Oh, my holy noodles. *Another* bloody 12-bar in E, and what's worse, it's a *slow* blues. Every guitar player who deems it appropriate to play a slow blues in E, in this the 21st, should be roasted like a head of garlic, smeared across a toasted…

Oh, my holy noodles. *Another* bloody 12-bar in E, and what's worse, it's a *slow* blues. Every guitar player who deems it appropriate to play a slow blues in E, in this the 21st, should be roasted like a head of garlic, smeared across a toasted…

last eve there was a beautiful moon dancing in a blue black sky outside my piano room, it called to me this tune is a one take playful moment, loosely based on the main theme from the 2nd mov of my piano sonata,,, i only toned down about…

There are times, moments, sounds, shadow falls that take us to and bring us back to magical times in our lives,,,Something in this piece by Johnny Mercer & Henry Mancini,, can pull me in so many different ways,,, it's always been a favorite…

There are times, moments, sounds, shadow falls that take us to and bring us back to magical times in our lives,,,Something in this piece by Johnny Mercer & Henry Mancini,, can pull me in so many different ways,,, it's always been a favorite…

He loves you.............

A little bit to dance to on a cold Friday night in november

A composition in Semimarvelous 17 note dwarf for amplified voice, amplified piano, fretless electric guitar, amplified jazz drum kit and amplified Asian percussion. Words by William Newbold and Visual by Emily. The dialog by William Newbold…

an improvisation.

like should i mix this one with the last one to see what I get you know in the track for track form :>>