A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
I can only imagine the relief/disbelief one has when they get out of one of those emergency shaft elevators. This piece is great for that... ascending.
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Continuing journey of late getting reacquainted with my acoustic guitar past in a new direction more improvised and spontaneous than I used to do and more akin to some of the acoustic work of recent years with Chinapainting. I'm also rediscovering…
Comments on vaisvil's stuff
Beautiful........
I can only imagine the relief/disbelief one has when they get out of one of those emergency shaft elevators. This piece is great for that... ascending.
I grew up with this track and thought it was cool then and it's still cool now.
Super fun!
Hearing shades of cello melodies here - lovely composition!
Very soothing but I feel a dark undercurrent. I'm totally captivated.
Class A classic......... careful we'll be addicted.......to A class
A classis indeed.
excellent...........took me on a ride
Go get 'em guys! You two are tearing 'em up! LG
Optimist!
FNG!
GERBILS RULE!!!!
Wow!
Loved it. Very nice. This is a question I ask my better half every day. She hasn't answered the question directly. I wonder why? ER
nice mix... it definitely has an ominous feel to it I can't help but enjoy the hell out of
nice cover :)
love it! you got a winner here!
Trippy.
Great effects.
Comments made by vaisvil
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!
You get some great sounds out of the pedal!
truly beautiful!
This is a lovely piece of intimate mystery!
this has a lovely mood that is introspective and unique
works extraordinarily well!
beautiful looping!
Love the dramatic opening and the release of tension that starts in the middle and resolves at the end nicely.
beautiful!
The music is excellent in how strident it is.
reminds me of the minute man air corp of Massachusetts bringing down spitfires during the Boston Tea Party of 1812. Some tea - some party!
Great sounds in this!
excellent odd and menacing mood!