alonetone radio: Popular
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Quite the tongue-twister, Jason's STILL trying to catch his breath after recording this re-worked traditional Irish folk song
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"Tell Me Ma", was featured on National Public Radio's Second Stage. As NPR put it: "Beatnik Turtle is a remarkably prolific and fiercely independent rock group based in Chicago. The eight-piece band includes a full horn section and has been making…
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Mick McGuire was "all that" when he was dating the family's older daughter (who was 40). As soon as he married her and spent all the money, poor Mick was subjected to his Mother-In-Law. Mother-in-Laws have gotten a bad wrap for hundreds of years.
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Another Irish classic. This song tells the story of a group of pub regulars who, upon learning that the pub is on fire, head to the cellar to drink all the booze. You know, cuz it's free that way. What's a few burns?
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This was the song that launched the entire SHAM ROCK album. This is what happens when you turn up the tempo, crank the volume, and add a horn section.
As with most of these songs, we came up with our own music to add to these songs. So, the…
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Have you ever heard a traditional Irish folk song re-worked as a ska song? No? How about with an additional Spanish horn riff? Well, now you have! This song tells the story of an unfortunate guy who hooks up with a girl in the kitchen of her boss…
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Beatnik Turtle's take on another ol' Irish classic.
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We couldn't resist breaking out the traditional Irish instruments halfway through this one and going all Celtic on your arse.
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This old song had a lot of braggin' in it. So, we couldn't resist giving it a bit of the old skool hip-hop flavor.
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This song's extremely popular and so has been done to death. We decided if we were going to re-make this one, we had to try something new. So, we hit on the 7/4 time signature, the melodica (thought it was bagpipes, didja?), and arrangement. By…
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Another ol' Irish song about drinkin' and smokin'. Who knew?
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This is the first public output after going through about 40% of nickstutorials.com sound design series.
All the sounds started off with my sampling myself either saying something, clicking my fingers or clapping. They were recorded through…
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Something I came up with on a Sunday afternoon.
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Inspired by RFK's Mindless Menace of Violence Speech
Lyrics
Perhaps we can remember
if only for a time
that violence stops for no man
being rich and poor,and black or white
we share the same old dreams
a captive moment in our lives…
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an exploration,using a loop station and guitar rig effects,of musical soundscapes
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I Believe by far my most beautiful instrumental track, much the
opposite of You Forgot Bush's War Crimes. Maybe because I haven't commited any?
I'm growing to accept that most of the time, my instrumentals should be short and
sweet.
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I've never heard "Horse with No Name" all the way through, and i wasn't trying to
rip it off, but i really like the melody i wrote for this and it turned out to fit
perfectly with the sound of the bass. Really proud of my composing on this track…
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This was supposed to be my "folky" track, but I love the way this turned out.
It was originally written Napalm Shoot up but My Chair took it's place on that
album.
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Drinking coffee at my modest kitchen table around noon, after just waking up, I
starred out the skinny window next to my door and saw the back of a stairway. These
Lyrics were partly inspired by Bukowski's style, partly remnants of growing up…
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I don't know if even I can tell, but this is inspired by Captain Beefheart's
Trout Mask Replica. Ok, maybe its not so well hidden. Katie Lawrence can be heard
on this track, recording this having never seen the lyrics prior to.
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A couple months in a metal band called Season's Legion inspired this song. The
lyrics were written in what we (Katie Lawrence Co-wrote) thought would be what
their singer would have written for this type of song. The title was supposed
to be…
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Not much to say about this but that it's one of the first songs I actually
wrote down every note for. I think that makes it a small cut above most of my
instrumental songs.
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Inspired partly by a co-worker who was a great, now lost musician. This track is
somewhat about my five year stint in Gallup, New Mexico (Bob Dylan anyone?). This
was written as a poem before I started writing Slumber Love.
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I'm not usually good at mixing two of my songs together, but i think this turned
out great. Maybe a little too Velvet Underground. Maybe nothing is ever too
Velvet Underground... Written just for Abide.
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Supposed to be the biggest joke on this album, Candle turned more into an actual
like-able song. I was trying to make fun of Sonic Youth stuff, but it ended up
growing and becoming an instant Mud Octave classic track. The Lyrics were written…
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This is one of the songs I wrote for Filthy Time that's been hiding
in the back of a notebook waiting for music to be chugged out. I'm
really glad I let this seep for a while before letting loose.
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This song is one of the few i wrote just for Abide. I've been listening almost
non-stop to Dylan's latest release and this is what I got out of it. I mean no
disrespect to Bob, just trying to sing my songs.
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I. The triumphant space pioneers land on the new planet, set up camp and decide to have a party.
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III. The ion storm draws nearer to base camp, and with it, weird alien creatures that are part bug, part raw energy. The bugs play fetch with the elemental forces that surround them.
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1, Intro to the arduous task of facing one's personal wall.
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2. "This Wall Within Me" exposes the struggle to overcome one's own limitations during the RPM challenge. Story (and struggle) by Mick, music by Alan Hall
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3. This is the "preferred" track from the 2008 challenge, and I think it stands well by itself. It is the narrative climax to the piece. Thanks, Mick!
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5. The 'Hidden" track, appears after a lengthy pause on the CD version. The little artsy trick that all prog albums must have at the end.
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Self-titled opening track from Dead In The Water. Part one of the Format Sea suite.
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Part 3 of the Format Sea suite. Probably the closest thing to honest-to-goodness electronica here.
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Format Sea - Part Four. The outro.
(One of the spots where I actually think I got the vocals fairly okay.)
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Sorry - I forgot to take my medication when I came up with this one.
It began as an exercise in strange sound effects, and developed into this exploration of headphone space.
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There's some kind of Tool/Pain Of Salvation vibe to this one, albeit murked up by a lot of electronic ambience.
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MMi's Voices
http://alonetone.com/mmi/tracks/voices-3
MMi wrote the song. I programmed percussion, recorded tabla and vocals.
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This is a song that I wrote. Once again I am playing all of the instruments and doing the singing. The style has been described as a mixture of Depeche Mode and the Human League, but I don't know why anyone would think it sounds like the Human…
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This is nothing to do with what I've been doing.. The truth is I was bored and turned on my roland juno-d and I started mixing up some sounds and well this is it, I know its not my musical area but wanted to try...
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instrumentation:
synthesizers, nylon acoustic, electric guitar + violin bow, tabla, voice
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this is the slow version of a 6/8 over 4/4 idea repetitive thingy...
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Friday evening. No plans. Life is good.
No major trickery to describe. Just three tracks and a whole lotta reverb.
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Just a little political tale from the dark side. another quickie.
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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true hiphop!!! from melatone's free downloadable ep (Pay Attention)
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This is the intro for "Hu$tlaz Muzik" the track was produced by MindSoulja it Features Daze from Neva Out Done written by Daze with singing vocals by AJA.
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