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lgh's avatar
Written by Holdempok. This song features: Holdempok - Rhythm guitar and vocals Myself - lead guitar Chad 'The Rock' - Bass Tod - Drums We had this song hanging around a while without drums...so I uploaded to SongCrafters a while back, and asked…
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KraftiM's avatar
first track of the brand new minialbum FuKuS, based on recent Japanese images and wav's from my friend geronimodeleon
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KraftiM's avatar
track 2 from FuKuS
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ACTiVE's avatar
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the F7 project's avatar
From the 2011 RPM album "AscenDance"
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the F7 project's avatar
From the 2011 RPM album "AscenDance"
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the F7 project's avatar
From the 2011 RPM album "AscenDance" lyric from the poem "The Rich Man and the Beggar" by Tony Lane
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the F7 project's avatar
From the 2011 RPM album "AscenDance"
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the F7 project's avatar
From the 2011 RPM album "AscenDance" this is the official 'unauthorized version' of the song, remixed and blenderized from the song of the same name written by Daniel Montoya.
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the F7 project's avatar
From the 2011 RPM album "AscenDance"
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the F7 project's avatar
From the 2011 RPM album "AscenDance"
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the F7 project's avatar
From the 2011 RPM album "AscenDance"
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the F7 project's avatar
From the 2011 RPM album "AscenDance"
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the F7 project's avatar
From the 2011 RPM album "AscenDance"
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Mike Denison (Lumberfork)'s avatar
Trying, and failing, to get through the last Pink Floyd song that means something to me. Sorry. ;(
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anthonycekay's avatar
Julie Kathryn and Anthony Cekay perform Leonard Cohen's popular song live.
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recessionporn's avatar
rainy day drum machines
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jaybudhraja's avatar
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codman6594's avatar
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Big Empty Sky's avatar
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hojorising's avatar
A Track recorded at Studio #20 in 1997 on an ADAT machine in the early hours of the morning. Now, for the first time, seeing the light of day once again!
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hojorising's avatar
Sexy Tune for the Files.....
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hojorising's avatar
This Little Diddy is a band favorite and quite a crowd pleaser, if not for the lyrics alone. Again, another relic from 1997.
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epimeison's avatar
Very simple version of this Pink Floyd classic. Lots of mistakes and some notes out of tune. Anyway, I hope you like and/or enjoy.
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hojorising's avatar
Perhaps the longest intro in music history but well worth the wait. The actual song is only about 48 seconds long but who can complain with the soothing voice of Mondo leading us in ?????!!!???
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djcase420's avatar
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thetworegs's avatar
Reg enjoyed the music on his self help tape but found the words a little costly....so he listens to this version instead to relax after a hard day...........................
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ANGSTROT's avatar
I may have lifted this riff from Black Sabbath...Oh well steal from the best
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theclayground's avatar
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crackitopen's avatar
coffee shop song... kenya time hear the cracklin' paper as you test the basil mayo when you pull apart the cheese and tip your brown beer bottle smell the grinding coffee beans set by tatooed arms to motion near the burlap-bag topped…
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Vaughn Hamilton's avatar
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KraftiM's avatar
track 3 from FuKuS
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James Michael Taylor's avatar
I've been told that drowning is a dreamy way to go. THE ANGELS CRIED "NO!" He lived high on the mountain top He lived there with his love He tumbled to the valley deep When she gave him a shove And when he hit the valley deep It must…
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Dave simonson's avatar
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Dave simonson's avatar
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Paul Chapman's avatar
This is 3 way colaboration with my good friends, Nick Coward and Mark Drozdz.
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thetworegs's avatar
Reg was at the weekly AA meeting at the old school and the group asked Reg if there was anything he would like to share....so Reg decided to share this ........
