This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous.
But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Other then the choir, it reminds me of a windy night up in a canyon. Well...a little more ominious....so maybe spending a windy night in a canyon with no fire or flashlight, surrounded by wolves, and your sitting on a box of meat...alone in the dark......something like that....
In short i really like it.
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
Very cool. Really like the way the sound changes almost as though we moving through a space. Sometimes oppressive and closed, sometimes open, always dark. And that choir following us around like a full moon on those long night drives...
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This started with a couple of samples in a new version of Boite Diabolique where the samplers slide over them at different rates and varying granular density. I recorded some of that as I varied the rates and then brought the recording into Live…
This is a first test of a sequencer I built, using Max for Live, based on Audio Damage's latest plugin [Axon](http://www.audiodamage.com/instruments/product.php?pid=AD026).
Axon looks great but I'm saving for a Mac Pro so, to save money, I…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
A solo cello improvisation with live looping, inspired by the tea clipper Cutty Sark. I was trying to achieve a kind of sea journey feel, with calm bits and rough bits.
I like this a lot. It reminds me why I like making noise pieces and that you shouldn't get hung up on conceptions of "music" as being something. Great noise!
Initial harmony, that infinitely moving in space, becomes thiner and thiner and finally turns to chaos. We, humans, are able to distinguish harmony in seeming casual sounds. We're able re-create it.
~For Matt~
Ideas and patterns, especially in music, comes immediate, and often as quickly disappear - as if they were not there at all. That is why a true Knight Of The Music is always ready. In the modern sense, this means that his studio all the time is…
Sometimes the past in which you felt successful and strong, reminds of fragility of life. It's a sign of that you are in a point of transition and you should make a choice. Or the choice will be made for you. For me.
~for Geoffrey~
Still playing with my _Neurotik_ sequencer made using Max for Live. This one turned out a bit strange. I was actually using it to drive Kontakt with cello & violin patches.
It was sort of interesting but not quite working when I dropped CamelSpace…
This track was remixed by [licoresse](http://alonetone.com/licoresse) as [Mountain People v2](http://alonetone.com/licoresse/tracks/mountain-people-v2-sandbags). It's great, give it a listen.
This song was inspired by a sample made by Sandbags (Neurotic beat 5) heard in the beginning (and throughout the piece). Thank you Matt!
Now even better, brighter and more beautiful.
Comments on Mr Sandbags's stuff
I'm vibrating.....
Pardon?!
@Sis: Have to be careful of things swooping on you strangely :)
Very atmospheric, strangely swooping and ethereal for the thickness.
@MMI: Boite Diabolique seems to be quite good at creating those kind of movements. It just seems to naturally fall out of working with it. In fact it might be difficult to avoid them :)
I really like choirs and wanted to add something to this track but originally what I had in mind was a low, held, choral "rumble" to add something organic but ominous. But I couldn't make that work and ended up with these chopped swells drifting in and out instead. Not the same effect at all.
@MTC: lol... thank you
That choir chant coming in and out definitely makes this more psychedelic and somewhat disorienting... Nice textures & space.
Other then the choir, it reminds me of a windy night up in a canyon. Well...a little more ominious....so maybe spending a windy night in a canyon with no fire or flashlight, surrounded by wolves, and your sitting on a box of meat...alone in the dark......something like that.... In short i really like it.
Very cool. Really like the way the sound changes almost as though we moving through a space. Sometimes oppressive and closed, sometimes open, always dark. And that choir following us around like a full moon on those long night drives...
Reminds me of my days working in the Denebian trilithium mines.
@bethan: probably i need about 50' clearance all around!
So, it's going to be a detached one, I take it!! Stirring stuff Bags!
That was really cool mate.
Very cool hypnotic sounds!
The video is essential to even approach comprehension of this. Wild stuff!
The fun police are looking for you. Very cool.
That looks like far too much fun.
Oh, Bags, that's creepy stuff!
Wild system.
Comments made by Mr Sandbags
It's great, soothing. Nice one.
That was quite a trip Steve, quite a trip :)
Cool sound.
I like this one too. A great 6 hours work man!
Great tune Brando!
Catchy, enjoyed that one.
Very cool sound.
I like this a lot. It reminds me why I like making noise pieces and that you shouldn't get hung up on conceptions of "music" as being something. Great noise!
Beautiful Igor. I can feel the everything drifting in and out of phase around me.
Lovely piece Igor.
Simple and beautiful, I like.
Lovely, glad you're back!
Encore!
Cool track.
My kind of yea.
I'm really enjoying what you do Bruce. Very inventive, very playful.
Love it.
This track was remixed by [licoresse](http://alonetone.com/licoresse) as [Mountain People v2](http://alonetone.com/licoresse/tracks/mountain-people-v2-sandbags). It's great, give it a listen.
Love what you've done with it. Great track!
Enjoyed that!