of... wood? Sir Bedevere: Good. So how do you tell whether she is made of wood? --Build a bridge out of her. Sir Bedevere: But can you not also build bridges out of stone? --Oh yeah. Sir Bedevere: Does wood sink in water? --No, no, it floats!... It floats! Throw her into the pond! Sir Bedevere: No, no. What else floats in water? --Bread. --Apples. --Very small rocks. --Cider. --Gravy. --Cherries. --Mud. --Churches. --Lead! Lead! --A Duck. Sir Bedevere: ...Exactly. So, logically... --If she weighed the same as a duck... she's made of wood. Sir Bedevere: And therefore... ...A witch!
Clever. Great cover.
Tight!
Love it!
Excellent.
Simply awesome.
Sweet!
Excellent! Now I don't need to run out and buy one of those Halloween CDs to play for my trick-or-treaters.
Beautiful. And appropriately titled: "Breath of Air" for a breath of fresh air...