Yesterday I bought a very lovely sample set from Soniccouture called [The Skiddaw Stones](http://www.soniccouture.com/en/products/p4-the-skiddaw-stones/).
.
.
.
![skiddaw stones ](http://www.soniccouture.com/images/library/img-20090817145403.jpg…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
First let me say that this is wonderful, especially for someone who keeps claiming that things "are a mystery to me". :)
When it comes to song form, I'd say it's a big fat "it depends". Probably most of the time, you would want one section to lead into another via some... thread? So this could mean anything from like a chord progression, a melody, lyrical content, even instrumentation I'd think.
But then again, you may also find that you can get the emotional impact you want by having an abrupt change from one section to another. It all depends, eh. :)
That said, I think you did a fine job on the transitions between verse and chorus on this piece. They're different enough that they sound like independent sections, yet lead well from one to another.
As for harmony, I want to say that it was Aaron Copland who said something pithy along the lines of "There's no such thing as dissonance - it just means you haven't heard enough of it."
Personally, I feel like the chord/melody at about :45 and 1:28 are a little too clashy for my tastes. Though it's such a blip in the grand scheme of the song and not all that noticeable, even for someone who's looking for it.
I'd say you have a good ear for picking the right patches and effects to make a piece really gel as a whole.
And I'm impressed because it sounds like you're really progressing with each new piece you release. Keep 'em coming!
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
So I got Stylus RMX and this was my first attempt to use it multi-timbrally in Logic. It was accompanied by Elysium playing Omnisphere and me playing Reaktor on the keyboard. I still have no idea how to come up with bass lines so this was me playing…
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
really like this song. reminds me of a similar message I was working on too. check it out if you get a sec, I'd be curious what you think. Nice beats.
http://alonetone.com/grandelement/tracks/stay-in-union
Palimpsest: A Composition of Maps (an isentropic semaphore on the Name of Asmira Woodward-Page) is part of an ongoing series of soggetto cavato pieces the I have written, in this case on the name and at the commission of violinist Asmira Woodward…
I really enjoyed this piece very much and would like to hear more such.
Your other commenter said Bartók-esque and I couldn't have put it better myself. I find it reminiscent of the excellent 'Concerto for Orchestra.'
I also find your technique interesting. I am just beginning to experiment with generative music (albeit of a very different style) and the idea of mapping various sources of information into music is appealing.
Comments on Mr Sandbags's stuff
I wonder how these would sound with my style of old rock and roll? No pun intended.
nice...
great stuff
ZOMBIE MILKMAN!
:)
diggin the vibes very chill
Go away for a little while and look what happens. Well done indeed.
Thank you so much folks for your comments, they're very encouraging!
First let me say that this is wonderful, especially for someone who keeps claiming that things "are a mystery to me". :) When it comes to song form, I'd say it's a big fat "it depends". Probably most of the time, you would want one section to lead into another via some... thread? So this could mean anything from like a chord progression, a melody, lyrical content, even instrumentation I'd think. But then again, you may also find that you can get the emotional impact you want by having an abrupt change from one section to another. It all depends, eh. :) That said, I think you did a fine job on the transitions between verse and chorus on this piece. They're different enough that they sound like independent sections, yet lead well from one to another. As for harmony, I want to say that it was Aaron Copland who said something pithy along the lines of "There's no such thing as dissonance - it just means you haven't heard enough of it." Personally, I feel like the chord/melody at about :45 and 1:28 are a little too clashy for my tastes. Though it's such a blip in the grand scheme of the song and not all that noticeable, even for someone who's looking for it. I'd say you have a good ear for picking the right patches and effects to make a piece really gel as a whole. And I'm impressed because it sounds like you're really progressing with each new piece you release. Keep 'em coming!
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
How very inventive of you. Nice track!
yes, where is Michael, my talking car?
Knightrider and Abba!
Nice one mate this is cool and thanks for your recent comments
ca 3:00, nice break, breath!
Damn fine or my name isn't Kintekobo - The wolf with a dressing up box!
Nice, I'm ready to rally.
I'd love to hear you do more with this- cool beat
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
really like this song. reminds me of a similar message I was working on too. check it out if you get a sec, I'd be curious what you think. Nice beats. http://alonetone.com/grandelement/tracks/stay-in-union
Comments made by Mr Sandbags
Wonderfully offbeat.
Liked this track a lot.
Liked this one a lot.
Love this sound.
Okay that is brilliant :)
I really enjoyed this piece very much and would like to hear more such. Your other commenter said Bartók-esque and I couldn't have put it better myself. I find it reminiscent of the excellent 'Concerto for Orchestra.' I also find your technique interesting. I am just beginning to experiment with generative music (albeit of a very different style) and the idea of mapping various sources of information into music is appealing.