This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
That bass is simply too cool. I love what you have done with this pattern. Almost has an eastern feel in places...
Having grown up near Winfield, KS (home of Dorothy), I can assure you that they have never heard anything like this before - they'd love it! They'd probably bake you a pie for the opportunity to do a little "scat" vocalization on the mix, and, afterwards, while tending to the livestock, they would ponder about the possibility of there actually being 3 kinds of music: country, Western & JAZZ.
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
I went out during cover of night (to avoid looking like a total crackpot) with a violin bow & Zoom H2 digital recorder and bowed various things in the neighborhood. This is the best - a beautifully resonant 4-way stop sign.
I went out during cover of night (to avoid looking like a total crackpot) with a violin bow & Zoom H2 digital recorder and bowed various things in the neighborhood. This is the best - a beautifully resonant 4-way stop sign.
actually both parts of the sign, or should I say, both signs, were resonant. And sure if I can talk Debbie into doing the video I'll be happy to - can't be too many traffic sign solos out there :-)
The radio play episode 1 is introducing Thetworegs with Reg as writer performer, musician, and producer as the budget was rather low.......... They have just set sail for Germany it was time for them to leave England before they were caught…
Sassy Nation version!
Sister Savage and Mr Sandbags collaborated on the original of this wonderful heartbreaker of a song. I've been playing it on the guitar the last few days and it always seemed to come out with a grittier tone, so i asked…
Hi, my 17 guitar is 17 equally spaced notes to the octave. So it has 5 extra frets. I tune it like a regular guitar with small adjustments to take into account the different fret placements.
you can find pictures of the guitar here
http://chrisvaisvil.com/?p=436
Sloane did me a favor & played an electric guitar part on this one. I had hoped to work with her more on this project, but she wound up leaving town to help take care for a recovering family member.
------------------
Seventeen thousand…
Another one from the collaboration of Chris Vaisvil, Norm and thetworegs from the album Women and Whisky together ain't no good. We hope you enjoy......................
Reg created the lyrics, vocal melody, and sang
Norm composed and played…
About a place in the world that is very special.
But It would be just another bit of rock if it wasn't for the people I shared it with....
This one is called “Stoneâ€...
Peace
T
Vocal and Lyrics by Jim Higgins
we raced…
Come Tomorrow
-
I'm like a tumbleweed, got no roots
I'm like a climbing vine, leaves and chutes
Come tomorrow, I might not be around
Come tomorrow
I'm a reflection, you see me in your mirror
A missed connection, so far and yet right here…
had to stretch the song to fit the video but I will not be able to post the video till it is rendered and uploaded :
these latest expriments are with both the vocoders going into the other from the mixed outs of both.,
had to stretch the song to fit the video but I will not be able to post the video till it is rendered and uploaded :
these latest expriments are with both the vocoders going into the other from the mixed outs of both.,
Comments on vaisvil's stuff
Very cool!
Excellent! It's great to hear you back on the keys - I've missed it.
Slinks along wonderfully!
That bass is simply too cool. I love what you have done with this pattern. Almost has an eastern feel in places... Having grown up near Winfield, KS (home of Dorothy), I can assure you that they have never heard anything like this before - they'd love it! They'd probably bake you a pie for the opportunity to do a little "scat" vocalization on the mix, and, afterwards, while tending to the livestock, they would ponder about the possibility of there actually being 3 kinds of music: country, Western & JAZZ.
oooh, that's FN pretty!
A wonderfully jazzy piece played with harmonies to die for, and Norm, of course. This guys is great!
very mellow,, and again nicely done,,it's inspiring to hear all your different works
very nice Chris,, notes are very clear,,, well played,,improv can be a lot of fun
very beautiful sounding
beautiful piece, and maybe my fav, of your microtonal repertoire..
Sweet!
so very nice!
Yes, most relaxing. Lovely piece!
Rainstorm music! Beautiful...crazily potent!
Spartan with a complicated sound - That is pretty damn cool.
Very cool.
Delicate and serene. Beauty indeed.
A masculine piece with an oriental flavour. Most interesting and different.
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Comments made by vaisvil
2 am at a smoky bar with an audience mesmerized by the band.
nice work - it must have been your doppelganger joining in !
the post was not resonant.
actually both parts of the sign, or should I say, both signs, were resonant. And sure if I can talk Debbie into doing the video I'll be happy to - can't be too many traffic sign solos out there :-)
a guitar player's guitar player you are!!
I wish I could have seen you do this - great!
this is great!
man... I can't touch this.
ole time radio!
Hi, my 17 guitar is 17 equally spaced notes to the octave. So it has 5 extra frets. I tune it like a regular guitar with small adjustments to take into account the different fret placements. you can find pictures of the guitar here http://chrisvaisvil.com/?p=436
nice smooth track - love the chilled vibe. Its all about the Neolithic Revolution!
one of my fav bowie songs - the first side of the album was superb. Like what you've done with this!
thanks for all of the work you and Norm did - it was a lot of fun!
beautiful
great song!!
I like to watch you conduct the synthesizers :-)
but who decides what is real? the dreamer or the dreamed? 2 vocoders? did you grab another microkorg?
Norm has a good ear and taste - this is truly awesome!
I really like this - I hope you don't mind I tried to add to it.
Hi John, Ediacaran Garden's mp3 is the default output of Sibelius composition software with their default guitar sound. I agree it sounds pretty good.