One common pattern she noted was that when her father, Felix, used pronouns such as it and this, they didn’t clearly refer to anything. One time he said, “I want to pull these down to earth somehow … I really don’t know … no more earth binding…
The last party in the lunar nightclub. Moon splinters accelerate and try to scatter in different directions, away. But The Microcosm does not allow them to do this. He is in charge of microtonality. At least I feel that way ...
"I knew the speech very well," the president said, according to Fox News. "So I was able to do without a teleprompter, but the teleprompter did go out and it was actually hard to look at anyway because [there] was rain all over it."
I once again try to become a 5 piece band. For all of those we love, future, present, and past.
Live with the dead (x4)
Before they are gone
And there is times
that I reach out for you
turn away
and you you're gone...
Life is fleeting…
very excellent It is great stuff... I like the whole thing It is like the two lines of song were played together but I saw the post where each were recorded and then put together ----
Farm Hall transcripts
The results of the transcripts were inconclusive. On July 6, the microphones picked up the following conversation between Werner Heisenberg and Kurt Diebner, both of whom had worked on the German nuclear project and had…
I was passing by a darkened church this evening, as the wind danced through the trees, looking though the a window, i noticed a single candle lit, flickering on the alter step, casting a shadow within.. as i pressed an ear to the dusty glass…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
Comments on vaisvil's stuff
19 and modern color but 300 years ago in emotion and feeling!
Once I was chicken and I had to get to the other side of the road, because I had gone everywhere on this side of the road.
I just listened to the two korg songs impressive how much post processing was there?
you do this well is there much stress from the --- I guess being sync with everything?
in space... there is no up or down.. (just saying)
The last party in the lunar nightclub. Moon splinters accelerate and try to scatter in different directions, away. But The Microcosm does not allow them to do this. He is in charge of microtonality. At least I feel that way ...
world calamity!
great work | here...
minute four has great deep notes... nice.
thanks Chris.. neat song. . ---
this is excellent particularly the opening as the guitar vibe is great tone and interspersed nicely Chris. The latter goes to surprising places.
Cool retro vibe - you sound like a doorsy rogue!
this is really cool. I like how it becomes increasingly fractured and eventually comes back together. There's a nice lil journey going on in here.
Horns sound good with the effected guitars
Hey Vaisvil, I think this is pretty great. Good fucking job!
that is what I am talking about wow .. way on.. :) what it is is modularity of the modular. ---
very excellent It is great stuff... I like the whole thing It is like the two lines of song were played together but I saw the post where each were recorded and then put together ----
buzz guitar is great.. this is long minute 4 works well... Part of an album ? or just shaped by choice..?
good singing Chris. I am liking the changes. so very on as it is. --
Sci-fi-muso.
Comments made by vaisvil
Hi Richard, not a webcam - that was Stonehedge at winter solstice. Nice piece here!
Nice, though the mix gets a bit muddy for the effects flying all over. +100 for covering this.
Now to return the favor - thanks for listening and commenting.
Hi - the poem is here http://chrisvaisvil.com/i-live-by-the-cemetery-ambient-in-17-edo-harmonic-series-polytuned/
gosh this is like music from the other side of the veil of the multi-universe!
I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
Can I make a request - The Wizard by Sabbath?
nice job on this!
Lovely orchestral piece!
This is a beautiful piece!!
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!