We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Well the votes are in and nobody, who has commented, seems to think I have offended against Satie with this. That's kind of cool because this really is one of my favourite pieces of music and one that I hope, one day, to be able to play myself…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
And the award for unique interpretation goes to...
Sandbags! (crowd goes wild, cut to surprised and happy recipient high fiving his guests)
Awesome stuff man.
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
Satie didn't came to my mind, maybe because i haven't listened to his music so much, but in my opinion this piece carries quite resemblance to compositions of Philip Glass
One of the things about my [Glitching Satie](http://alonetone.com/sandbags/tracks/glitching-satie-1) track that I wasn't comfortable with was that it wasn't my recording that I was using. But I'm nowhere near good enough to play a piece like Gnossiennes…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
We're deep in the glitch mines again.
This time with a beat developed in Stylus RMX, a "melody" using Soniccouture Skiddaw stones and Tonehammer Frendo, and a bass from Soniccouture Abstrakt Bass.
The beat was fed through The Finger with…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
i still havent checked your reponse when I asked what glitching is...I can't look back at old responses with internet explorer 8..there is a glitch in the software..lol
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
This is my first run through the 7th Goldberg variation. It's been about a month since I started practicing it. This is the first time I "made it"—meaning, it's a bit fumbling and pushes and pulls, but hey, I hit all the notes!
I've played…
2nd in my series of granular/glitch piano creations.
This time I am trying out a new instrument called Cumulus with a sample from SoundIron Emotional Piano. I setup the scene points and let the internal sequencer run, then put it through Audio…
First demo of the finished Novaphone 340 Grand instrument (v1.0.4) including some of the sample content that will be released with the final instrument. In this case I used 5 samples of a Reaktor based drone generator by [nofi](http://soundcloud…
Really nice Bruce.
I do wish I could figure out improvFriday. Every time I think about it I go to the site and have no clue what to do next or how people upload or even if they are welcome to. It's all so baffling.
Something I've been listening to this morning on repeat so I thought I would record and share it.
At heart it's two instances of the Morpheus metallophone instrument layered together with some nice verb and a bit of compression.
One of the…
A micro-tonal piece made using one instance of the Novaphone 340 ("Imperial") playing 3 piano samples from SoundIron's "Emotional Piano 2.0".
The samples were sequenced using a MIDI keyboard using the Novaphone Micro-8 scale (1/8 semitone per…
Some kind of rap-music. Made with a little bit tongue in cheek approach. I've filtered the rap artists voice so much that i'd rather leave his name unpublished.
Sometime yesterday, sandbags posted "In the Ocean of Night".
Fuelled by a lovely walk and some pints, I was inspired to make some additions.
Technical/process details:
Guitar was my Michael Kelly going into GT-10 which had compressor, delay…
Loved this as soon as I heard it. You've really nailed the crunchy yet spacey guitar texture and I think the two blend well together. Greater than the sum of it's parts!
This is the first piece made with a Reaktor instrument I built today that I have called "Xylo".
Xylo is a sampler that plays a region of the sample back and forth with a 10s release time. Each note defines a region of a different length (but…
This is the first piece made with a Reaktor instrument I built today that I have called "Xylo".
Xylo is a sampler that plays a region of the sample back and forth with a 10s release time. Each note defines a region of a different length (but…
This is the first piece made with a Reaktor instrument I built today that I have called "Xylo".
Xylo is a sampler that plays a region of the sample back and forth with a 10s release time. Each note defines a region of a different length (but…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Comments on Mr Sandbags's stuff
Cool sounds mate
Wow this is very haunting for sure sounds great through head phones love it
This is great mate dig it. And thanks for your recent comments What is a Glitch O Matic 500
A fine display Mr. Sandbags. I'll have to Google the Glitch-O-Matic 5000. I'm clueless and much to analog :D
Wow, sounds like a live acoustic performance! Very effective! Am loving your (and you probably won't agree) new direction!
An new take on a favorite of mine. Nicely done.
Such a sweet composition. Bouncy, but pretty serene at the same time; love it.
Wow- Nice! Love the texture
And the award for unique interpretation goes to... Sandbags! (crowd goes wild, cut to surprised and happy recipient high fiving his guests) Awesome stuff man.
Interesting. I listened to the samples of those homemade instruments from the link you sent me...awesome stuff.
Satie didn't came to my mind, maybe because i haven't listened to his music so much, but in my opinion this piece carries quite resemblance to compositions of Philip Glass
interesting piece
Uploaded a new version which fixes the drums although there's still a feedback problem (related to MIDI timing I think) that needs to be fixed in a final mix.
Okay this is the problem with mixing being "throw a mastering channel strip on it, bounce, upload". At some point about the 2 minute mark the drums track have cut out - probably overloaded Reaktor again. So then you get 2:30 that is largely just the bass.
This is some crazy glichin' ride! Love that pulse beat!
DAMN. This one is bitchin/glitchin' -- Nailed it.
I think I'm starting to get the idea of glitching is... heheh nice.
i still havent checked your reponse when I asked what glitching is...I can't look back at old responses with internet explorer 8..there is a glitch in the software..lol
Gotta agree with mmi...genius indeed. I can't wait to hear the stuff you put out once you "learn it." :)
lovin' that glitch!
Comments made by Mr Sandbags
Bravo! Bravo!
I think it's too long, not enough variation, and needs at least some filtering. Might try a cello next time, or maybe a harmonica.
@Bethan: thanks... something like "Passing of the comet" would have been a much better title :)
@igor: it's often the way with poetry, no? But you offer an interesting historical footnote :) But, in a sense, the poem is a distraction.
Really nice Bruce. I do wish I could figure out improvFriday. Every time I think about it I go to the site and have no clue what to do next or how people upload or even if they are welcome to. It's all so baffling.
Like I said for the demo, really strong track with a great sound & vocal. I like this one very much.
@igor: words fail me :) @sister: thank you :)
@Bethan: thanks... my imagery was of drifting far out on the edge of the solar system. A very similar feel... down in the inky depths.
Like your sound and the vocal, good track.
That's pretty cool. Wasn't sure what to expect, but I like it.
That was quite a trip!
Cool track.
Loved this as soon as I heard it. You've really nailed the crunchy yet spacey guitar texture and I think the two blend well together. Greater than the sum of it's parts!
Really cool. Geas is right, but you gotta play the UK!!
@wg: My plan to have Professor Plum take the fall has come to naught I see :)
@bethan: thanks, that's an evocative image, i like it.
@Johnny: thanks, i think it shows some promise :)
Grungy and great!
@Sis: Have to be careful of things swooping on you strangely :)
Even your rehearsals are ACE! :)