This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
Wow u have managed to concur my thoughts and spin the set while i was concentrating on the off-timeline as it is, randomly synthesized/orchestral jungle....outstanding!!!!
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
interesting,, very full sounding, great production,, as usual,,not sure why but does not really sound "alien" to me,, modern forsure, alien, perhaps im just not sure what that means,, i have almost an eastern feeling with this,,, anyhow well done
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Ok, on the make micro music list tune smiths are challenging composers to write coherent music with their worst tunings imaginable. This is my result for one of the challenges.
This is an improvisational piece that uses a modified pianoteq…
RPM 2011 number 2. Inspired by an ex-friend of mine who had the most dazzling rose tinted glasses. Always used to envy the simplicity of his view and how nothing could ever get to him (everything gets to me).. since i knew him I know a lot of…
Outland (The Ballad of Jarrod X)
words and music by VIVIAN CIRCLE
Mother, why did you lie to me?
I didn't have to make the same mistakes as you.
Father, why did you run away?
There was so many things left unspoken with you.
Jarrod walks…
Chris sent me this great tune playing his 17 ET guitar and fretless bass, and for some reason i thought Mafia instantly. Sammy the Bull was the under-boss to John Gotti back in the 80's and 90's and he turned informer to bring John Gotti down…
Improvisation using segments of the vocal track from Chris Vaisvil's piece Sweeney's Agony and sample fodder, played via midi keyboard, with live computer processing.
Was going to layer or track this into the jumping on 2 but could not do that legitimately anyhow by the end I start part of the jumping on 2 song, coming next. first here i set the levels then at about min 2 something I sync the beats between…
An unusual traditional tune from the first Scartaglen album way back in 1984. Going through stuff the other day and ran across the LP and couldn't even remember the tune or having recorded it. I played guitar on this track
Comments on vaisvil's stuff
Powerful stuff indeed.
Very intense, love the hits at 4:10ish....
Uber dramatic! Thrilling, even!
Swings like a pendulum - love that sax break!
~good piano tune with blue temperament in mind~
Wow u have managed to concur my thoughts and spin the set while i was concentrating on the off-timeline as it is, randomly synthesized/orchestral jungle....outstanding!!!!
interesting,, very full sounding, great production,, as usual,,not sure why but does not really sound "alien" to me,, modern forsure, alien, perhaps im just not sure what that means,, i have almost an eastern feeling with this,,, anyhow well done
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
Beautiful mate very well played. Very moving piece.
Wow! just pure goodness!
Wow
This is just great, really enjoyed it
What a beautiful piece...!
Classy!
Well performed. Soft and steady. I like it!
tributes always speak volumes
still diggin this
I love this one.
Hi Chris, this is very good, Pink Panther smooth sax, nice bass and great mood.
Wow, very clever! These challenges sound like amazing fun!
Comments made by vaisvil
I love The Lamb - this is great!
love the slide!
great campfire tune!
what is that opening lead instrument? it is so strong! I love your vocals.
it is such a sad sounding piece.
nice easy listening piece - very rich!
who cannot love a track with a name like this? Awesome mind-messing tremolo.
damn you sound like Joe Cocker now! This is great all the way around. - Been behind - I had not heard the original - or I don't remember it
I use pianoteq mostly. Your piece is very beautiful.
indeed - you brought this baby to life!! Bravo Reg!
you two are Mr Funk!!
excellent work!
thank you for "playing" me :-)
This rocks!!
nicely minimal!
nice I like the sound sin the panning sweeps a lot.
peaceful - wonderfully chilled - I enjoyed it very much!!
I love this!!! Excellent!
great!!
is this slide bass then? or bass and slide guitar? sounds cool regardless.