Since The Day 4:24 My only consolation was to eat a lot And to drink a lot of beer But I have lost in weight since you came my way Since the day I met you here Life is like a song That makes me go along My love for you is so strong…

We Can Be Forever Young 4:12 So long as our mind receives message Of beauty and cheer From man and the big univers above us So long as we feel like laughing At small funny things And look at the anthill with smile on our face We…

Artists: Castro of SI, NY & Obvious of 860. This track was done in Staten Island, New York using my Toshiba laptop with the help of Adobe Audition, Sony Cardioid Microphone, M-Audio MobilePre USB, Axiom 61 and FL Studio Producer for FX's…

This track has Frankie G Da Mex on it from Houston, Texas. I-10 ENT is Frankie G's movement and is making head way, so be on the look out for him.

I had this old song sitting around and decided to re-do it. The chorus used to be slightly different. The drums are from "Drummer" and the song is played using "Pointless Picks" Recorded in "Garage Band" and Mastered in "Tracktion."

Another song that I just had to pick a random name for. It was thrown together at the last minute, but I think it came out well.

This song was originally titled "Spiky" in its demo form, because it was originally supposed to be an attempt to write a song in the style of Porcupine Tree. Still not quite there on the PT worship.

Clocking in at just over a minute, this was something a song that I started on and then kind of gave up on.

This was more of an experiment with a couple synthesizers and abusing them with distortion and ring modulators.

This got its name because I thought it sounded like it could be a section in a Pelican song. I went to Wikipedia to look up Latin names of pelican species and settled on this one.

This song started off just on bass and was saved in demo form as "bass led", as in led by the bass. When I needed titles for all the album tracks, I ended up taking "led" and making it "LED"--light-emitting diode.

This song was composed just by selecting random chord names in the piano roll in Fruity Loops, and then going from there. The offset piano melody in the beginning was a happy accident (in that I painted it at the wrong offset in the step sequencer…

This was intended to go much longer than it did, and take a darker or heavier twist...but instead it just ended.

Mostly driven by electronics, most of the people who listened to its demo form said it was too repetitive. After I added the guitar overdubs and the break in the middle, those same people liked it much better.

New song recorded in home studio,better mics on this one.