Honestly I have no idea where this came from or how.
I was messing with Omnisphere patches and came across a lovely, flutey, breathy sound that put me in mind of the scenes inside the monolith at the end of 2001. I setup a Rytme pattern to…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
So one too many coffee's and I have insomnia, I decided to mess about with my prototype sequencer Rytme and one of the Logic piano presets (Piano Motion).
I came up with this piece (in the key of A Major) which is rather repetitive (a quality…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Thank you for all the kind words.
@MMI: By 'mess' i refer to what I perceive as a lack of underlying structure combined with over-density.
I guess I wasn't so much being pejorative about my work (although given past comments I've made I can understand why that conclusion might be reached) so much as indicating that I am aiming towards something more deliberate, more structured, and sparser.
Of course whether I get there, or somewhere totally different, is quite another matter :)
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
nebulonicalchemy: that's a greatquestion. Glitchiness is something that is easy to understand when you already know and quite hard to describe otherwise. But here goes:
A glitch is usually a minor malfunction in a system where something doesn't work quite right (but isn't a complete meltdown). So in audio terms is might be described as something that doesn't sound right, in the context of the original sound, for a brief period.
The Finger is a MIDI driven effect unit that provides a number of effects suitable for creating audio glitches for example short loops, pitch shifting, comb filters, scratches and so on.
The untreated audio is fed through The Finger and, when it receives appropriate MIDI, it applies an effect but only for so long as the MIDI note is being played. So you get "audio glitches" interrupting the normal playback of the piece.
This piece is so convoluted that it's hard to hear a clear separation between glitch and non-glitch. I'll try and do something about that in the next piece.
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Glitchatom-1 is the first in a series of experimental pieces where I'm trying to learn about glitching and get more familiar with Reaktor.
In this piece I'm using Peter Dines [Frankenloop ensemble](http://kore.noisepages.com/2008/06/20/introducing…
Well the votes are in and nobody, who has commented, seems to think I have offended against Satie with this. That's kind of cool because this really is one of my favourite pieces of music and one that I hope, one day, to be able to play myself…
Well the votes are in and nobody, who has commented, seems to think I have offended against Satie with this. That's kind of cool because this really is one of my favourite pieces of music and one that I hope, one day, to be able to play myself…
Well the votes are in and nobody, who has commented, seems to think I have offended against Satie with this. That's kind of cool because this really is one of my favourite pieces of music and one that I hope, one day, to be able to play myself…
Well the votes are in and nobody, who has commented, seems to think I have offended against Satie with this. That's kind of cool because this really is one of my favourite pieces of music and one that I hope, one day, to be able to play myself…
Butchering something is only fun if you love it. :-) But no, I don't think this is butchered. I think it's complex and packed with your trademark eerie, broken Victorian doll faces.
Well the votes are in and nobody, who has commented, seems to think I have offended against Satie with this. That's kind of cool because this really is one of my favourite pieces of music and one that I hope, one day, to be able to play myself…
I'm uploading this more as a record for me than because I think either of these Destroyed Piano tracks are particularly listenable.
In this track I've used the same pattern as before but varied the probabilities of the various notes to try and…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Yesterday I bought a very lovely sample set from Soniccouture called [The Skiddaw Stones](http://www.soniccouture.com/en/products/p4-the-skiddaw-stones/).
.
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![skiddaw stones ](http://www.soniccouture.com/images/library/img-20090817145403.jpg…
One of four tracks I did for the August 2009 24 hour challenge. This was the last track I did, and it shows.
I was pretty tired after finishing 3am chill, and had to mess round for ages mangling loops and trying out different things before…
One of four tracks I did for the August 2009 24 hour challenge. This was the last track I did, and it shows.
I was pretty tired after finishing 3am chill, and had to mess round for ages mangling loops and trying out different things before…
One of four tracks I did for the August 2009 24 hour challenge. This was the first track I did, when I was still fresh.
I'd wanted to play around with Guitar Rig 3 since getting it at the weekend. The guitars are ableton loops mangled with guitar…
One of four tracks I did for the August 2009 24 hour challenge. This was the second track I did.
I'm an old trance head, so I had to have a go at making a trance tune during the 24 hours. This had the advantage that I could stretch out the breakdown…
One of four tracks I did for the August 2009 24 hour challenge. I'd just finished the trance track, it was 3am, and I wanted something completely different.
It's 110bpm, the piano is NI AkousticPiano Steingraber 130. The bass and organ are done…
This is quite an old track that got abandoned because I didn't feel it was right or going anywhere.
But listening to it in iTunes this morning I thought it passed muster. I don't think it has enough variation to justify it's length but it's gently…
Click on "View More" button to see video.
instrumentation:
Mostly electric guitar and violin bow. The end is accompanied by my blubbing and a haunting sound recorded by Sudara (an ebow against what I think is a piano string... he'll have…
MMi's Voices
http://alonetone.com/mmi/tracks/voices-3
MMi wrote the song. I programmed percussion, recorded tabla and vocals.
This is the first public output after going through about 40% of nickstutorials.com sound design series.
