I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I've been listening to the output of my *Reichenbach* Reaktor ensemble all morning as it loops and phase shifts a recording of Erik Satie's solo piano piece Gnossiennes-1
I find it to be quite beautiful and entrancing and I decided to render…
I read about the technique, used by Steve Reich, of playing multiple copies of the same audio at different speed to create phase differences.
I decided to do a little experiment and built myself a Reaktor ensemble using 3 granular sampler units…
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
THIS IS SICK. Thanks for the props on my new stuff, too. I got the glitched out sounds by time stretching some old woman talking and offsetting multiple takes of the same clip. Thanks again.
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
I wanted to make a track for halloween but technology problems and time have conspired that I didn't get very far.
However I'm uploading the first couple of minutes of what I have.
Have a spooky night!
I wanted to make a track for halloween but technology problems and time have conspired that I didn't get very far.
However I'm uploading the first couple of minutes of what I have.
Have a spooky night!
I wanted to make a track for halloween but technology problems and time have conspired that I didn't get very far.
However I'm uploading the first couple of minutes of what I have.
Have a spooky night!
This is a remix of my earlier track [Metaphysical Beat 2](http://alonetone.com/sandbags/tracks/metaphysical-beat-2). In fact it's the 4th remix but the first one I'm really happy with. I even found myself trying to dance along to this when I…
This is a remix of my earlier track [Metaphysical Beat 2](http://alonetone.com/sandbags/tracks/metaphysical-beat-2). In fact it's the 4th remix but the first one I'm really happy with. I even found myself trying to dance along to this when I…
Another in my series of experiments with the Reaktor ensemble Metaphysical Function.
I used two instances of Metaphysical Function to generate a soundscape that was bounced to audio, chopped up, and re-arranged.
The whole thing was rather…
Another in my series of experiments with the Reaktor ensemble Metaphysical Function.
I used two instances of Metaphysical Function to generate a soundscape that was bounced to audio, chopped up, and re-arranged.
The whole thing was rather…
Another in my series of experiments with the Reaktor ensemble Metaphysical Function.
I used two instances of Metaphysical Function to generate a soundscape that was bounced to audio, chopped up, and re-arranged.
The whole thing was rather…
Another in my series of experiments with the Reaktor ensemble Metaphysical Function.
I used two instances of Metaphysical Function to generate a soundscape that was bounced to audio, chopped up, and re-arranged.
The whole thing was rather…
Yeah boy! This one has the potential to be a real groovin' tune.. even flirts with club (don't throw your shoe at me if it offends you).. I too can here a 4-floor beat jump in around 02:20 or so.. drop off at 03:45 and picks back up right before 04:00..looking forward to wherever you take this-- I'm really liking your rhythmic/atmospheric direction..
Back to basics here. recorded with the Yeti mic.
Ramblin' round your city,ramblin' round your town
I never see a friend I know
As I go ramblin' round boys
As I go ramblin' round
My sweetheart and my parents I left in my old hometown…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous.
But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
There is stretching involved but not using Paulstretch. I could never make that thing work for me.
With this piece I liked how the click ticks turned into something like breathing.
Come Tomorrow
-
I'm like a tumbleweed, got no roots
I'm like a climbing vine, leaves and chutes
Come tomorrow, I might not be around
Come tomorrow
I'm a reflection, you see me in your mirror
A missed connection, so far and yet right here…
Comments on Mr Sandbags's stuff
This is sooo beautiful! I'm drifting, I'm floating, I'm dreaming... w;-)
That's so relaxing! I'll keep an eye out for your library contribution.
This is so so so so oh so gorgeous...
This is wonderful. I think I could listen to this for hours. I used to spend a lot of time listening to Glass and Reich, thanks for reminding me.
Quite hypnotic- I like!
yeah, this is awesome... I too could listen to this all day
Very soothing. I could listen to this all day... I might just try.
Oh...my. Beautiful! Like the moment before the release of total madness.
THIS IS SICK. Thanks for the props on my new stuff, too. I got the glitched out sounds by time stretching some old woman talking and offsetting multiple takes of the same clip. Thanks again.
very well constructed. Some great sounds where do you get them
I tell you what, Sandbags, you made mixing history with this one!
Damn it! Now I'm gonna have to sleep with the lights on! w;-)
Ooooh! I'm scared now! Lovely- in a disturbing way of course!
Creaky zombie feasty noises. Am hungry now. Brrrring me a villager.
Yeah- groovin' indeed! Like it!
the new additions are great! definitely groovin' there!
Great rhythm, Sandbaggio.
Superb work. On your way to churning out the club hits :-) /me ducks the shoe :-)
Oh Yeah- this is headed somewhere good alright! Love the beats
Yeah boy! This one has the potential to be a real groovin' tune.. even flirts with club (don't throw your shoe at me if it offends you).. I too can here a 4-floor beat jump in around 02:20 or so.. drop off at 03:45 and picks back up right before 04:00..looking forward to wherever you take this-- I'm really liking your rhythmic/atmospheric direction..
Comments made by Mr Sandbags
Enjoyed that :)
There's something warm about this despite it being a little disorienting to listen to and, yes, some nice squelchy sounds :)
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous. But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
@MTC: lol... thank you
@bethan: probably i need about 50' clearance all around!
Just got around to listening to this and I think your mojo is intact because it's really lovely.
Big noise, I like it!
Growling and full of foreboding. Feel more like hiding behind the sofa than dancing though :)
There is stretching involved but not using Paulstretch. I could never make that thing work for me. With this piece I liked how the click ticks turned into something like breathing.
Lovely to drift along to.
Fun track.
Great track... how many Marlboro's do you smoke to get that voice!?
Great sound mix, love the guitar in there.
Great song.
I'm really enjoying your tracks. Not just the sound but also the kind of relaxed style that seems to totally unlike my own stuff. Excellent.
Love this one, great sound, raw feel, and it that a banjo?
Enjoying your sound.
Lovely, dreamy, sweet sound.
This feels like the soundtrack to "Buck Rogers in the 21st century" re-imagined by Ronald D. Moore. Kudos.