Just messing around with voices and Yottskry. Here I am using it in Live and feeding 3 different vocal clips at a time. It's pretty slow getting going but I think it rewards (for some value of 'reward') listening all the way through.
I was…
Just messing around with voices and Yottskry. Here I am using it in Live and feeding 3 different vocal clips at a time. It's pretty slow getting going but I think it rewards (for some value of 'reward') listening all the way through.
I was…
Leading edge FX man.
At first it was sort of any way the wind blows, then at 2 minutes I had to close my door because it got spooky in here. I'd like to hear it with other Sandbags type sounds.
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
Yeah, there's a subtle flavour of industrial jazz to this. Makes me think of riding a rickety tram with a host of vampires...only I am also hiding my fangs.
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
I spent 15 hours composing and playing this or, I should rather say, this is the sole product of 15 hours of sitting with Live & my piano.
I think there is the kernel of something good in it (and I intend to explore that later) but the…
I recently bought the Imperfect Samples [Braunschweig Upright](http://www.imperfectsamples.com/website/samples/braunschweig/braunschweiguprightpiano.php) (Pro) sampled piano for Kontakt after falling in love with the sound of the demos.
I have…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
This was a piece I made with Reichatron back in January and, at the time, didn't upload.
I had the odd experience of momentary unfamiliarity, enjoyment, and a sense of "Did I make this?"
Listening to it again I enjoy the way it drifts in…
The fourth piece in my 'Dissolving into Noise' collection IV was made entirely with my new Reaktor instrument "Yottskry" (see the [demo video](http://www.youtube.com/watch?v=KEjtiTeR8w8) for more info on Yotskry).
I used Yotskry standalone…
The fourth piece in my 'Dissolving into Noise' collection IV was made entirely with my new Reaktor instrument "Yottskry" (see the [demo video](http://www.youtube.com/watch?v=KEjtiTeR8w8) for more info on Yotskry).
I used Yotskry standalone…
Back to basics here. recorded with the Yeti mic.
Ramblin' round your city,ramblin' round your town
I never see a friend I know
As I go ramblin' round boys
As I go ramblin' round
My sweetheart and my parents I left in my old hometown…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous.
But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
There is stretching involved but not using Paulstretch. I could never make that thing work for me.
With this piece I liked how the click ticks turned into something like breathing.
Come Tomorrow
-
I'm like a tumbleweed, got no roots
I'm like a climbing vine, leaves and chutes
Come tomorrow, I might not be around
Come tomorrow
I'm a reflection, you see me in your mirror
A missed connection, so far and yet right here…
Comments on Mr Sandbags's stuff
very cool Matt.
Leading edge FX man. At first it was sort of any way the wind blows, then at 2 minutes I had to close my door because it got spooky in here. I'd like to hear it with other Sandbags type sounds.
nice collage collagge? colagge? co-lagde dreamy
Yeah, there's a subtle flavour of industrial jazz to this. Makes me think of riding a rickety tram with a host of vampires...only I am also hiding my fangs.
You seem to be taking a completely new turn in the road these days, my bags. Liking it! And YES, persevere with this compelling, uneasy gem!
Haunting and moody, with wonderful tone and reverberation. I'd definitely love to hear what else you come up with if you do extend on this.
Yeah- this could really go someplace very cool. Like it!
A thing of magnificence, strength and beauty.
I always dig your crazy otherworldly sounds! And yeah, don't hold back on us, keep 'em coming!
Top one mate really cool.
I dig this and really hope you do something further with it (though it's also beautiful just the way it is)!
What a pleasant surprise. I didn't know you had such talented piano fingers. More please..
Incomparable! your always breaking new ground with cool sound.
Incomparable! your always breaking new ground with cool sound.
Great sounds mate very cool.
total kick ass man. Its putting my mind at ease.
That's some wild sounding stuff!
pretty cool man.
Great sounds mate well done.
ooh I like this
Comments made by Mr Sandbags
Enjoyed that :)
There's something warm about this despite it being a little disorienting to listen to and, yes, some nice squelchy sounds :)
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous. But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
@MTC: lol... thank you
@bethan: probably i need about 50' clearance all around!
Just got around to listening to this and I think your mojo is intact because it's really lovely.
Big noise, I like it!
Growling and full of foreboding. Feel more like hiding behind the sofa than dancing though :)
There is stretching involved but not using Paulstretch. I could never make that thing work for me. With this piece I liked how the click ticks turned into something like breathing.
Lovely to drift along to.
Fun track.
Great track... how many Marlboro's do you smoke to get that voice!?
Great sound mix, love the guitar in there.
Great song.
I'm really enjoying your tracks. Not just the sound but also the kind of relaxed style that seems to totally unlike my own stuff. Excellent.
Love this one, great sound, raw feel, and it that a banjo?
Enjoying your sound.
Lovely, dreamy, sweet sound.
This feels like the soundtrack to "Buck Rogers in the 21st century" re-imagined by Ronald D. Moore. Kudos.