Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful
subtlety to this end. I like that.
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed.
And what an interesting poem. I read up on it. Some highlights:
With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure.
It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,†he begins, “I was aware of becoming involved in her laughter and being part of it.†He begins to feel as though he has physically become the laughter he is observing."
"The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If†the woman’s breasts “could†be stopped, “some†fragments “might†be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
As can happen when you listen to sometime a million times over your mind and ears start accepting things that later you wish you had not. This is a (much better imho) revision thanks to the urging of Gary from the music by computer list.
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
This is an improvisation (with a bit of editing where my timing got off by a lot) for this week’s ImprovFriday event
I used my M-Audio 88es to drive:
Korg MS2000
ARP 2600 V soft synth
Absynth 5 soft synth
Session 3 drummer soft synth
Pianoteq…
After Sebs football today I went up into the loft searching for an old guitar a friend gave me a few years back. When I lifted the lid of the case I saw that the tone switch was pulled off leaving bare wires. I couldn't remember if it worked or…
I don't always start a new project in my recorder , so this is the result of recording a jam with Paracosms and then hearing what was already on the rest of the track (probably from a couple of months ago?) when I stopped recording...I liked the…
Pleased with this orchestration and the Tina Arena arrangement of this iconic Kate Bush classic...have always loved it! Produced and performed by myself, except for the stunning vocal performance by Tina of course .....
(Original Song…
Pleased with this orchestration and the Tina Arena arrangement of this iconic Kate Bush classic...have always loved it! Produced and performed by myself, except for the stunning vocal performance by Tina of course .....
(Original Song…
Comments on vaisvil's stuff
Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one
Beautiful job, Emily! I love it!
Nice additions. Very cool!
Like the soothing vocals, percussion by norm?,,,wow this good!
Cool song and istrumentation
Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.
WOW! Great sound and meaty lyrics, maestros!
very cool guys,,,,has a primal feel,,,,,,enjoyed very much
nice spoken word piece and the music provides the perfect backdrop.
Great percussion as well arrryyehh yeehh yaaah
Enjoyed this immensely in fact so much so i started to laugh
Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,†he begins, “I was aware of becoming involved in her laughter and being part of it.†He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If†the woman’s breasts “could†be stopped, “some†fragments “might†be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.
Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.
What a vocal. Go for it Chris!
Crazily spooky! Totally envy your sustained notes. Damn.
DL'd for later :)
I like the long held out vocals combined with the scales your using....very somber, and droning feel. Very off-tune...but yet very much in-tune...
Less then one minute in and i already love it.
very nice,, as always i am amazed by your art
Beatifully sick! I like it very much!!
Comments made by vaisvil
This blew me away - so powerful!
This has such a nice ambience to it. Nice pickin' my friend!
Man you man that dobro sing!
Man you nailed it - your vocals are especially powerful at the end.
Man this is great to happen upon again!
This is a sweet piece!
beautiful!
Excellent!
Alberta too? I thought Canadians were sane.
Excellent work!
Loving it!
Great music Brian and company!
really quite like this one! floaty, bouncy but has some nice grit layered in!
Rock on Reg!
Interesting sounds - what synth are you using?
How did you get Tina's vocal?
This is fantastic!
man.... you make the piano speak!
OMG I hate this place! You've made it in psychedelic salad!
excellent!