alonetone radio: Popular
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There's no reason for this to be named after the infamous section of craigslist, beyond the song itself sounding sort of sleazy I guess. The ending isn't meant as political commentary, it's just a funny moment I happened to capture.
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I kind of wish I still had the individual tracks for this so I could mix it better, but I still think it's an interesting mix of sounds.
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Originally written for songfight - it got no votes and decidedly mixed reception on their forums, but I really ought to try my hand there again sometime.
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Originally conceived as a contribution to remix fight, but I missed the deadline and it ultimately didn't use much of the source material anyway. Disclaimer: Quetzalcoatlus does not condone drug use.
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I originally was going to rap over this, but I decided it would be better to not subject anyone to that. If anyone here wants to use it as a beat they're welcome to though. Named in tribute to the orange t-rex in front of a mini-golf course on…
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Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.
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This just stemmed from deliberately trying to make a drum loop as distorted and ugly-sounding as possible. Violik from The Tapeworm Collective contributed the dubby bass and some strange noises.
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I was pretty much trying to be The Field with this one.
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Jesus looks at why the Jews and Pilate rejected Jesus as King
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RPM 2009 entry. Has been described as sounding like Satan's Orchestra tuning up...
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burn burn BURN. this song takes us back to our flok rock roots. rythym guitar is strong, and severely off centre. Vocals are Jupiter Summit doing her best to entice the paper-cut out into an office space fracas. It's about spending too much…
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the method was to record a percussive track (or not) at 110 bpm. it was not required that your track be percussive, but if it was, it needed to be 110 bpm. participants included jazzsequence, Pugilistas and project was orchestrated by The Chaos…
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based on the "clique" project first introduced in a long lost forum post on the RPM Challenge forums, the rules were to record a track that was in relation/response to the previous track before it. performers were: jazzsequence, Pugilistas, The…
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our 2010 entry for the RPM Challenge. members included:
Minibar Madness - sound effects & noise,
Commoner - Amplifier worship, pedals, electrical guitar,
The Chaos Council - MicroMoog , alto sax, effects,
Tone the Destroyer - violin &…
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The chorus is adapted from "O Death Rock Me Asleep", by Anne Boleyn, while imprisoned in the Tower of London, waiting for her execution.
(Tolar & Savigear 2010)
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All sounds on this were originally played on a cheap battery operated keyboard.
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The bell-like instrument that starts this off is actually a steel pan being pitch-shifted to different notes.
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I was thinking about unlikely superpowers one day for some reason, and just came up with this weird little story that I then decided to set to music. One Kilometer Per Year was almost this album's title.
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More ambient music based around my cheap battery operated keyboard. I was trying for the sort of song that might turn up in an enchanted forest in an 8-bit RPG.
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The instrumentation includes a hunting trumpet and an electric toothbrush, hence the title.
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The good ol' battery operated keyboard again, this time with some whistling.
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This song is mainly toy accordion, so I couldn't resist the pun.
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I personally wasn't that happy with how this turned out, but to me when it comes to RPM albums there should be no such thing as outtakes.
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This is supposed to be sort of annoying, I swear.
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If you've ever played the pretty good but questionably translated X-Men arcade game, you should recognize this title.
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I guess you could call this my attempt at dark ambient. I once misread a sign in a bookstore that read "Read Away The Winter" as "Dead Avalanche Winter", and I filed that away mentally until I had a fitting song for it.
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Like "Neon Orange Dinosaur" this is a track that I think would make a pretty good hip-hop beat.
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You've been trying to beat a really hard NES game for months on end. You finally beat that last boss and you get treated to... a comically anticlimactic 8 note fanfare and a short congratulation in broken English.
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A pretty little ambient loop I might go back and expand into something else someday.
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Creepy carnival music. I was trying to remember the name of b-movie Cthulhu Mansion, and because part of it takes place at a fair, Cthulhu Carnival was my first guess somehow. I thought that sounded like a pretty fitting song title anyway.
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For whatever reason this album ended up having a lot of songs that could be low-budget horror movie themes.
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Kind of a mashup of "Cthulhu Carnival" and "Sasquatch Horror Collection".
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One of a few pieces composed on a battery operated toy keyboard that I nicknamed the Powersockey, due to the fact that the power socket was labeled that.
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One of a few songs on the album where the percussion is a loop of myself hitting my computer desk with my hands. I think I got a nice hypnotic vibe going with this one.
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One of a few pieces composed on a battery operated toy keyboard that I nicknamed the Powersockey, due to the fact that the power socket was labeled that.