All the sounds started off with my sampling myself either saying something, clicking my fingers or clapping. They were recorded through…
A morning storm recorded in the courtyard and a musical motif written in the evening. combined time working-- 45 minutes, interrupted by a phone call from the parents to see if I was still alive.
Ambient guitar with generous reverb served up on a bed of glitched up vocal samples.
Boring technical details:
Puremagnetik voxbox micropak came with a bunch of vocal clips. I put them all into live and gave them all follow actions to play…
an exposition,traditional,of the raga ,bilaskani todi,transformed into a slightly dark ambient piece of music,exploring musical landscapes,inspired by a scenario,as if for a film,which my music normallt is.
This track started off with an idea. The idea was an instrument setup such that I could play a single note, or octave and have arps and stuff built it up...
I failed in that experiment by getting carried down the add more effects road and before…
I decided to focus by timeboxing the amount of time I spent on drums, bass and lead into 30 min sections based on the pomodoro technique. The idea was to spend 5 mins picking the sound for each part, then 25 mins making some loops with it to arrange…
Just realized I wasn't following you so I hadn't noticed your latest track. It's got some lovely, ethereal, sounds in here and a beat that really carries it along. Cool track. So, it's been nearly two weeks, when can we expect Pomodoro 2? :)
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
Comments on Mr Sandbags's stuff
Listening to all of this was like hearing a great album. Can't wait to try the sequencer!
Sweet! Sounds great to me. I've always wanted to try out Reaktor!
Glitchtastic!
Cool. I made once a similar piece. At least it sounded similar. I remember i tried to follow one of Messiaen's scales.
Thank you for all the kind words. @MMI: By 'mess' i refer to what I perceive as a lack of underlying structure combined with over-density. I guess I wasn't so much being pejorative about my work (although given past comments I've made I can understand why that conclusion might be reached) so much as indicating that I am aiming towards something more deliberate, more structured, and sparser. Of course whether I get there, or somewhere totally different, is quite another matter :)
Mess?!? I'd say the net result is genius. Super super cool.
nebulonicalchemy: that's a greatquestion. Glitchiness is something that is easy to understand when you already know and quite hard to describe otherwise. But here goes: A glitch is usually a minor malfunction in a system where something doesn't work quite right (but isn't a complete meltdown). So in audio terms is might be described as something that doesn't sound right, in the context of the original sound, for a brief period. The Finger is a MIDI driven effect unit that provides a number of effects suitable for creating audio glitches for example short loops, pitch shifting, comb filters, scratches and so on. The untreated audio is fed through The Finger and, when it receives appropriate MIDI, it applies an effect but only for so long as the MIDI note is being played. So you get "audio glitches" interrupting the normal playback of the piece. This piece is so convoluted that it's hard to hear a clear separation between glitch and non-glitch. I'll try and do something about that in the next piece.
like it. sound quite ethnic in a strange way
what is glitching?
Really like this, a good balance between the glitchiness and the rest of the track. Looking forward to seeing where you go with this
Sacrilege? Bah. This is technological art in the finest tradition. Inspired.
Not at all, this is nice...and haunting. Lovely.
agree with the Sister..'victorian doll faces' should be the new title. love it!
Butchering something is only fun if you love it. :-) But no, I don't think this is butchered. I think it's complex and packed with your trademark eerie, broken Victorian doll faces.
nice ambiance!
Love the haunting piano tones in this.
I dig!
like it, everything can be made to make music
Nice sample set! I love organic sounds like this. Sounds like you're banging away on this stuff in a monastery! In my mind I can hear monks chanting in the background!
Wow what a cool sound this is great mate and thanks for your recent comment.
Comments made by Mr Sandbags
Great 24hr album octo!
Trippy, reminds me of days long gone :)
Love this track! The intro is especially great, really hooked me into it.
Enjoyed this one a lot. Simple beat but some great sounds and variations to keep it going.
This has a great, laid back vibe. I love the organs (must check out B4) and the horns. Sweet.
glu: :)
Sister is so cheap, not buying herself a thesaurus, that she has to steal "WOW!" from me... hands off! WOW! :)
Dreamy :)
This is awesomely impressive man.
Cool sound.
Sounds like film music, reminiscent of a western. Right now I'd like to be the hero striding into that storm because it is too HOT!
This one grew on me as it went along. The 'verbed guitars are very nice. I expect to hear more of them in due course ;-)
Good music to code to, kinda reminds me of Zatôichi.
Lovely, too short :)
Love this one.
Beautiful. Just beautiful.
Wow. Beautiful, grimy, like someone giving a last salute to a barge full of gravel going over a waterfall.
Just realized I wasn't following you so I hadn't noticed your latest track. It's got some lovely, ethereal, sounds in here and a beat that really carries it along. Cool track. So, it's been nearly two weeks, when can we expect Pomodoro 2? :)
And thank you all guys. It's great to get feedback :)
MM: Well ... it hadn't occurred to me but I did just buy my first dub album and listen to it today ... maybe it did influence me.