This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous.
But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Other then the choir, it reminds me of a windy night up in a canyon. Well...a little more ominious....so maybe spending a windy night in a canyon with no fire or flashlight, surrounded by wolves, and your sitting on a box of meat...alone in the dark......something like that....
In short i really like it.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Very cool. Really like the way the sound changes almost as though we moving through a space. Sometimes oppressive and closed, sometimes open, always dark. And that choir following us around like a full moon on those long night drives...
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This is a first test of a sequencer I built, using Max for Live, based on Audio Damage's latest plugin [Axon](http://www.audiodamage.com/instruments/product.php?pid=AD026).
Axon looks great but I'm saving for a Mac Pro so, to save money, I…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
Otherwise known as the 'opus'. This song was my life for a good year. Left forgotten in the dusty hills of Santa Fe. This is pretty much the A section :)
I wanted to play more directly with noise of various kinds so this piece focuses less on techniques and fancy plugins and more on selection & arrangement of sounds.
I spent many hours going through Reaktor ensembles I've downloaded searching…
Well I *had* intended to try doing something different this week.
So technically I succeeded.
It's solo piano again, but I had to teach my left hand how to play this somewhat syncopated bass line, before I could actually compose against it…
Very nice. With respect to your question I am still very much a beginner with piano but I am being taught Blues and that seems to involve a lot of interesting bass lines. Maybe that might be something to check out?
I was trying to tune my radio into a station I picked up, just for an instant, but I found it hard to keep a lock on it, I kept getting strange interferences.
From what I could hear it sounded like someone sent [MMI](http://alonetone.com/mmi…
I excel at disappearing for long stretches, eh?
I think with this I'm officially committing to doing FAWM.
And R.I.P. my songwriting drought. August 27th, 2009 - February 1st, 2010.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
How could I not love something made with the sweat of my brow (and for once there really was a lot of sweat!). I enjoyed what you've done arranging the Reichatron output with other parts. This is fun :)
Comments on Mr Sandbags's stuff
I'm vibrating.....
Pardon?!
@Sis: Have to be careful of things swooping on you strangely :)
Very atmospheric, strangely swooping and ethereal for the thickness.
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous. But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
@MTC: lol... thank you
That choir chant coming in and out definitely makes this more psychedelic and somewhat disorienting... Nice textures & space.
Other then the choir, it reminds me of a windy night up in a canyon. Well...a little more ominious....so maybe spending a windy night in a canyon with no fire or flashlight, surrounded by wolves, and your sitting on a box of meat...alone in the dark......something like that.... In short i really like it.
Very cool. Really like the way the sound changes almost as though we moving through a space. Sometimes oppressive and closed, sometimes open, always dark. And that choir following us around like a full moon on those long night drives...
Reminds me of my days working in the Denebian trilithium mines.
@bethan: probably i need about 50' clearance all around!
So, it's going to be a detached one, I take it!! Stirring stuff Bags!
That was really cool mate.
Very cool hypnotic sounds!
The video is essential to even approach comprehension of this. Wild stuff!
The fun police are looking for you. Very cool.
That looks like far too much fun.
Oh, Bags, that's creepy stuff!
Wild system.
Comments made by Mr Sandbags
I am a sucker for good solo piano, this is lovely.
My thanks to all those who contributed vocals to this track: GCD, Sudara, Marlena, MMI, La Savage, Robot Molly, Matt Savigear, Wildgeas, and me!
Very nice. With respect to your question I am still very much a beginner with piano but I am being taught Blues and that seems to involve a lot of interesting bass lines. Maybe that might be something to check out?
Hopefully Reichatron will go live early next week. I can't upload it to the UL myself as it's too big, but NI have offered to do it.
This is wonderfully dark and beautiful. I think it would be quite something to hear it live!
I don't know from chord progressions but it sounds pretty good to me!
I don't see what needs re-recording but you know best. Really good, can't believe how quickly 9:20 slipped by :)
Love this, I can't quite put my finger on it, but it has a wistful quality that I found very moving.
Sounds like I am going to enjoy your RPM album a lot!
Beautiful! Not wasting any time getting started are you? :-)
Fab playing you guys, I could listen to this for hours.
Beautiful.
I love it, warts and all. Maybe especially for the warts :)
Wonderful sound. More experiments to come?
That was beautiful.
Was that your Boss GT-10 at work? Very dark and brooding.
How could I not love something made with the sweat of my brow (and for once there really was a lot of sweat!). I enjoyed what you've done arranging the Reichatron output with other parts. This is fun :)
Lovely, perfect for a still, frosty, night.
Love this one, lovely sounds.
Well, I would never have expected to enjoy this - not the kind of thing I would normally listen to at all - but I did. Great stuff!