Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
Thanks guys.
Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-)
Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster.
CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad).
Johnny: Thanks man. More to come.
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
I was just telling my son about your original program a while ago. I showed him the video you made for this. It's a GREAT example of how science and creativity work together. I think you are stumbling onto things that you aren't aware of...not talking about the goofy black hole idea. :)
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
Your technical and creative skills came together amazingly well in this one. As for the noise, I did the calulations and I have come to the conclusion that the reason you have all the noise is that the frequencies being generated are opening tiny holes between us and a quantum neighbor. The holes are slowly leaking energy from the other dimension into ours. This leaked energy is entering our brains as well. Your quantum self knew you were going to do this in our dimension. So he created a program that he is injecting into the hole...and bit by bit..he is reprogramming our brains. So..
THANKS ALOT!! lol But seriously. This is well beyond interesting! Just hope the andromeda strain isn't coming true...
Speaking of life in other places...didn't they find life on mars similar to pond scum??
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
May I ask what type of equations you used?? What kind of particles? Is the box supposed to be like a vacuum as it is in space? It would be interesting to know how many collisions are occuring. And..do you think you could do this with REAL particles? You would probably have to utilize the MADD device. Magnetic Anomoly Detector. It can detect disturbances in the magetic field of Earth. Dist. as small as a school of fish swimming in the ocean. Thanks for sharing...this triggers ones imagination for sure. And it's sounds alot more interesing than sci-fi from the 70's.
Have you checked out that software which allows you to hear what certain molecules sound like? Everything emits sound... on second though, maybe you should be careful..you may be calling meet-eating aliens to our planet. hehe I'f also like to see what the brain looks like when listening to this.
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
Just messing around with voices and Yottskry. Here I am using it in Live and feeding 3 different vocal clips at a time. It's pretty slow getting going but I think it rewards (for some value of 'reward') listening all the way through.
I was…
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
Woot! I am in a long (but spray on) dress, reclining seductively atop the piano. I have forgotten the lyrics, but it matters not because I have the BEST shoes, and your playing is fabulous! Kudos! And "More!"
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
Dig this! Keep on posting these, because this is inspiring.
Maybe I'm nuts, but it almost makes me think that maybe those of us on alonetone who are trying to improve on the piano could form a group for mutual encouragement purposes, and post what we're practicing.
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
Some experimentation that started with sandbags saying that he was looking for a wood sound. I responded with marimba plus monster reverb... and I quickly noodled together an ambient thing.
I wondered aloud whether I was done or should continue…
Let us celebrate our failures and our successes!
I submit my failure here for consideration.
I actually want to do something more with this just because it's a lot darker than I usually write. Unfortunately, it never turned into something musical…
Alright, so it turns out that I lied.
THIS song is actually #60 of 2009. I forgot about how I turned the instrumental "lucid traum" into the spoken word 'drama' "wake me up" for a class project.
(http://yelyah.com/music/song/lucid-traum…
Yeah, so I finally consolidated my music collection over from my other mac and found my grand total for 2009.
This is my 60th track of 2009.
I wrote my first track for a MIDI class in the fall of 1999 (did I mention I'm a 10th year sophomore…
Started off with me just goofing around with Battery and a couple of other NI things (which are new to me) and grew into this...
It may still have places to go.
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
Episode One:
Sandbags allowed me to use his mad rhythms- see here for an explanation: http://alonetone.com/sandbags/tracks/my-name-is-harry-palmer Sudara lent me some samples of him playing chords from his new autoharp, an ebow against piano…
Awesome, awesome, awesome.
In the days since I uploaded it I have come to a much greater appreciation of old Harry but you take it to another level.
I especially love the way you've blended the resonant sweeps with the harps.
Looking forward to future episodes!
So I still hate Ableton Live with a passion for anything piano related. But things seem to go better if I head straight to arrangement view once I'm out of the improvising stage and do my recording there, rather than trying to think that session…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Took a few hours to make. For example a lot of fades are hand drawn automation and the whole thing is 540 bars long so that took a while even though I can copy & paste automation data in Logic.
The 05:00 mark I went a bit mad with the filter resonance. I have a version where I clean that up a little and it sounds better I think. I might replace the online version.
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Well you know on further listening I do find things to like in this. I'm inclined to give the process another go (maybe with a slightly shorter time frame) and think more about structure.
Thanks again for your comments folks.
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Hi Kirk.
Thanks... I do have a crazy selection of effects these days which is responsible for a lot of the sonic mangling I can do. Over the next year or so I'd like to get more selective and more competent about the results :)
I also think Yelyah's onto something. This might actually be a "track" if it had more structure. As it is the micro-structure created by automation isn't enough.
Lots of things to work on!
Thanks again.
m/
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Yelyah, thank you for the encouraging words.
You're right that I have a pretty unsophisticated approach to what a "song" is. It's a facet I've begun to notice in everything I have done so far, that it is structurally uninteresting.
Guess I need to figure out how to take the next step!
Thanks again.
m/
One of four tracks I did for the August 2009 24 hour challenge. This was the first track I did, when I was still fresh.
I'd wanted to play around with Guitar Rig 3 since getting it at the weekend. The guitars are ableton loops mangled with guitar…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Bethan you're very kind to even attempt to listen to this!
The kick drum that runs through the track is the source of most of the sounds, just mangled, tortured, and beat into shapes & frequencies kick drums were never meant to reach.
