electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Badass!! Feverish playing - I love it. This will suffer many, many listens from me - So glad it's a 320K mp3.
Norm, you rocked it, too - Brilliant percussion that is not overdone and fits in perfectly!
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
The story cracked me up. Your fretless guitar would be perfect for slide guitar, i'm learning slide some now , easy to do basic style but hard to be great at it as are all things.
Great vocal on this tune,i'm impressed.
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
We went to visit my dad at his assisted living facility and they have a Yamaha Clavinova on which I improvised for a half hour to provide some entertainment. This is a ~ 3 minute excerpt from about half way through. This was recorded on my Zoom…
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
Here it is baby: This is your best vocal work ever... not nearly as sexy as the sister's rendition (and I love the shock value of a girl singing this one – I really hope that gem gets posted too) but your enthusiasm is infectious and it brings me joy to hear you torturing your fretless guitar. Was that a bit of a laugh I heard at one point? Well, it works for you. Call me country…
Trap set? We don’t need no stinking trap sets. Tambourine, cajón and cymbals.
Well, I had this crazy idea that *maybe* Buddy Guy was using some microtonal inflections in his cover of Tramp (which are what the "blue notes" are and thought it would be cool to cover it with my fretless guitar. As it turned out it was my ear…
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
this is a mono/nonstereo track because my fourtrack recorded decided that mono is better then stereo but at least the dang thing works ,, I guess,, From now on it is direct records from the outside machine to the computer not thru the fourtrack…
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard.
This piece is crazy! How'd you do the drums?
As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that)
If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
very similar to the 'more of this a' but part 2
btw the video for todays' computer music work is getting uploaded now. all 25 min 25 sec and 25 frames there of.
1/1/11; took bits from two of Mark's tracks from Pleasure Listening (2002) and improvised in Max with them, then mixed in DP. a mellow vibe for the new year.
This song is not for everyone but I like it because its a live recording with a single instrument using infinity delay FX. (I turned on the loop delay at :09 after the guitar was flat on the floor.)
All the sounds are made with an acoustic bass…
I didn't like the 1st version so i changed it so here it is. imagine Sitting in the forest listening to the breeze being free and wanting to follow it..........................
Performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Slightly more aggressive than the original. Cool high-energy take w…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Kinda rough. I'm uploading this mainly to share a guitar technique I've been working on. I'm wearing a slide on my picking hand and using it to alter pitches in single line phrases. There's a lot more can be done with this technique that I've…
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
Comments on vaisvil's stuff
it's one of these songs you'd wish they'd go on and on.. most excellent!
Badass!! Feverish playing - I love it. This will suffer many, many listens from me - So glad it's a 320K mp3. Norm, you rocked it, too - Brilliant percussion that is not overdone and fits in perfectly!
Damn! That guitar work is as raw and tortured sounding as it gets. Very cool! I'm gonna go rub some salt in an open wound now!
:)
Rrrrrrr!!!!! You're a growly lover! Buddy would be proud. :-) This is the definitive AT cover, guys. Chris's vision, as it should be! Nice one!
Gritty, raw, cool Tramp tribute. I think the fretless guitar is excellent. perc matches the raw feel.
There's certainly a kernel of something really good here. I'll stay tuned!
The story cracked me up. Your fretless guitar would be perfect for slide guitar, i'm learning slide some now , easy to do basic style but hard to be great at it as are all things. Great vocal on this tune,i'm impressed.
Badass, yawl. I can attest BG is microtonal having seen him, his strings bends are often slightly sharp, an amazing gtrist when he wants to be.
I'm digging this raw riff, actually the whole piece is raw...nice!
Nice tune, sounds like Jimmy Page material
Here it is baby: This is your best vocal work ever... not nearly as sexy as the sister's rendition (and I love the shock value of a girl singing this one – I really hope that gem gets posted too) but your enthusiasm is infectious and it brings me joy to hear you torturing your fretless guitar. Was that a bit of a laugh I heard at one point? Well, it works for you. Call me country… Trap set? We don’t need no stinking trap sets. Tambourine, cajón and cymbals.
Everything I like. Distorted guitars, solid bass line, serious percussion, Hardly a train wreck Sir. It rocks.
Perfect ending!!
Damn, you parked this one right in between the flats and sharps. There's a lot to listen to.
If I lived closer to you, I would drag a couple conga drums along and join you at the retirement facility! Very honorable!
I love that you take the time to entertain people who may not otherwise get the opportunity. And a fine performance too!
Recorded great for live , well done.
The residents are really lucky to have your dad with them - look at the perks they get.
nice sound, nice improvisation! thank you Vaisvil
Comments made by vaisvil
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard. This piece is crazy! How'd you do the drums? As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that) If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
I watched the whole video - I take it what was happening is that you layered video of you layering the sound? Very disorientating and interesting.
this is intense!! more microkorg?
this is a fantastic trip!
your soul is motown~!
alright!! new keys!!! This sounds excellent!
haha! this is great!!
right up my alley - awesome work my friend!
sounds..... Hungarian!
enjoyed!!
one of my favorite songs covered with power and great taste!!
wild story!
excellent! I like the way the congas answer each other.
this is beautiful - I love the slide. Gosh I sound so amateurish compared to you guys (and Kirk, and Bethan, and Tess, and ..... I'm just wow'd .
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
wow - this harkens back to the Beatniks with a motown funk vibe - that is so cool! - I love your voice Reg!!
would either of you have a rpoblem if I added to this?
excellent! The interplay between guitar and percussion is very good.
I notice "voip" - is this what caused SKYPE to crash? excellent!! brutal!
very funky! love the funky keys. what a story!