So, as a major change from countryside walking...a random leap for no. 6 in this series to visit the Greek Goddess of the Hunt...Artemis. More discordant, but hopefully capturing some drama!!

Song inspired in a dream. I woke up one morning, And this bat was flying around my bed, I followed him to the living room And he was hanging upside down under the stairs, And just before I grabbed him He began to sing, He sounded something…

Childhood and teenage memories and reflexions.

Back to the Sea is a song about reincarnation. The sea as the sourde of every life.

The song was written inspired in The Book of Enki. Man talking to his creator.

a rather punk meets noise statement about the burning of the refugee camp on Lesbos. vocal, guitars, drums, bass.

My wife used to have a Paint horse named Dandee. When I originally recorded the song, we both said it gave us a picture in our heads of Dandee running along a beach. Originally recorded in February, 2019 for the RPM Challenge album, "The Dark…

Nothing special about this one except that it broke my one songwriting challenge rule: I rewrote part of it. The lyrics. I wrote the melody and a set of lyrics that fit late one night and even before I conked out for the night I knew it was…

I play a directed improvisation in classical finger picking style on my EOB strat with Hall of Fame reverb.

50/90 runs from July 4 through October 1. Three months. When I work on it I tend to break the project up into four pieces. Songs started and finished in each of the three months, and songs that cross between months. This is the only cross…

Another improv on the dulcimer. Creating for the new Sound-In event.

Another Thumbjam thing inspired by Japanese Gagaku music

This is a studio live rehearsal with Arturia MKII and FLStudio

I got a mountain dulcimer for my birthday. This is first exploring. Created for this weeks Sound-In Event Textures.

3 tracks of 5 string bass with effects

Monophonic recording of a bowed balanced contact mic (two piezo elements glued onto a small piece of wood and connected to the hot and cold of an XLR mic cable) clamped onto the front of a small acoustic guitar body (no neck or strings).

Straight-ahead tenor sax with no processing, post or otherwise.