I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
As the title says I spent some time with my 17 et guitar. I purposefully tried doing non-12 sounding stuff with what I think is moderate success. I believe I will have to resort to some "dots" to get some new scales in 17 et down - there just…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
ahhhh gong sounds with the right gong I could start the next ten works I write just to have in the first few seconds of the song gonged would be too cool. :) my friend has a 13 inch gong but I don't think I could get a clear sample ..,
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
As the title says I spent some time with my 17 et guitar. I purposefully tried doing non-12 sounding stuff with what I think is moderate success. I believe I will have to resort to some "dots" to get some new scales in 17 et down - there just…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
Another routine Vaisvil piece. Oh, and by routine I mean:
Hang drums.
Ebow.
17 note octaves.
Fretless bass.
Outrageous prose that is difficult to logically follow.
Exploding fish.
I have mashed Shane Cadman and Chris Vaisvil and myself. this is a neat mix -- I took Shane Cadman's song here and then with Chris's mandolin work I stretched it out to match the length of Shane's Song as well as doing the same with two drum…
Nice neoclassical trio - very pleasant!
The octave mandolin is available at music stores that deal in folk / country instruments. I bought mine used and is made by Trinity College. Not sure if they are still in business. Its double the size and not surprisingly tuned as a regular mandolin but an octave below. Search for Sierra Hull on youtube - excellent mandolin player and has some videos that compare the two.
So, here is the third and final Movement of my first Piano Concerto...have really enjoyed this project. I will soon now be adding the complete Work to this site too.
A collaboration with Chris Vaisvil! I'm so jazzed he took a Thumbjam sketch of an idea and ran with it. Either an alternate Star Wars imperial march or Amon Duul jamming with Mahavishnu, don't know which.
Chris Vaisvil: guitars
Kavin.: Synths…
Roland SE-02 through EHX Stereo Memory Man -> Zoom RFX-300. Title comes from a combination of the time length, and the fact that it was created for the current Sound-In for 1-7/1/2021.
Beautifully dark and mysterious that then explodes into barely contained chaos that ends in a plaintive song of longing. That's how I hear this. Wonderful piece Ben!
Comments on vaisvil's stuff
Am completely behind on my listens, but could hear Bethan playing this and had to know what it was - very compelling!
mid section took me off balance man! trippy guitars..right on!
like the low-fi intro...very sharp observation and tight percussion skills here.
Very cool experimental piece!
evoking
Ha, sounds like a challenge. Yep, it was! I love that drum beating, conjours up the idea of Roman Warships.
s'quite a journey that.. a tense but strangely enjoyable one.. certainly never gets dull!
Nice atmosphere and detail here. Fitting title, lone contemplation...
Dramatic elements, somewhat formal/conceptual result.
ahhhh gong sounds with the right gong I could start the next ten works I write just to have in the first few seconds of the song gonged would be too cool. :) my friend has a 13 inch gong but I don't think I could get a clear sample ..,
Wonderful collab.
Powerful stuff indeed. You captured the flavour perfectly.
Ooh, eerie!!
Thought-provoking melodies here. Very contemplative sounds.
these low notes are very powerful, when they match the gong that is just,, wait did you put the gong thru effects as well?
Excellent work and as Norm says great story
interesting sounds!!
What a story!
fairdoos thats some fully mental shit. as such, loving it. :)
Another routine Vaisvil piece. Oh, and by routine I mean: Hang drums. Ebow. 17 note octaves. Fretless bass. Outrageous prose that is difficult to logically follow. Exploding fish.
Comments made by vaisvil
nice work - somewhat subdued and introspective
nice work here!
Thank you for putting this together! Sounds great!
Nice neoclassical trio - very pleasant! The octave mandolin is available at music stores that deal in folk / country instruments. I bought mine used and is made by Trinity College. Not sure if they are still in business. Its double the size and not surprisingly tuned as a regular mandolin but an octave below. Search for Sierra Hull on youtube - excellent mandolin player and has some videos that compare the two.
this is cool - sounds very early electronic music with the pops and reverb - fav'd!
wow!
Beautiful work!
!!!! such a mood!
Lovely work! - back to give a well deserved like!
Finally got back to give you a like!
Thanks for the collaboration - all I can say is - I'd like to do more. :-)
It is so hard to cut through the end of RPM - I really like what you added to my bass line! Thank you for this! Your work is excellent!
https://youtu.be/7QXKRH0R4Og is the video for it
There are some definitely micro tonal inflections here!
beautiful!
the heavy flanging is a treat! I'll diverge from Bill and say its bigger birds at 14:00. this is cool!
Some excellent effect manipulations going on here!
has a very cool vibe!
Like the guitar - nice addition to a great track!
Beautifully dark and mysterious that then explodes into barely contained chaos that ends in a plaintive song of longing. That's how I hear this. Wonderful piece Ben!