3 strats, bass, vocal
There was a place for me
I knew that it was free
Inside your heart
Inside your heart
There was a place for you
And I thought always true
Inside my heart
Inside my heart
I didn't think that it could go
I didn…
3 strats, bass, vocal
There was a place for me
I knew that it was free
Inside your heart
Inside your heart
There was a place for you
And I thought always true
Inside my heart
Inside my heart
I didn't think that it could go
I didn…
Sets the stage for spring breaking well Chris. Lovely swells in the guitar(s) and vocal works well slightly buried in the mix, gives it all a nice flowing feeling!
this has the crackling static like sound ,,, I usually try to adjust my levels to keep things like that from happening usually when I saturate the sounds or it is just too loud and such... but here it is so cool,.. I remember when I used tape hiss as part of my song. mmm a lot of songs well most all the songs on tape that I could not filter the hiss off ... :)
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
And we have all we need to be who we are now. Great great work 💯👏 👍
Great song, vocal delivery and guitar.
Quite lovely!
Just what Marty needs; a touch of psychedelia. Really lovely.
Well done !
Wow 🤯😳😲
Excellent pretty ☺️ the stereo separation is the best 🙂... It's good 💯😊
I'm going to need more of a clue than what you have typed to explain the song??
Feels like blasting off to 'Lost in Space' and lovely when the electric piano like keys come in!
it is a kinda march too ---
Sets the stage for spring breaking well Chris. Lovely swells in the guitar(s) and vocal works well slightly buried in the mix, gives it all a nice flowing feeling!
Dreamy...drifting away on vaisvil clouds... Sounds like flowers opening.
an excellent ominous soundscape
this has the crackling static like sound ,,, I usually try to adjust my levels to keep things like that from happening usually when I saturate the sounds or it is just too loud and such... but here it is so cool,.. I remember when I used tape hiss as part of my song. mmm a lot of songs well most all the songs on tape that I could not filter the hiss off ... :)
I was listening to Delia Derbyshire all morning and this just fit right in.. excellent work here.
Yeah, cyberspooky
Spooky
Wow 😳 love your use of the synthesizers in a guitar 🎸 style. Nice drum 🥁 placement 😺
I love this! (the Prophet is amazing isn't it?....I have one too). Great idea this song.
Ohh wow 😯 so 🆒 cool 😎
Comments made by vaisvil
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?