The sweet little girl I can't seem to get Out of the back of my mind Isn't quite sure what she's looking for yet And I worry about what she'll find Working so hard looking out for herself I know there are times all alone She's always had…

Wrote it over a decade ago, rewrote it five years ago, recorded it last year with the help of little sis Karen. "I'm not supposed to be down south. Take me north."

Newest Song from Electric Sounds Media

Just my humble attempt to cover Sam's beautiful song... ...with a little theft from U2.

Gothic-Doom metal from Russia, all the tracks in this album are instrumental.

this song is unusually long for us..we didn't want to cut any of it though. It is an adventurous title..inspired by true life dreams..kickin her leg in her sleep like an electro-shock patient..there is some shadowy sampling..maybe a few recognizable…

Fly Ladys 'Crushin' (feat Pozessed) Produced By Bradley Logan Lyrics By Bradley Logan Lyrics By Corey Larson Recorded March 27th 2010 Mixed And Mastered At Belowzero Studios copyright 2010

Produced By AposL Lyrics By Bradley Logan Lyrics By Corey Larson Lyrics By AposL Spoken Intro By Wayne Doe Recorded March 27th 2010 Mixed And Mastered At Belowzero Studios copyright 2010

upon the ground The two of them were seated, holding hand in hand, Other couples passed and smiled, they had their futures planned Differences forgotten, their love could conquer all The life they’d live would shine a light, they knew they…

A collaboration with the lovely and talented Tracey Browne

Another collaboration, with Tracey Browne on guitar and vocals

hey theres no music behind this just vocals

This is my acoustic version of How Many Licks by Lil Kim.

I have a little box under my bed with your name on it.

Yep.

Somewhat of an older track of mine, and maybe the first thing I did where I really thought I was onto something good.

I might go back and do an expanded version of this someday. Despite the title, I think it works nicely as an ambient piece.

The coda of this was recorded on my mp3 player while waiting for a train. At some point I had this idea that there would be ambient noise recorded from train or bus stations every few songs so it'd sort of feel like you were listening to the whole…

Based around an anonymous little kid's unique rendition of "Old MacDonald Had A Farm". Tom Meade contributed a recorder loop here.

There's no reason for this to be named after the infamous section of craigslist, beyond the song itself sounding sort of sleazy I guess. The ending isn't meant as political commentary, it's just a funny moment I happened to capture.

I kind of wish I still had the individual tracks for this so I could mix it better, but I still think it's an interesting mix of sounds.

Originally written for songfight - it got no votes and decidedly mixed reception on their forums, but I really ought to try my hand there again sometime.

Originally conceived as a contribution to remix fight, but I missed the deadline and it ultimately didn't use much of the source material anyway. Disclaimer: Quetzalcoatlus does not condone drug use.

I originally was going to rap over this, but I decided it would be better to not subject anyone to that. If anyone here wants to use it as a beat they're welcome to though. Named in tribute to the orange t-rex in front of a mini-golf course on…

Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.

I was pretty much trying to be The Field with this one.

Jesus looks at why the Jews and Pilate rejected Jesus as King

burn burn BURN. this song takes us back to our flok rock roots. rythym guitar is strong, and severely off centre. Vocals are Jupiter Summit doing her best to entice the paper-cut out into an office space fracas. It's about spending too much…

our 2010 entry for the RPM Challenge. members included: Minibar Madness - sound effects & noise, Commoner - Amplifier worship, pedals, electrical guitar, The Chaos Council - MicroMoog , alto sax, effects, Tone the Destroyer - violin &…

All sounds on this were originally played on a cheap battery operated keyboard.