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One of a few pieces composed on a battery operated toy keyboard that I nicknamed the Powersockey, due to the fact that the power socket was labeled that.
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I'll admit I completely ripped off the rhythm of "Closer" by NIN here.
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As you can probably tell, I had a lot of fun with gratuitous panning and weird vocal effects on this album.
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Possibly my personal favorite of everything I've written so far. I will admit that I can barely play guitar and this is the result of a lot of looping and editing.
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I'm proud to say this is one of the weirdest songs I've ever done. I got some more use out of the beer bottle here, this time hitting it with a pencil instead of blowing on it.
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So-named because it was a last minute addition to the album. I wish I could remember what effects I put on the accordion track to make it almost sound more like a synthesized sitar.
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Of the whole album, this is the track I had most fun making. The instrumentation consists of accordion, beer bottle, work desk, toy keyboard, whistling, and scissors.
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using my music to get through some hard times...
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My attempt at one of Amelia's (The Missed Connections) songs. I think I darkened one of her few upbeat sounding songs.
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Composicion para la apertura de los IX Juegos Suramericanos 2010, SUBSEDE BELLO. Renato Paone 2010
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CREEPY..MENTAL.. basically the same song as dronY but you never would have guessed that right? This is also an atmospheric room darkener. Sounds like the call of the wild zombie.
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HE'S RIGHT BEHIND YOU. We thought this instrumental was just dying to be in a horror flick. The producers went with DMX instead. Really? up in here?
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RECENTLY REMIXXED D VERSION..THIS IS AN INSTRUMENTAL..WALK THROUGH THE SWINGING DOORS OF THE SALOON AND ORDER A HOLO-MARTINI.
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dont worry..its not your speakers..its the ultra intense vocals in this hot song.
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You are a gorgeous genius, but maybe you could become an even more gorgeous genius.
The song is part of the soundtrack from my book, "PRONOIA Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings," which…
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after a short intro this instrumental takes off on a cross country jog to get to the other side
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th inimevitbbl bartrr..schlonks your toozie..with an organ sound. and can drums
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My first album «ZigZag» (2010) :
http://www.rhapsody.com/awe/zigzag
http://itunes.apple.com/us/album/zigzag/id339433974
http://www.amazon.com/Zigzag/dp/B002X39FFI/ref=sr_1_9?ie=UTF8&s=dmusic&qid=1263239993&sr=1-9
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Played and Sung at the same Time.....
Recorded On One Track....
Words made up on the spot....
Was in Two Minds as to if I should Post it....
I aint Preaching in this.....
It is Just something which makes me, "me" that I want to…
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An interview on restorative justice and chaplaincy with Rev. Terry Richardson.
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This song was inspired by the heavy rains of the past two days, and my wife and I biding our time waiting for them to subside a bit so we could leave the house. The guitar is my old Alvarez classical with a microphone, then run through my RP350…
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Recording of birds and other aircraft from my backyard. Plus the National and borrowed mando.
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Because it's crucial not to forget to put sunscreen on!
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I was collecting 4th of July samples and recorded a jewel. By chance, I recorded my 4 year old girl, and you can hear her thought process...wondering how the fireworks were so high in the air - perhaps the fireworks were dropping from the sky…
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This piece was composed for academic choir of Maria Curie-Sklodowska University in Lublin (Poland) in 2008.
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A piece written for Silesian Rostrum of Composers.
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A piece written to commemorate second anniversary of passing away pope John Paul II - Karol Wojtyla.
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"'Deixo' is is verb used in classical Greek to connote both a logical proof and a stylish display of oratory in the presentation of that proof. In our years of working together, Jessica has often requested for a viola sonata, and as I settled…
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This is our summer fun jam. We wrote it in February, but that's just testament to our amazing imagination.
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This instrumental song is about the rabbit in the moon. Fact: the ancient Aztecs measured drunkenness in number of rabbits. Like, "Oh, cheg out Bill, he's 300 rabbits." "Dude, I was like 230 rabbits last week and I got kicked out of the Florida…
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yelyah - "solo piano 20100319" (live improvisation)
I have mixed feelings on releasing the song this way.
If you heard my 24 hour album ([insert "poor you" here]), 17.1 of the total 26.2 minutes was completely live/improv'd. I'll admit that…
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Another live improv.
Listen as I start out with a semi-interesting left hand pattern that I totally can’t maintain independently and end up resorting to patterns I already know.
