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Dark Days & Bright Nights is finally outt. Download it from http://www.datpiff.com/Young_Blayz__Dark_Days__Bright_Nights.m137959.html
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The salient lines in this traditional song, for me, are these:
"... and still I hold, / that the time will come / when he and I will be as one ..."
What need is expressed in this "holding"? Against what, does our singer hope? The resistance…
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This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
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A song entitled "HALLELUJAH LORD" BY DR .RISHI RAMDEO (THE SINGING DENTIST)
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Jonathan Thomas on Lord's Day 2 of the Heidelberg Catechism
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Brilliant song shame it didn't make it onto the album. Maybe the next one.
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Just a tune to show how big of a wank I could be with only loops at my disposal.
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Another little riffet that can be played around with. Perhaps a Mother and Daughter combination. Hint. Hint.
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Experiment in changing a normal sounding guitar track into a bellish bee sounding track with some other tracks as my girlfriend would describe it like a bee swarming around.
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this is another variation on cryptic meadows free-beat. Jupiter took it home and spent the night with it. I think she liked it. so now, a full collaboration of both chimps with cryptic.
the music is remixxed slightly, the major change is addition…
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Here's an instrumental track I put together a while ago, bit of a rough around the edges demo, but you get the idea!
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I TRIED HARD OKAY I JUST HAVE NO CONCEPT OF RHYTHM DEAL WID IT
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This is just a little shout out to my boy D Hopz. R.I.P
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Wassup Wassup, Wassup with the bankhead bounce shorty
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Sound 1 Project, Collaboration With Jake Deimler, Found Sounds.
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This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
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I was walking down an empty street late one night and thinking of different things while the fire of a song was burning in my head. then took the situation and looked at the parrellels in my life and from that came this song.
hope you like it! :)
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Written and Recorded June 7, 2010
Details: Epiphone Les Paul (DADGAD, Capo VII), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity.
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I can just see some plodding along an a horse in the midday sun.
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Anyone see the pelicans and the dead fish floating in the oil? (In the midst of the Great Gulf Leak.)
I'M NOT GONNA CRY
Oil-covered pelicans smother
Feathered brother.
I'm not gonna cry.
I'm not gonna cry
Turtles and dolphins and…
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Like I wrote a song for a girl and then sang it myself!
THIS BROKEN HEART OF MINE
key - E
Well, I watched you play the crowd out in West Memphis
And I've seen you play the trout at Timber Line
Next time you're in town you must come around…
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Just added a bit of chugging bass. Hopefully it will add a little to this brilliant track.
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1 Excerpt from a project explicating the memories of polaroids, coordinates with written text and arduino interface.
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did a remix of latest B-52s (ex B-52's) song "Funplex". i admit i didn't really take the time to polish this, so it might have some flaws here and there, but it was fun to do and after all, is this not what matters most? :)
and you can…
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A rather quiet, melancholy piece of electronic music.
Don't let it be said that you can't do emotion on synthesizers . . . .
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this is the alternate version of this song...its a song in three indistict parts: 1. owned by none, 2. loved by all, 3. shunned by time
it originally started life as a different song...there was something else layered but the song didn't work…
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i have come to realize that i don't need his guidance anymore.........
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A sad song about car crashes on the corner where I used to live.
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Twinkly little number. In need of a fairground organ?. What do you think?
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This is a song i wrote. My first go at recording. Vocals are a bit wobbley but im gonna redo em at a later date. Brian Bazeley plays bass on the track. Hope you enjoy it.
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The samples of the woman speaking were taken from Dr. Jill Bolte Taylor's TED talk, here is a link - http://www.ted.com/talks/lang/eng/jill_bolte_taylor_s_powerful_stroke_of_insight.html
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Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
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Singer Island's natural Soure in Marajó (AP-BR), does a duet with the band's guitarist Renato Torres Clepsidra.
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This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
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AMY WINEHOUSE WAS FORCED TO DO A PUBLIC SERVICE ANNOUNCEMENT ABOUT DRINKING AND DRIVING.
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DAVE AND LOIS ARE A HAPPILY MARRIED COUPLE. ALTHOUGH - SOMETIMES - LOIS LIKES DAVE TO DO IMITATE VOICES WHILE THEY HAVE SEX SO SHE CAN FEEL LIKE THEY ARE HAVING A THREESOME. LISTEN FOR SPECIAL GUEST: FRED RODGERS IN EPISODE ONE.
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Another laid back track that Louis has allowed me to add a little bass too.
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An abuse of Brian Bazeley's Keeping the Peace by Norm Harris and myself.
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This song is built on an entirely weird formula. First, I played it.
Second, I broke it up into equal but random lengths,
Then, starting each segment where i played it, Repeating each segment four or five times, adding lots of fx
Finally, i needed…
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This is the accoustic version of fat tragedy. I guess it is a guitar solo. Thinking itself through, but not really anticipating what itself is going to do.
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Instrumental (for now). I'd just moved into a new place in the city, and was feeling pretty good about my future. There's a definite touch of both my rock and dance influences scattered throughout this one.
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I self-released an EP, mumble mumble, a couple years back. By "self-released," I mean "I made some copies and gave them to anyone who would take them."
The whole EP is essentially songs written while learning the software I record with.
This…
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Track four from the mumble mumble EP.
I'd much prefer this to have an opposing female vocal line to my own, as my own voice harmonizing with itself sounds a little, well, strange, especially given the lyric subject matter. But, oh well, we all…
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Fifth and final track from the mumble mumble EP.
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Instrumental. Wrote and recorded this in about two hours a few years ago, still remains one of my favorites.
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Instrumental. A harder, more industrial feel than I normally go for. I felt like challenging myself.
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