Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Here's the Classic from Boston from that time when my locks were flowing and i was 3stone lighter....with speed Demon Gene doing the music and yours truly trying his best on the vocals...hope you enjoy as much as we did doing it.....
This song written by Mark Imsdahl..I found it over at Greg Connor's ...I liked it so much that I asked Greg and Mark if I could do an electric version of it and they agreed...i want to have Mark blow some harp on it when he gets back from vacation…
I heard Wildgeas track Erase the Breeze on alonetone earlier and this came to me straight away so i had to get both sides of Reg on this one.. and kick it out while i had a little time ….hope you enjoy…Thanks Paul
I need to feel real real Love…
I've been really into soundtracks for the past few days, especially those for action games and the notion of having a static, subtle track run over unpredictable game actions and still making the whole thing work.
So this was made with that…
Hi folks - Uncle Paul is back at it after a 4 month hiatus from music.
Sometimes I just have to walk away from it. I'm sure most of you know what I'm talking about.
I forced myself through the 2012 RPM Challenge
and quit playing right after…
still raining so the £16 special came out.......
Around & Around (Lyrics)
Now you are my lady and i’ll never understand why you had to runaround with that other man
you know you’d send me crazy you know that i’m not sound when you leave me…
NO! NO NO NO!
Reg, in western Kansas, where I was raised, if a coyote killed a calf, we would put cyanide into it's carcass in hopes that the coyote would return to feed again. That's how you could tell a smart coyote from a dumb one. You would never see the smart one again. The dumb ones would be found next to the carcass.
My point is, if you are in anyway contemplating reuniting with Desiree, remember this story.
[This moves nicely! What is that cool noise right at the very beginning?]
The last one for the day....what can i say it had to be done.....
Broken Dreams(Lyrics)
We’ve all had dreams broken
we’ve all wanted the absurd
i dream of being loved again
to hold and not let go
i’ve been waiting for a long time
to try and…
I was listening to Jims beautiful instrumental and it struck a chord ...so here it is Thanks Jim.....
Shadow of a man (Lyrics)
As i look in the water i see a reflection of what i was
i see the strong man who could have done what ever he wants…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
The music is old but the video i just made,,, on a dive trip to Beqa Island Fiji,, music is a previous version of piano moment #5, of late i have been working on diving and putting existing music to the videos,, hope you like r
http://youtu…
Inspired by a line in one of the many books I read while laid up with a recent back injury.
Song of The Raven Queen
--
As The Fool set sail in an old milk pail
To fetch the Moon's reflection
The Mountains stood as of course they should…
Comments on Norm's stuff
My western ear loves this!!
How can you have any slicy basses if you don't eat your vaisvil?
I thought I had faved this MF. Sorry, it's faved now boys. Great sounds.
I do like the gutsy bass in there, great percussion keeps us on our toes.
i can dig brother man ∆∆Libra∆∆
This is badass, guys. I have to keep coming back to it!
SUPERB!!!!! w;-)
Very cool groove! Nice work!
Felt real good. Nice job fellas. :) very interesting. Coll bass riffin' too.
Take me to your Leader.... this is an awasome (however you spell it ) cool piece...
this is very cool. I've been wanting to experiment with poly-rhythms too. Nice stuff Fellas!
Love the description. Very educational as well as entertaining. :) U2 make a good team.
polyrhythms, thanks for explaining that - Tasty percussion. Also, Vaisvil does a great job playing along this groove
This is great top beat dig it.
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
sublime beats and awesome groove what more can anyone ask for?
Enharmonic what? :) This is where it's at, guys! I'm diggin' it to China. Very cool!
Very nice drum and bass/guitar work. Love the complexity and the groove!
y u m m y ! la llave es la clave, si!
Explosive chemistry here, guys! Brilliant work! Love that rhythm, love that raunchy guitar. Sounds like conjuring up mischief on a hot day.
Comments made by Norm
Totally pro.
Epic!
Oh Snookie Snookie Snookie!
Valerie! Your understanding of the known universe needs to be launched.
Nice work gents!
Great feel to this one.
Stop biting Bee!
Excellent!
Gosh, these are both excellent, but I think I may even like this version better.
Strong work!
"Just when you thought you were out... they pull you back in!" Welcome back. We missed you.
NO! NO NO NO! Reg, in western Kansas, where I was raised, if a coyote killed a calf, we would put cyanide into it's carcass in hopes that the coyote would return to feed again. That's how you could tell a smart coyote from a dumb one. You would never see the smart one again. The dumb ones would be found next to the carcass. My point is, if you are in anyway contemplating reuniting with Desiree, remember this story. [This moves nicely! What is that cool noise right at the very beginning?]
Classic Reg! Fantastic voice; the pain of love.
More bullhorn!
Dynamic collaboration!
Just wait until Pepé Le Pew gets a load of her!!
Excellent job guys! This is great fun!
Beautiful tunes and video! Well done!
I hope your back is back to excellent backness. Strong work!
Love the keys and clouds!