This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Took a few hours to make. For example a lot of fades are hand drawn automation and the whole thing is 540 bars long so that took a while even though I can copy & paste automation data in Logic.
The 05:00 mark I went a bit mad with the filter resonance. I have a version where I clean that up a little and it sounds better I think. I might replace the online version.
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
So how long did this take DAMN - an alarm went off just as I started typing LOL - 5 minutes in!
So as i was about to say - this is intriguing and the fade-ins/outs and those watery textures make it fun. It's a long way off my beaten track but still in my jungle ... it's getting to the stage now where I'll have to pick up a guitar ...
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
I don't have a lot of time this morning but it's definitely time for you to stop being so modest. This totally deserves a more pretentious description. How about (in a deep announcer voice): a post-modern sonic exploration of the contemporary kick drum.
:-)
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
Well you know on further listening I do find things to like in this. I'm inclined to give the process another go (maybe with a slightly shorter time frame) and think more about structure.
Thanks again for your comments folks.
Okay I need to say a few things. Please read before listening!
I did not do the 24 hour challenge but I did try and hang around in the chatroom as much as possible with Glu, SisterS, and ChrisM while they battled through it.
At about midnight…
This will maybe sound crazy, but I can hear just adding low drone in places and then a big ominous synth wash over the top. Don't trash it- it's got a lot of possibility!
Palimpsest: A Composition of Maps (an isentropic semaphore on the Name of Asmira Woodward-Page) is part of an ongoing series of soggetto cavato pieces the I have written, in this case on the name and at the commission of violinist Asmira Woodward…
I really enjoyed this piece very much and would like to hear more such.
Your other commenter said Bartók-esque and I couldn't have put it better myself. I find it reminiscent of the excellent 'Concerto for Orchestra.'
I also find your technique interesting. I am just beginning to experiment with generative music (albeit of a very different style) and the idea of mapping various sources of information into music is appealing.
Comments on Mr Sandbags's stuff
Thanks for the kind words folks, much appreciated :)
I think you nailed the breakdown, love when it comes back in. Great tune.
Aggressive.
This interesting and very clever. Most enjoyable!
Great job on this one! Keep it up. :)
See what happens when you start clowning around :D This is really something. I have to listen again.
nice! I like how this one turned out!
Yes- I think you hit the proverbial nail on the freakin' head with this one. Love the beat and that crunchy bass
I do love dancy rhythm. It does it for me!
yeay! love it! you are quite the sound sculptor, amigo.
Digging the glitchy bits and the synths!
what is the bpm for Mr. Palmer?
Took a few hours to make. For example a lot of fades are hand drawn automation and the whole thing is 540 bars long so that took a while even though I can copy & paste automation data in Logic. The 05:00 mark I went a bit mad with the filter resonance. I have a version where I clean that up a little and it sounds better I think. I might replace the online version.
So how long did this take DAMN - an alarm went off just as I started typing LOL - 5 minutes in! So as i was about to say - this is intriguing and the fade-ins/outs and those watery textures make it fun. It's a long way off my beaten track but still in my jungle ... it's getting to the stage now where I'll have to pick up a guitar ...
I'd like to build a song around Mr. Palmer.
love the rhythmic malfunctions. inspiring.
! Um...I can't believe you put a massive disclaimer on this! Incredibly well played, Sandbags!
I don't have a lot of time this morning but it's definitely time for you to stop being so modest. This totally deserves a more pretentious description. How about (in a deep announcer voice): a post-modern sonic exploration of the contemporary kick drum. :-)
Well you know on further listening I do find things to like in this. I'm inclined to give the process another go (maybe with a slightly shorter time frame) and think more about structure. Thanks again for your comments folks.
This will maybe sound crazy, but I can hear just adding low drone in places and then a big ominous synth wash over the top. Don't trash it- it's got a lot of possibility!
Comments made by Mr Sandbags
Wonderfully offbeat.
Liked this track a lot.
Liked this one a lot.
Love this sound.
Okay that is brilliant :)
I really enjoyed this piece very much and would like to hear more such. Your other commenter said Bartók-esque and I couldn't have put it better myself. I find it reminiscent of the excellent 'Concerto for Orchestra.' I also find your technique interesting. I am just beginning to experiment with generative music (albeit of a very different style) and the idea of mapping various sources of information into music is appealing.