alonetone radio: Latest

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Sonador's avatar
An unfinished song recorded in March 2007. A guitar was recorded for the bass part and afterward the pitch was shifted an octave down using Audacity. The drums are M$ MIDI mapper drums, and the vocals were recorded using a computer mic. Everything…
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tanizaki's avatar
A ukulele cover of a '00s classic. Never had one lesson!
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kcynthiag's avatar
Paprika soundtrack, Jorge Ben and Kussen Verboten
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Thoughtcrime.'s avatar
My friend Nihco and I found the piano and vibes sitting on the stage after school one day, and there happened to be some mics near both of them. The background noise is actually people who were sitting and talking in the hall, as we were too lazy…
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Thoughtcrime.'s avatar
The guitar and vocal tracks were recorded in the hallway of my apartment, to get that crazy huge reverb. Then I re-did everything else over the top. The lyrics were written in less than the time of the song itself, so don't expect...good. The…
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Thoughtcrime.'s avatar
There was a lot more potential for this song at one point. I had actually written a full on song and was ready to record it with a story I had written for a phonecall answering machine over the top involving a mental patient, but I couldn't get…
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Thoughtcrime.'s avatar
I am awkward at speaking French. This song talks about it, and shows it. Good. I had to record the vocals on a computer mic, so they are pretty bad and rushed. "J'essaye de parler francais, mais il semble habituellement errone. Yes, I try to…
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Thoughtcrime.'s avatar
I played dulcimer on this song, which is pretty cool. I bought it for $15 from someone in Dover, and I am thankful of whoever they are to this day, because it is a pretty cool instrument. That's it. This song is about rabbits being annoying and…
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Thoughtcrime.'s avatar
This one is about a person named Sarah, who is awesome. And stuff. This song is not as good as the person as it is for. Samples are from a thing on archive.org.
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Mr Sandbags's avatar
So I got Stylus RMX and this was my first attempt to use it multi-timbrally in Logic. It was accompanied by Elysium playing Omnisphere and me playing Reaktor on the keyboard. I still have no idea how to come up with bass lines so this was me playing…
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Jacob Talkington's avatar
This is one of my first ambient tracks, and it's been made up largely of sounds I've captured on a handheld recorder over the last five or so years. Dark, and more than a little creepy.
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Jacob Talkington's avatar
Wrote this with the intention of later releasing a vocal mix. Lyrics are already written, just need a vocalist (or to whip my own voice into shape). Music boxes, strings, and a drum set that sounds like a caged animal trapped behind the "shinier…
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Jacob Talkington's avatar
Recorded the intro and traffic sounds on my bus ride to work two years ago. This one is urban-esque, breakbeaty, and switches up the tempo a few times. And there are fat funky synths to boot.
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The Relative Sizes of Things's avatar
Poor Poppy. Cowboy yips and broken hearts.
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Nervous Neal Smith's avatar
Using the polka beat from the 1958 record album "Rhythm Accompaniment", with the composer on all other instruments. Written and recorded in February 2009 for the RPM Challenge.
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Nervous Neal Smith's avatar
Written and recorded in February 2009 for the RPM Challenge, with the composer on all instruments. Drums were looped in Acid Pro 7.
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Nervous Neal Smith's avatar
Using the waltz beat from the 1958 record album "Rhythm Accompaniment", with the composer on all other instruments. The spoken bits are of xenophobic Utah State Senator Chris Buttars. Written and recorded in February 2009 for the RPM Challenge.
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Nervous Neal Smith's avatar
Using the samba beat from the 1958 record album "Rhythm Accompaniment", with the composer on all other instruments. Written and recorded in February 2009 for the RPM Challenge.
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Nervous Neal Smith's avatar
Using the fox trot beat from the 1958 record album "Rhythm Accompaniment", with the composer on all other instruments. Written and recorded in February 2009 for the RPM Challenge.
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Nervous Neal Smith's avatar
Using the society beat track from the 1958 record album "Rhythm Accompaniment", with the composer on all other instruments. Written and recorded in February 2009 for the RPM Challenge.
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