11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
that second dissonant chord construction is tense or intense or extensively extreme// this is so neat of a composition it could go on and on IMO :) well done..
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
Great subject matter you have captured the suspense and Mystery and horror....similar in feel not content of the music Jaws the way in which it feels like he is encircling his prey....an excellent feel to this piece.. love it
This starts at essentially the same improvisation pattern and then travels elsewhere - I think I like the Martin version better myself. This one is in stereo.
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
excellent..... love the Conrads poem and the performance of it....a real mystery going on with the sounds in the second half.. Conrads voice reminds of someone of the Lou Reed album the Raven
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
Well, I feel almost human today. Been a rough few days with the flu or something. I'm running on a baked potato - seems I can't each much else yet. It was ironic that I became sick just when I went to pick up a Boss Loop Station I found for half…
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
i hear a music of, long vistas, desolate but beautiful landscapes,, weither it is internal or external, i can not be sure... Chris, this very will done, on many levels R
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
this is a minor excerpt from a tape I made I am guessing that I had not uploaded this here yet but I could of at the other eee account that is now outdated. the longer full and remixed version will be uploaded soon.
Here's a "live" thing, if it can be called that, if one performs in a public place and there's no audience, can you call it "live"...?
If you'd like to hear the rest of the set, go here:
http://soundcloud.com/breaking-light/sets/no-audience…
This is a collab tune which was originally written by Tad Rees (aka Solo). He plays the Keyboard.synth, and I did the guitar and drums. The last half blends with his original which can be heard in completion at :
http://www.traxinspace…
Combined two separate segments from the performance for this remix. I'm posting live recordings on Soundcloud now. To hear the rest of the set go here and bookmark:
http://soundcloud.com/breaking-light/sets/no-audience-breaking-light-live
As Dave rightly guessed, Elvis is not dead. He is alive and well living in our cellar in Sheffield. He kindly agrees to do a bit for us now and again, as he is getting on a bit now and gets out of breath easily. So here he is possibly for the…
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
She's left, your drunk and on the floor not able to see a future, your friend is trying to help, your not listening, he obviously doesn't understand you need the drink..........
This is a song i always wanted to have a go at and it wasn't until Johnny let me have a go on his representation of it i got my chance. Thanks Johnny for letting me have a go, may you rest in peace............
Combined two separate segments from the performance for this remix. I'm posting live recordings on Soundcloud now. To hear the rest of the set go here and bookmark:
http://soundcloud.com/breaking-light/sets/no-audience-breaking-light-live
consider this a microcosm of the final work that might just happen ,, yes a complete Klingon Orchestrated Opera :) (feeling shameful that it was Chris's idea first.) (this is a mire raw example of an outproduced work.>
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99
and this Klingon band is interesting...
http://en.wikipedia.org/wiki/Stovokor_%28band%29
Comments on vaisvil's stuff
Such a harmless looking beast....
Terrific! I like the bits that start at 1:30 or so. Cymbals are perfect.
goodness this is pretty, gravity is everywhere. so I have found ...
that second dissonant chord construction is tense or intense or extensively extreme// this is so neat of a composition it could go on and on IMO :) well done..
Love the Eastern flavours you're cooking with more and more these days - great stuff from El Norm also.
Great subject matter you have captured the suspense and Mystery and horror....similar in feel not content of the music Jaws the way in which it feels like he is encircling his prey....an excellent feel to this piece.. love it
Hypnotic! Wow!! Captured some real power here!
Love this riff - not sure which I prefer, I think the other has the edge...but love the extra improvised bits here.
Totally original - great effect with the mandolin!
Woah, did I? Go me! This is magical - tranquil and mystical with a sting in the tail.
Back for another visit loving this
excellent..... love the Conrads poem and the performance of it....a real mystery going on with the sounds in the second half.. Conrads voice reminds of someone of the Lou Reed album the Raven
7/8 = awesome pick for this song.
Excellent! Percussion is top notch!
Is that you or a vocal-sample?...wow this cool stuff....kick percussion with both hi-hats fit right in...this is intense!
Nuthin' unsteady about those hands. Great work! And what WAS that stuck to the eave?
i hear a music of, long vistas, desolate but beautiful landscapes,, weither it is internal or external, i can not be sure... Chris, this very will done, on many levels R
really really cool. particularly when you start exploring the odd (non tempered?) intervals
Quite the trip! Wonderful groove!
Love the music, flavours of Istanbul. Cool perc. there Norm!
Comments made by vaisvil
enjoyed - nice piano work!
interesting - though why just in the right channel more or less?
great composition!
your voice is just awesome on this!!
a wonderful story!
yes... its live and excellent!
nice work from the two of you.
Do you like your Boss looper pedal? There are quite a few models out there - and mostly expensive - hearing your work makes me lust for one though :-)
very groovy 60's cool sound
a very cool $5 program!!
ha!! great!!
enjoyed!
that is one effected guitar!!
nice!! Would you consider doing a collaboration?
you do a good Morrison!
very strange!
very cool. What gear do you use?
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99 and this Klingon band is interesting... http://en.wikipedia.org/wiki/Stovokor_%28band%29
this is an oddly compelling piece - its like an electroband kidnapped Weird Al to jam on accordion. The production clarity is excellent too.
I love the sound of this - beautiful!! What do the pedals do in a pedal steel guitar?