I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I read about the technique, used by Steve Reich, of playing multiple copies of the same audio at different speed to create phase differences.
I decided to do a little experiment and built myself a Reaktor ensemble using 3 granular sampler units…
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
THIS IS SICK. Thanks for the props on my new stuff, too. I got the glitched out sounds by time stretching some old woman talking and offsetting multiple takes of the same clip. Thanks again.
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
I wanted to make a track for halloween but technology problems and time have conspired that I didn't get very far.
However I'm uploading the first couple of minutes of what I have.
Have a spooky night!
I wanted to make a track for halloween but technology problems and time have conspired that I didn't get very far.
However I'm uploading the first couple of minutes of what I have.
Have a spooky night!
I wanted to make a track for halloween but technology problems and time have conspired that I didn't get very far.
However I'm uploading the first couple of minutes of what I have.
Have a spooky night!
This is a remix of my earlier track [Metaphysical Beat 2](http://alonetone.com/sandbags/tracks/metaphysical-beat-2). In fact it's the 4th remix but the first one I'm really happy with. I even found myself trying to dance along to this when I…
This is a remix of my earlier track [Metaphysical Beat 2](http://alonetone.com/sandbags/tracks/metaphysical-beat-2). In fact it's the 4th remix but the first one I'm really happy with. I even found myself trying to dance along to this when I…
Another in my series of experiments with the Reaktor ensemble Metaphysical Function.
I used two instances of Metaphysical Function to generate a soundscape that was bounced to audio, chopped up, and re-arranged.
The whole thing was rather…
Another in my series of experiments with the Reaktor ensemble Metaphysical Function.
I used two instances of Metaphysical Function to generate a soundscape that was bounced to audio, chopped up, and re-arranged.
The whole thing was rather…
Another in my series of experiments with the Reaktor ensemble Metaphysical Function.
I used two instances of Metaphysical Function to generate a soundscape that was bounced to audio, chopped up, and re-arranged.
The whole thing was rather…
Another in my series of experiments with the Reaktor ensemble Metaphysical Function.
I used two instances of Metaphysical Function to generate a soundscape that was bounced to audio, chopped up, and re-arranged.
The whole thing was rather…
Yeah boy! This one has the potential to be a real groovin' tune.. even flirts with club (don't throw your shoe at me if it offends you).. I too can here a 4-floor beat jump in around 02:20 or so.. drop off at 03:45 and picks back up right before 04:00..looking forward to wherever you take this-- I'm really liking your rhythmic/atmospheric direction..
Actually I made this track back in 90's. While making it I imagined a lounge bar in a lunar space station. In this bar travellers of different species meet each other. When you sit there you might hear some fragments of discussions in a language…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Thank you for all the kind words.
@MMI: By 'mess' i refer to what I perceive as a lack of underlying structure combined with over-density.
I guess I wasn't so much being pejorative about my work (although given past comments I've made I can understand why that conclusion might be reached) so much as indicating that I am aiming towards something more deliberate, more structured, and sparser.
Of course whether I get there, or somewhere totally different, is quite another matter :)
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
nebulonicalchemy: that's a greatquestion. Glitchiness is something that is easy to understand when you already know and quite hard to describe otherwise. But here goes:
A glitch is usually a minor malfunction in a system where something doesn't work quite right (but isn't a complete meltdown). So in audio terms is might be described as something that doesn't sound right, in the context of the original sound, for a brief period.
The Finger is a MIDI driven effect unit that provides a number of effects suitable for creating audio glitches for example short loops, pitch shifting, comb filters, scratches and so on.
The untreated audio is fed through The Finger and, when it receives appropriate MIDI, it applies an effect but only for so long as the MIDI note is being played. So you get "audio glitches" interrupting the normal playback of the piece.
This piece is so convoluted that it's hard to hear a clear separation between glitch and non-glitch. I'll try and do something about that in the next piece.
This is a track I started on the ferry over to Wales for a little holiday a couple of weeks back.
* Drums are from Ableton Suite's Session Drums
* Bassline is an patch I created in Live's Analog synth
* Guitar is me playing through Guitar…
Compositionally this song started out with the drum pattern and grew from there. I'm not sure why I chose the title 'Mad Man' but in some ways I thought it was fitting.
Anyway, this song is dedicated to crazy geniuses whose academic work is…
My first composition that uses an odd time signature for a few measures. My drum fills are also more elaborate. It's just a little tune to bob your head to, tap your toe, you know, the good stuff!
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
Shaken, not stirred please.
Experimenting more with sandbags' Elysium. This time I used it to trigger elephant samples for part of the percussion section.
Just working out some rhythms. Toucans come in at about 1 minute.. wish I could get the sound onto vinyl for some proper scratching. I used Sandbags' awesome generative sequencer Elysium for some of the ambient and lower pitched toucans. The lead…
This song was made by two different piano samples (both
from Sudara):
1. One was recorded by Sudara (and gang?) axing away at a hapless old piano in New Mexico.
2. today, I convinced Sudara to noodle on the piano and send it over to me…
This is day 24 of my 24 day project. So that means it's over.