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Written, recorded, and mixed in 24 hours. August 01-02, 2009, from 6am to 6am.
Instrumentation: Two acoustic guitars, electric guitar (picked and bowed), fretless bass, about 7 different flutes, two tabla drums, rattles, tambourine, didgeridoo…
Comments on Mr Sandbags's stuff
Very interesting! The BBC called, they want their Radiophonic Workshop back :-)
Thanks guys. Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-) Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster. CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad). Johnny: Thanks man. More to come.
I was just telling my son about your original program a while ago. I showed him the video you made for this. It's a GREAT example of how science and creativity work together. I think you are stumbling onto things that you aren't aware of...not talking about the goofy black hole idea. :)
I can't imagine, I'm back to check this thing out again. This is awesome to watch.
Your technical and creative skills came together amazingly well in this one. As for the noise, I did the calulations and I have come to the conclusion that the reason you have all the noise is that the frequencies being generated are opening tiny holes between us and a quantum neighbor. The holes are slowly leaking energy from the other dimension into ours. This leaked energy is entering our brains as well. Your quantum self knew you were going to do this in our dimension. So he created a program that he is injecting into the hole...and bit by bit..he is reprogramming our brains. So.. THANKS ALOT!! lol But seriously. This is well beyond interesting! Just hope the andromeda strain isn't coming true... Speaking of life in other places...didn't they find life on mars similar to pond scum??
May I ask what type of equations you used?? What kind of particles? Is the box supposed to be like a vacuum as it is in space? It would be interesting to know how many collisions are occuring. And..do you think you could do this with REAL particles? You would probably have to utilize the MADD device. Magnetic Anomoly Detector. It can detect disturbances in the magetic field of Earth. Dist. as small as a school of fish swimming in the ocean. Thanks for sharing...this triggers ones imagination for sure. And it's sounds alot more interesing than sci-fi from the 70's. Have you checked out that software which allows you to hear what certain molecules sound like? Everything emits sound... on second though, maybe you should be careful..you may be calling meet-eating aliens to our planet. hehe I'f also like to see what the brain looks like when listening to this.
Cool vid mate and a very cool experiment. Great sounds.
On a more serious note, that's some experiment in sound. The video is wild!
is that you Dave?
Where are you?
I am so first
keeping it nice and creepy. i like.
Beautiful. I love the sense of texture, and what sit in my ear as illusions of different physical spaces, of varying shape and size - wonderful.
Pretty Cool!
great song, love the intro and the crunchy keys
Woot! I am in a long (but spray on) dress, reclining seductively atop the piano. I have forgotten the lyrics, but it matters not because I have the BEST shoes, and your playing is fabulous! Kudos! And "More!"
Very nice, sir! Worth the hard work.
Dig this! Keep on posting these, because this is inspiring. Maybe I'm nuts, but it almost makes me think that maybe those of us on alonetone who are trying to improve on the piano could form a group for mutual encouragement purposes, and post what we're practicing.
Great jo mate excellent
Anybody that feels that "it's too late" to learn an instrument only needs to look (and listen) here. You should be proud.
Comments made by Mr Sandbags
Well glu nicked all the good stuff with the hint of jazz and Lost Highways references. I can't compete with that! But I enjoyed it none the less :)
Has a certain rawness and grittiness that reminds me of Bukowski's poetry.
Has a melancholy quality to it that I like. What sort of piano is that?
Love this track, more please!
Very nice.
Lovely swirly textures, we like :)
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
Thanks for the kind words folks, much appreciated :)
Love the dark, metallic, and lost textures you got going on here.
Awesome, awesome, awesome. In the days since I uploaded it I have come to a much greater appreciation of old Harry but you take it to another level. I especially love the way you've blended the resonant sweeps with the harps. Looking forward to future episodes!
This is perfect Sunday morning music, ethereal, floaty, lovely.
No Logic 9 yet (only a matter of time though I think) but I liked this very much.
Took a few hours to make. For example a lot of fades are hand drawn automation and the whole thing is 540 bars long so that took a while even though I can copy & paste automation data in Logic. The 05:00 mark I went a bit mad with the filter resonance. I have a version where I clean that up a little and it sounds better I think. I might replace the online version.
Well you know on further listening I do find things to like in this. I'm inclined to give the process another go (maybe with a slightly shorter time frame) and think more about structure. Thanks again for your comments folks.
Hi Kirk. Thanks... I do have a crazy selection of effects these days which is responsible for a lot of the sonic mangling I can do. Over the next year or so I'd like to get more selective and more competent about the results :) I also think Yelyah's onto something. This might actually be a "track" if it had more structure. As it is the micro-structure created by automation isn't enough. Lots of things to work on! Thanks again. m/
Yelyah, thank you for the encouraging words. You're right that I have a pretty unsophisticated approach to what a "song" is. It's a facet I've begun to notice in everything I have done so far, that it is structurally uninteresting. Guess I need to figure out how to take the next step! Thanks again. m/
After several listens my only regret is that I can only favourite this track once :)
Bethan you're very kind to even attempt to listen to this! The kick drum that runs through the track is the source of most of the sounds, just mangled, tortured, and beat into shapes & frequencies kick drums were never meant to reach.
What can I say? This is beautiful and I think I shall listen to the whole thing all over again :)
I'm at 15:00 and it's been great so far.