Nice work Chris and Emily!, so many great additions to the killer beat i am getting lost!

EXCELLENT Chris and Emily! Honored to be part of this collaboration.

Really love how this has developed!

Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one

Beautiful job, Emily! I love it!

Nice additions. Very cool!

Like the soothing vocals, percussion by norm?,,,wow this good!

Cool song and istrumentation

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

Crazily spooky! Totally envy your sustained notes. Damn.

DL'd for later :)

I like the long held out vocals combined with the scales your using....very somber, and droning feel. Very off-tune...but yet very much in-tune...

Nice neoclassical trio - very pleasant! The octave mandolin is available at music stores that deal in folk / country instruments. I bought mine used and is made by Trinity College. Not sure if they are still in business. Its double the size and not surprisingly tuned as a regular mandolin but an octave below. Search for Sierra Hull on youtube - excellent mandolin player and has some videos that compare the two.

this is cool - sounds very early electronic music with the pops and reverb - fav'd!

wow!

Beautiful work!

!!!! such a mood!

Lovely work! - back to give a well deserved like!

Finally got back to give you a like!

Thanks for the collaboration - all I can say is - I'd like to do more. :-)

It is so hard to cut through the end of RPM - I really like what you added to my bass line! Thank you for this! Your work is excellent!

https://youtu.be/7QXKRH0R4Og is the video for it

There are some definitely micro tonal inflections here!

beautiful!

the heavy flanging is a treat! I'll diverge from Bill and say its bigger birds at 14:00. this is cool!

Some excellent effect manipulations going on here!

has a very cool vibe!

Like the guitar - nice addition to a great track!

Beautifully dark and mysterious that then explodes into barely contained chaos that ends in a plaintive song of longing. That's how I hear this. Wonderful piece Ben!

Excellent piece!

this is really great!

Good to see you around these parts again! Enjoying your music with attitude!