And if you're reading this on alonetone, this is lucky track number 100.
24 "songs" in 24 days. Really, the only requirement was to produce a minute of music each day.
I wish…
Congratulations! Awesome achievement and I like this one. It puts me in mind of Colin Garveys WooHoo song. He did that at the end of the 24hr album last year. It was also "of it's moment" and expresses some of the same feelings. Maybe you will enjoy it too!
A reverse take (recorded live at a gig) of a couple of Pink Floyd covers. The amazing Bill Pohl on 2nd guitar. It came out sounding strangely symphonic.
I love this.
It puts me in mind of an experiment I was thinking about to alternately record & reverse parts so you end up with an interlocking series of forward and reverse sounds. Probably turn into sonic mush but could be kind of fun.
Thanks for the inspiration!
Comments on Mr Sandbags's stuff
This is sooo beautiful! I'm drifting, I'm floating, I'm dreaming... w;-)
That's so relaxing! I'll keep an eye out for your library contribution.
This is so so so so oh so gorgeous...
This is wonderful. I think I could listen to this for hours. I used to spend a lot of time listening to Glass and Reich, thanks for reminding me.
Quite hypnotic- I like!
yeah, this is awesome... I too could listen to this all day
Very soothing. I could listen to this all day... I might just try.
Oh...my. Beautiful! Like the moment before the release of total madness.
THIS IS SICK. Thanks for the props on my new stuff, too. I got the glitched out sounds by time stretching some old woman talking and offsetting multiple takes of the same clip. Thanks again.
very well constructed. Some great sounds where do you get them
I tell you what, Sandbags, you made mixing history with this one!
Damn it! Now I'm gonna have to sleep with the lights on! w;-)
Ooooh! I'm scared now! Lovely- in a disturbing way of course!
Creaky zombie feasty noises. Am hungry now. Brrrring me a villager.
Yeah- groovin' indeed! Like it!
the new additions are great! definitely groovin' there!
Great rhythm, Sandbaggio.
Superb work. On your way to churning out the club hits :-) /me ducks the shoe :-)
Oh Yeah- this is headed somewhere good alright! Love the beats
Yeah boy! This one has the potential to be a real groovin' tune.. even flirts with club (don't throw your shoe at me if it offends you).. I too can here a 4-floor beat jump in around 02:20 or so.. drop off at 03:45 and picks back up right before 04:00..looking forward to wherever you take this-- I'm really liking your rhythmic/atmospheric direction..
Comments made by Mr Sandbags
Chilled. Like it.
Very cool, loved the feel of this track.
Thank you for all the kind words. @MMI: By 'mess' i refer to what I perceive as a lack of underlying structure combined with over-density. I guess I wasn't so much being pejorative about my work (although given past comments I've made I can understand why that conclusion might be reached) so much as indicating that I am aiming towards something more deliberate, more structured, and sparser. Of course whether I get there, or somewhere totally different, is quite another matter :)
nebulonicalchemy: that's a greatquestion. Glitchiness is something that is easy to understand when you already know and quite hard to describe otherwise. But here goes: A glitch is usually a minor malfunction in a system where something doesn't work quite right (but isn't a complete meltdown). So in audio terms is might be described as something that doesn't sound right, in the context of the original sound, for a brief period. The Finger is a MIDI driven effect unit that provides a number of effects suitable for creating audio glitches for example short loops, pitch shifting, comb filters, scratches and so on. The untreated audio is fed through The Finger and, when it receives appropriate MIDI, it applies an effect but only for so long as the MIDI note is being played. So you get "audio glitches" interrupting the normal playback of the piece. This piece is so convoluted that it's hard to hear a clear separation between glitch and non-glitch. I'll try and do something about that in the next piece.
This one turned out awesome.. it all fit together beautifully in the end :)
What a cool, eclectic, mix. Liked this one, especially the sound of the piano running through it and counterpointing the glitchiness.
Enjoyed this. What time signature are you experimenting with?
Beautiful.
Here's hoping Brando is the guvnor then! Great track!
Liked this a lot!
Thank you so much folks for your comments, they're very encouraging!
Oh this is good, very good. Really hoppingly glitchy. Love it.
Lovely and weird, and that's before the Toucans come in!
What glu said!
Short but sweet :)
Welcome! Love the upright bass and the ethereal jazzy feel over the dark overtones. What's that sound at the end?
Oh man I love what you've done with this, absolutely love it!
Coming back to this I still love it. Wish I could favourite it again. How you doin?
Congratulations! Awesome achievement and I like this one. It puts me in mind of Colin Garveys WooHoo song. He did that at the end of the 24hr album last year. It was also "of it's moment" and expresses some of the same feelings. Maybe you will enjoy it too!
I love this. It puts me in mind of an experiment I was thinking about to alternately record & reverse parts so you end up with an interlocking series of forward and reverse sounds. Probably turn into sonic mush but could be kind of fun. Thanks for the inspiration!