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Some Greek mythology 101 with a little incorporation of "All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better." - Samuel Beckett
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Featuring a sweet reference to the Loretto Chapel's mysterious staircase and the most wonderful mylar balloon ever manufactured (with allusion to secret promise attached).
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'...to the dynamic depths between good Friday and Resurrection Sunday...'
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Ever since i heard Cave Street's Creator Protector Destroyer (from their 2010 RPM album) run from that song back into the opening didj of Onion Bell (the first track) i wanted to put the lyrics to that pulsing energy, and today i had time to give…
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pure draft, but I don't have time to re-record it
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pure draft, but I don't have time to re-record it
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pure draft, but I don't have time to re-record it
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credits to Prince Edvard and of course, the Lady
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This is something that needs more development and absolutely not finished yet. Thanks for listening
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Another instrumental; some nice sounds and additional keyboard by Peter Dematté
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This tune was sounding so dramafree and happy-go-lucky that I decided to write some (uncharacteristically) dramafree and happy-go-lucky lyrics. The sound at the beginning is from my Nokia-phone which I also use as my alarmclock. I was then reminded…
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Is this years' fillertrack. I had started this backingtrack to fit with a lyricidea I had but I decided against the lyric and turned it into an instrumental. I needed an extra tune since two other tunes I put quite a lot of time in were going…
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See track 4. I decided to kill this this off completely by adding some analogue synthwankery. Features Doepfer Dark Energy, Akai VX90, GPO strings and bongo's!
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There's several things I tried out that worked really well here; the popcorn-synthsound from the Dark Energy, the speeding up at the end, the minimalistic hiphopbeat. The lyrics are a bit too bla-di-bla for my taste but whatever...
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I wanted to end this years record with a tune I could easily fall asleep to and I asked Peter Dematté to play sax over two alternating guitarchords I recorded. I really love what he came up with and have tried to built it into a stressfree track…
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Of all the days I had to get up super early, it happened to fall on the first day of spring. Also known as (fingers crossed) the worst day of spring.
I spent part of the early morning digging my car out from underneath the ice and snow. Later…
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This piece would be so much more awesome if it had:
* a B section
* some lyrics relevant to the title
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Silly song. Silly lyrics.
One live take. I recorded the piano and vocals simultaneously, though if you want to get geeky about it, the piano was via MIDI. However, if you listen closely you might be able to hear me hitting the keys in the background…
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Publicado bajo autorizacion y sin animo de lucro. www.carranga.org
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A song about being a frog.
On a leaf, on a branch, on a tree, in a field
I'm alone, like a man, but I'm small, and I'm green
I'm a frog and i am free
I live my life amphibiously
i've got 100 hundred million friends
that are just like me
im a…
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This song is what happens when you decide to bandage together multiple takes that were done without a click track.
To explain the following, first I should explain this. I see the piece as being 3 different parts: the intro that hints at the…
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At 180bpm, it's definitely way faster than I generally write.
We'll call it "tempo creep". It started out at 140bpm, and got increased automatically to 160bpm when I imported some drums. I didn't notice it until later, and then found that 140bpm…
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Le grand conundrum. How do you simultaneously improv a melody in your right hand while trying to teach your left hand a new harmonic pattern that it doth not know?
I look at people like Gabriela Montero and wonder how on earth did they ever get…
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Another one from the dusty special price bin! It started off as a Pilot cover, but it didn't end up that way.
Dave Berry added the excellent tele solos and the crazy cool noises at the end. Thanks bro, you rock!
I spent more time on this…
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I Feel It (Lyrics)
Desperate thoughts of uncertainty
Keep on dancin’ in my head
And all these images of yesterday
And what I should have done instead
Oh, Oh, I feel it
Chorus:
I feel it, I feel it…
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Verse 1
Dozing in and out of consciousness
the blade falls from her hand.
Her clock will cease to tick,
then everything will be fine.
Chorus 1
It’s all good now, it’s all fine.
It’s all good now, it’s okay.
Fade
Verse 2
Every sound becomes…
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Upbeat, pretty simple. Needs some interesting sampling or some lead instrumentation/vocals.
Logic/Keystation Pro 88.
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A rocking blues song about walking away from it all. The sax is from my GR-20 guitar synth. A few smoking guitar solos for fun.
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Performed by Benjamin Fingland (cl) and Sumire Kudo (vc); 28 March, 2010; Tenri Cultural Institute, New York, NY.
Notes on the work are found here: http://digressionsthirdman.blogspot.com/2010/03/etude-on-f-113-torino-jii9-qui-moult.html
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