electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
electric mandolin on 3 tracks - 2 bowed (right and left) with viola bow and 1 strummed just a bit and mostly ebowed (center)
Washburn bass
voice with effects
drum loops sliced and diced
I *finally* found a solution for my two broken tuning machines on my old beat up mandolin. After getting the machines fixed I decided to take it for a spin. This is an improvisation as recorded on my Zoom H2 with just a bit of compression.
I *finally* found a solution for my two broken tuning machines on my old beat up mandolin. After getting the machines fixed I decided to take it for a spin. This is an improvisation as recorded on my Zoom H2 with just a bit of compression.
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
cool. I like your range of work (a fellow eclectic).
re: twikk, there may be some beating effects thought they weren't explicitly planned. there's certainly a crapload of hard, random panning.
Lyrics
The Good Lifeless has Become Boundless
such that it is written,
went where and windly
with pentacles of pie
like know our way
down the screem
when we find what it
is that can been and be we of their
2 tracks of hobnox…
Not terribly odd except for how I did it with Fretless gutiar.
I recently bought a used Fender Squier for $60, pulled the frets with pliers, filled the cuts with plastic wood, sanded, and jammed. Took about 2 hours to make the guitar fretless…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
This started as my fretless guitar bowed and picked with various effects. I then applied Paul's Extreme Stretch at 8x and also with Just Intonation harmonic constraints similar to Keys at Lowes - then the 4 tracks were loaded into Sonar 8.5…
For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
Have you ever woken up in the middle of the night with just the coolest tiny idea? perhaps a musical dream? these small pieces are just that,, tiny little musical notes that just seem to break into my normal musical day,, one take suff
think…
I couldn't resist crossing swords with Alex on this deft song of his which left me quite touchéd!
*Inspired in part at least by accidental meat on meat.*
Here's the original track.
This is really nice work - laid back and exotic. Very nice balance between the music and the percussion - tastefully done. Since I'm listening before the description went up I'm very curious who you collaborated with - they did a nice job on the music.
Solo acoustic guitar recorded January 2nd 2009. Hope to do a longer more developed version at some point ,but for now just a short version to learn more about using new DAW software.
Improvisation is what I love, finding out about things (when there is a little time).
I also post the video where I have used it in. Hedgehogs were here last year in our garden, and now they start coming back from hibernation. Uk, the hedgehog…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
I had missed this one when it was first put up by Chris Vaisvil and Norm (Still waiting) i heard it today for the first time and it struck a chord so i asked Chris if i could add some words and being the generous man he is, he said yes. So i set…
about Winter Nacht
each year for the past 4 RPM cycles,, i have known a friend or loved one who has passed away... throughout history winter has been a time when sickness and death creep a little stronger amongst us..... perhaps because of these…
At a recent charity event held in my small town's train museum, I was admiring a massive brass train bell when the curator walked up to me. I commented that a bell would really rather be heard then seen, and he agreed. I offered to digitally record…
A 7/8 improvisation on a set of 3 Bata drums, accented with afucha, tube shekere and cowbell.
The number 7 is a symbol for perfection or completeness: 7 colors in a rainbow, 7 musical notes in a scale, 7 days = a week, etc.
In Cuba, the…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
Comments on vaisvil's stuff
Bowed/ebowed mando, how about that. Great sounds and arrangement.
wow! fantastically done!
Nice one. :)
Wild tones , I like.
Enjoyed that.
great tune! i like what you did with those instruments on this one.
Think you can safely say the mandolin works, guv! The vocals are also fully functional (if a little quiet?). Cool!
This is excellent. Love it!
oh yeah!
cool. I like your range of work (a fellow eclectic). re: twikk, there may be some beating effects thought they weren't explicitly planned. there's certainly a crapload of hard, random panning.
How come i never heard this one before? this is great stuff vaisvil.
hell ya! i like the groove and what you did with your Fretless Guitar...
very cool. I've gotta come back and check this out in its entirety. Illegal Alien
Phantasmagoric!
interesting...
visceral and compelling
that's a cute baby. very fng! JRR
Mr.Beanie Baby?
This sounds like it could be a lost song from "The Cooler" soundtrack. I dig it!
i wonder where you recorded this sample, really smooth and atmospheric!
Comments made by vaisvil
I hear something of Beethoven and Chopin in this - delicate introspection.
lovey - very soft candle light music.
This is really nice work - laid back and exotic. Very nice balance between the music and the percussion - tastefully done. Since I'm listening before the description went up I'm very curious who you collaborated with - they did a nice job on the music.
Beautiful - beautiful tone too.
one of my favorite Zep songs done right!
Were you get the wimmin? Ah, silly question ;-)
*astonished*
Damn.... Elvis IS in the building~!
Man I just *love* your voice. The music and mood is great - but you have a great voice. Bummer on the injury.
lovely improvisation!
yeah - the vocalists get all of the groupies.
good point - Reg?
you certainly did this one justice - lovely!
exquisite! The choral entrance is set up extremely well.
cool cover!!
this is what I'm talk about!! Rocking! So did your hands hurt hitting the metal?
nice work Richard!
Norm I really like it! Is there anyway I could you into sending me the TUBS for the main beat? I want to plagiarize it for a marimba part.
awesome! You are unleashing your inner Sonny Landreth!
whoa! The gong sounds HUGE!