Music written and played by Paul Ivany of Right to Asylum & I wrote and sang the vocals. In addition to being the second track from the 'Right To The Line' 2 track split we did, this track also appears on Right to Asylum's self titled album…

Written for Noel MacDuffie's dance theater piece, Soul Descending, this scene sees the widow Abagail mourning in her empty home, alone with her grief. In truth, this one was really more by nay-player Eran Glantz than me. Both performances…

Arrsuarez came to Hawaii to write this song with me.

The story behind 'honk hee honk'

I used to be into interviewing folks I knew about anything and everything, just to get "good source" for audio experimentation. I was very much into making pieces using plain spoken voice, and was (and still am) very fascinated with the effects…

Six guitars playing live repeating patterns. In rhythm?

This was written in Innsbruck, when I was broke and had no microphone except for a skype headset.

Well now, this is actually a very old track, made back in March '09 and not that long after I started learning piano. I was learning a very simple 12-bar blues piece and getting bored with the piano sound I started messing about with the Logic…

ghetto superstar lolita thats my girl

the lone rider

This song is the first ever recording of Solar Fetus, as well as the first time any of the members other than Adam and Justice played together. The song is almost completely improvised (some of Adam's keyboard parts were decided on half an hour…

myspace.com/yfsnc

myspace.com/yfsnc

myspace.com/yfsnc

A skipping CD of children's music, an old accordion with sticky keys, some subterranean drums and synth bass, a departing train. Hoping to achieve some kind of glitchy transcendence through the broken fragments.

I composed this song (this is a midi audio file). It is based on the lullaby my mom made up when I was a baby. © Pablo EMoulden Productions (& and Pablo Moulden)

A short demo; improv. 2009