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codman6594's avatar
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chesook's avatar
Mixing - Nick T Lead and BV - Curtis Downey Bass: Preston Miller Drums - DigitalDrummer Lead & Rythym Guitars - Nick T Words & Music - Errol Chugg
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Vaughn Hamilton's avatar
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LimboManBand's avatar
People are dying every day in the street People are dying every day People are dying every day in the street Just for being people in the street Peace, when's it coming, coming for the people in the street Peace, you can sing it Sing it for the…
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recessionporn's avatar
crazy on the bells. a little out-bloody-rageousy bass organ
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vaisvil's avatar
Vocals, Ibenez 5 string bass, Fender Mustang, GR-20 saxophone, SI rhodes, SI drums + drum 1 shots. It is like you said But different Do we ever know? If what we touch Is always real What do we feel? I slide in time And feel the gaps Between…
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boobiemiles's avatar
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Klarion's avatar
Same familiar group of people in the new project we're starting. Everything is played live. I totally loved what came out of yesterday's rehearsal and here it is for your enjoyment.
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epimeison's avatar
Again a miniature. I hope you like and/or enjoy.
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James Michael Taylor's avatar
One day I was up on my ladder, cleaning the leaves out of the gutters when I realized why I was there, doing that. YOUR VOICE I hear your voice and I go get my ladder I pull on my gloves. I climb up to the gutters When the leaves gather…
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James Michael Taylor's avatar
I had this house I had been working on and I had all my movie making stuff in it. It burned down. That's sort of like this song but not... WASTING OF YEARS by James Michael Taylor I have a brain that I must keep busy I have a heart with…
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James Michael Taylor's avatar
For a short clip of of a video of this: https://vimeo.com/214337550/f68cc0c21b This song made me a professional songwriter when George Sluizer, the director of THE VANISHING, put it in the movie by that name. SWEET RAIN Key G G…
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Richard Hardrick's avatar
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James Michael Taylor's avatar
A friend of mine, a drummer named Don Landry, put this together and I just added voices. He didn't ask me to but he said he likes what I did. Also, I gave it a different title.
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Richard Hardrick's avatar
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Richard Hardrick's avatar
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Richard Hardrick's avatar
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Richard Hardrick's avatar
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Richard Hardrick's avatar
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Richard Hardrick's avatar
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charlieferret's avatar
5, 10, 15, and 20 edo on the same instrument at the same time.
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charlieferret's avatar
16 edo plus poly rythmn 1/4, dotted 1/4, triplet 1/4
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crackitopen's avatar
weightless you flew in my life and unexpected high flyer oh such a beautiful kite all your colors shining light so high...i followed you up to where the daytime turns night then we circled the sun weightless with laughter so joyous...kids on…
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Hans's avatar
It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…
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Hans's avatar
It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…
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Hans's avatar
It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…
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Hans's avatar
It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…
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Hans's avatar
It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…
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Hans's avatar
It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…
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Hans's avatar
It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…
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Hans's avatar
It's 1993 and I'm using a Synclavier in an audio post production studio in NYC. These "compositions" are really a set of musical noodles using sampled sound effects as a starting point. I have no idea what I called these at the time though I'm…
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Richard Hardrick's avatar
"Descordado": Sangró mi piel por dentro al dejar el cuerpo. Sobreviví al tiempo; sin sueños en mí... No fue fácil curando mi ser bajo el insulto, insomne y descordado... Sobreviví desde el amanecer al ocaso de mi vida. Siempre en la…
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Richard Hardrick's avatar
"Tu me manques": He pasado el tiempo en este secundario amanecer Lejos de tu abrigo en un contemplativo y persistente Silencio Creo que dejaré todo Tu me manques Ha callado el viento y he escuchado mis sueños que anhelan tu ser…
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vaisvil's avatar
Norm's original 12/8 percussion track that forms the basis for the entire piece. http://alonetone.com/norm/tracks/mother-nut-drop I'm involved in a microtonal music class. We are studying 11 edo instead of the normal 12 edo (equal division…
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thetworegs's avatar
jim was getting moping about the cellar, he was bored, i mean he must have been down here in the cellar now for nearly 40 years...him and Louis used to rip the place up every night, something terrible. But lately he had been a bit down and not…
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GONeil's avatar
I was inspired by the recent Super Moon to create this music with my keyboard synthesizer, thanx for listening and have yourself a real fine day my friends. "G"
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charlieferret's avatar
I have tried to make a literal representation of this from Mat Cooper: "I consider rhythm to be ultra-low pitch. Polyrhythms are then Just Intonation. For example if rhythm1 cycles through 4 beats in the same time as rhythm2 cycles through 3…
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noe's avatar
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