I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Music for the mind. Once again a journey is bestowed upon us..one for which I have to say thanks. The collab you did with Sister Savage was great work too.
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Initial comment made at 20 secs on hearing my Molly! Then I grabbed the headphones because I suspected I knew what was coming. But no, this is Sandbags. Take equal measures of eerie, crazy and strange, sprinkle with ingenuity and serve with WOAH.
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Damn. How on earth do you manage to get all of these separate things to fit together so well?
And reading through the liner notes.... I am in awe of your ability to focus on one piece for so long and what must be an amazing attention to detail. Where can I get me some of that? :)
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
Actually...I think the voices sound great! And the fact that the spoken voice (yours?) is incoherent doesn't matter at all. You could be spilling all the secrets of the universe and we wouldn't know, I like that - it's intriguing.
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
I elected to pursue my theme for RPM 2010 even though, ultimately, I decided not to take part.
So I'm going at my own pace, not trying to produce "finished" works, or to be governed by anything except my experimental muse.
The theme I chose…
I elected to pursue my theme for RPM 2010 even though, ultimately, I decided not to take part.
So I'm going at my own pace, not trying to produce "finished" works, or to be governed by anything except my experimental muse.
The theme I chose…
Palimpsest: A Composition of Maps (an isentropic semaphore on the Name of Asmira Woodward-Page) is part of an ongoing series of soggetto cavato pieces the I have written, in this case on the name and at the commission of violinist Asmira Woodward…
I really enjoyed this piece very much and would like to hear more such.
Your other commenter said Bartók-esque and I couldn't have put it better myself. I find it reminiscent of the excellent 'Concerto for Orchestra.'
I also find your technique interesting. I am just beginning to experiment with generative music (albeit of a very different style) and the idea of mapping various sources of information into music is appealing.
Comments on Mr Sandbags's stuff
Music for the mind. Once again a journey is bestowed upon us..one for which I have to say thanks. The collab you did with Sister Savage was great work too.
Very cohesive sound collage. I love this.
Well done. Very retro cool.
Wow mega cool mate this is out there dig it.
Clever and complex. Great job combining all the sounds, and still managing to avoid complete dissonance.
I moved my speakers right up next to my head. Really gets the full affect of the L/R. Fun stuff.......
well done sandbags.
My thanks to all those who contributed vocals to this track: GCD, Sudara, Marlena, MMI, La Savage, Robot Molly, Matt Savigear, Wildgeas, and me!
The coordinated chaos of this is impressive! Those layers are pretty wild.
Astounding! :)
Initial comment made at 20 secs on hearing my Molly! Then I grabbed the headphones because I suspected I knew what was coming. But no, this is Sandbags. Take equal measures of eerie, crazy and strange, sprinkle with ingenuity and serve with WOAH.
Hahahahahahahahahaha!!!!!!!!!!!!
Damn. How on earth do you manage to get all of these separate things to fit together so well? And reading through the liner notes.... I am in awe of your ability to focus on one piece for so long and what must be an amazing attention to detail. Where can I get me some of that? :)
number 9..number 9..number 9
Actually...I think the voices sound great! And the fact that the spoken voice (yours?) is incoherent doesn't matter at all. You could be spilling all the secrets of the universe and we wouldn't know, I like that - it's intriguing.
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
Very spooky! :)
Wow you have some great sounds in this one mate sounds great with headphone
Very cool mate very cool.
...too noiszzzy for me, though.
Comments made by Mr Sandbags
Wonderfully offbeat.
Liked this track a lot.
Liked this one a lot.
Love this sound.
Okay that is brilliant :)
I really enjoyed this piece very much and would like to hear more such. Your other commenter said Bartók-esque and I couldn't have put it better myself. I find it reminiscent of the excellent 'Concerto for Orchestra.' I also find your technique interesting. I am just beginning to experiment with generative music (albeit of a very different style) and the idea of mapping various sources of information into music is appealing.