Saccharin was produced first in 1879, by Constantin Fahlberg, a chemist working on coal tar derivatives in Ira Remsen's laboratory at the Johns Hopkins University. Fahlberg noticed a sweet taste on his hand one evening, and connected this with…
Saccharin was produced first in 1879, by Constantin Fahlberg, a chemist working on coal tar derivatives in Ira Remsen's laboratory at the Johns Hopkins University. Fahlberg noticed a sweet taste on his hand one evening, and connected this with…
A collaboration of Bill Newbold (words and visuals) and myself (noise)
so never Arts
or Artless is
isometric effects
oft tempo fluxes
Blue the Moon
up in purple
just like Spires
in tinted cares
unsure
in effect
there triangles…
Hi Chris - well I mixed this with --
https://soundcloud.com/h92o/for-chris-at-d-d
and got this ---
https://alonetone.com/acid/tracks/polyharp-ji-musings-2
yes I did not change the title (my bad) but I know when I saw that that title changes are --- difficult post titling. ---
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
A misnomer flashing through the radio waves out to the outer reaches then processed and returned to the organ player playing in the bar at the end of Brighton pier to plaster painted faces of the audience l
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Nikola Tesla turned to pigeons in his extreme old age for companionship, feeding them through his open hotel window. After a life of dedication to improving the life of humanity, Nikola finally allowed himself time to find his own human nature.
Really like this. Your voice is getting defined in all these songs this one no less and the feeling between the self driven ensemble is tightening. Good work Chris!
This is a song some 15 years in the making. The original 4-track cassette tape tracks laid down in 1997 - and this past year Frank added bass and drums. Its my fault on how there are still rough edges - that is the result of how I did things…
a long time ago I often collaborated with an immensely talented composer from France, Alister Flint - this is one of our collaborations. Been years since I've heard from him. He's been missed.
The Pursuit is a composition in AA’B form combining electronica and pseudo musique concrète by using a 17 edo guitar with effects, voice, and synthesizers.
I was passing by a darkened church this evening, as the wind danced through the trees, looking though the a window, i noticed a single candle lit, flickering on the alter step, casting a shadow within.. as i pressed an ear to the dusty glass…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
Comments on vaisvil's stuff
echo Bill, lovely melody and sense of explore. Interesting fact re the artificial sweetner.
lovely melody very pretty.. ---
the video link --- https://www.youtube.com/watch?v=SAAvu20WcAY
Hi Chris - well I mixed this with -- https://soundcloud.com/h92o/for-chris-at-d-d and got this --- https://alonetone.com/acid/tracks/polyharp-ji-musings-2 yes I did not change the title (my bad) but I know when I saw that that title changes are --- difficult post titling. ---
quite something, art reflecting the times pretty much and that's what it's supposed to do. Well done Chris. Hope against hope though. Nice layering in the guitar in this.
A misnomer flashing through the radio waves out to the outer reaches then processed and returned to the organ player playing in the bar at the end of Brighton pier to plaster painted faces of the audience l
Interesting, and thanks to your description, full of imagery too.
brilliant and perfect!
love the subtly of this and the way you evolve each section.
Super into the stutter
Hehe
I like it.
nice
Really like this. Your voice is getting defined in all these songs this one no less and the feeling between the self driven ensemble is tightening. Good work Chris!
[b]Great[/b] tune! So calm at the start. Like it a lot.
Is this being played in 12 TET? I'm hearing notes and sounds one wouldn't normally hear. (And I'm liking it.)
TurN up the volume
really nice ! hints of Gilmour !
Very cool I like..
NICE!
Comments made by vaisvil
Hi Richard, not a webcam - that was Stonehedge at winter solstice. Nice piece here!
Nice, though the mix gets a bit muddy for the effects flying all over. +100 for covering this.
Now to return the favor - thanks for listening and commenting.
Hi - the poem is here http://chrisvaisvil.com/i-live-by-the-cemetery-ambient-in-17-edo-harmonic-series-polytuned/
gosh this is like music from the other side of the veil of the multi-universe!
I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
Can I make a request - The Wizard by Sabbath?
nice job on this!
Lovely orchestral piece!
This is a beautiful piece!!
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!