got a new threat, new threat baby/ i gotta new threat/ to your existence/pushing daisies/pumpin pistons/in the engine of your destruction/ a generator supports your load/a load of crap/ your new abode/ i gotta new threat, im on your cell phone…

relax baby. you look like the american fflag/dont be so unchill baby/somebody might think your uncool. The guitar loop haunting you in the second half of the song was recorded from an accoustic guitar onto my cell pphone and to this day remains…

Don’t Talk Much- Perhaps it’s time you got over your big, bad self and moved on.

instrumental of a flourishing nature with fun in its veins

still ain't done, but wanted to share progress. really grateful for the feedback. thanks!

This is a cover of a song by Sister Savage, from her kickin' 2010 RPM Challenge album, Juped 2k10. It also introduces the genre of acoustic crossdressed spacecheese (these damn kids today with their flying cars and their hyperspecialized genres…

Vocoder song about AI, strange loops and consciousness. Synths. E. Guitar.

Last song of RPM album. I'm particularly fond of the last ten seconds. :D

it's like an onion bell forever ringing angels demons laughing screaming it's like an onion bell forever dreaming children playing dancing singing

A little something I recorded on a Zoom H4n, acoustic was recorded from built in condensors, strat was recorded plugged into bottom jack using only onboard effects, mixed in Reaper and mastered in Soundforge.

My opus. By far the longest song I've ever recorded. I tried to make it shorter, but it just didn't work. Sorry. :) "The Water-Carver" uses a sample from Stereolab's "Changer." (Gane/Sadier)

A good take on a middleeastern style theme. Sounds refreshing and with the reiterations of a Middleeastern prayer, it makes itself right at home. I've always wanted to do one song like this.

Mistakes x 40

And oldie, probably recorded around 2003-2004. All instruments played by P. Brown.