This is a piano improvisation that mixes Pianoteq in Werckmeister III tuning with Cakewalk’s True Piano in 12 equal. What results is a soft phased piano sound. This skirts right on the edge of what can be considered microtonal. Some may well…
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
This is a piano improvisation that mixes Pianoteq in Werckmeister III tuning with Cakewalk’s True Piano in 12 equal. What results is a soft phased piano sound. This skirts right on the edge of what can be considered microtonal. Some may well…
Well, I didn't understand what you had to say about the tones of this piece, but I enjoyed it.
And what a photo. Desperate. But well dressed. I sort of wish that was still the fashion...
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Year: 1999
Album:
Land of the Lost
Artist's description:
I don't remember where I got the drum set from but there is a custom percussion loop thanks to HammerHead.
The voice is mine suitably modified.
That is not a sequencer…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Continuing journey of late getting reacquainted with my acoustic guitar past in a new direction more improvised and spontaneous than I used to do and more akin to some of the acoustic work of recent years with Chinapainting. I'm also rediscovering…
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it.
This is very mysterious - sounds like you are running you voice through the synth?
Comments on vaisvil's stuff
Scorching strings!
There's definitely a story behind this piece, would like to see some modern dance translating it.
Like the first few flickers of a new fire.
The evoked emotion with this microtonal piece is perfect for pondering the future-even for hominids
Lucy has seen the future and it is microtonal!
cool chords and tones. would it be ok for me to try and add some guitar to this tune?
Well, I didn't understand what you had to say about the tones of this piece, but I enjoyed it. And what a photo. Desperate. But well dressed. I sort of wish that was still the fashion...
cool, gritty tune
A dirty and nasty bit of blues...damn cool and intense.
Oh yes, this is sweet!!! LG
Am totally digging the last couple of minutes - great big gothy sounds!
Mine could do with a spit shine also. This helped. Jumbly, energising sounds.
Lovely!
Really quite beautiful!
Wow, great collaboration! Great atmosphere, and you must have had much fun! (Although I prefer a nice man on the picture ;-) joking... :-) )
I'm a happily married man I'll have you know, it's the other Reg who gets the groupies.......I'll put the lyrics up later.........
yeah - the vocalists get all of the groupies.
Chris, are you asking Reg for the lyrics or the bait? Oh, wait. He probably has both...
good point - Reg?
Exactly what bait does one use to hook one of those, anyway?
Comments made by vaisvil
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!
You get some great sounds out of the pedal!
truly beautiful!
This is a lovely piece of intimate mystery!
this has a lovely mood that is introspective and unique
works extraordinarily well!
beautiful looping!
Love the dramatic opening and the release of tension that starts in the middle and resolves at the end nicely.
beautiful!
The music is excellent in how strident it is.
reminds me of the minute man air corp of Massachusetts bringing down spitfires during the Boston Tea Party of 1812. Some tea - some party!
Great sounds in this!
excellent odd and menacing mood!
Its the only reason to have a day job!
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it. This is very mysterious - sounds like you are running you voice through the synth?