Ya know, online collaborating is the greatest thing going since the trans-Atlantic cable. The next best thing at least to actually being there. ORH on the lead vocal and synth strings. Hoop on electric guitars, bass, robo drums, backing…

Meditative baroque feelings in the spirit of the French composer Jean-Philippe Rameau (1683-1764).

When we finally decide to settle down we can find a place like Kansas

Written for a zoom group of favored musicians to criticize but I thought about it and it sounds alright to me. lets see if they will just support or make it better. Hummmmmmmm. A true story romanticized a bit . Old Charlie is a real…

Made additions to my friend Marco Lucchi's wall-of-electric-guitars- backdrop track "playground #18" Track #9 for RPM Challenge album to be entitled Intruder.

Reg went to the cinema last night to see Baz Lurmans Epic and woke up this morning beleaving he was Elvis ....someones got to tell him he's not..... he's started sowing beads onto his boiler-suit and will eat nothing but peanut butter and bacon…

Bits and Pieces

My first attempt to write a song for the autoharp, and of course play it on the autoharp.

Instrumental Interlude

rpm 2023 Janette Salisbury vocals we’re starving children, left alone knocking on the door, but no one’s home how many days have we been here how any nights in the cold praying that someone will answer save our souls, save our souls…

I'm not really sure how this came about, I borrowed some lyrics from Angie Fights Crime and added a reggae sound and a remix to "The Surreal Age of the Naked Lemon" which I'm doing for the Rmp challenge and this sort of popped out ... The…

RPM Track 3

Live @ Witch's Night Out.

“Bats in Flight” composed, recorded, and mixed on 10/20/2023, for October’s 30 Day Songs challenge (30daysongs.com). “Bats in Flight” was also submitted to October’s REM Challenge (via RPM Challenge). “Bats in Flight” composed by W. Ng…

Dark folk by Otis Ebenhardt and Marie Laveau from old Bohemia

This piece is the result of me trying to widen the influences on my music. It is an experiment to see whether an old dog can learn new tricks, or, in other words, whether I can write something that doesn't sound like Depeche Mode or anything else…

No more sin or sorrow foolish fancy to a fault No more dirth upon the land that withers under the assault No more Babylon behavior bobbing up and down and up until we drown away each memory scattered from a shattered cup. No more crying for…

Strung up my Classical guitar , she was looking a bit lonely so I improvised a lil piece of music here.