This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
Firstly, love the rhythm, tinkling and the music.
Gets the old hips unashamedly swaying.
Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
Artist's description:
This is all in kontakt 4 and is scored for
hang drums
andean flute
choir
timpani
various percussion
Contributors:
a 17 edo version is here
http://notonlymusic.com/board/download/file.php?id=363
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
.using my old Acoustic with my Chrimbo Prezzie woody Seymore Duncan pickup on....This one started as live in the Cellar...... i've just added some backing here and there as it seemed a bit sparse so i'm still classing it as a kind off LiTC…
Deserts of the Higher Plane
Searches end, I had to admit
Mirages were never towns
Till I finally quit with my damages aloft
Holding what I can’t, what I can’t allow
Desserts of the Higher Plane roll along
Desserts of the higher plane…
The wonderful MN songwriters helped take a bite out of the January cold on Tuesday night this week and added some amazing depth to Singing in the Silence - We were as usual, recording on a little TASCAM around my coffee table. We had lots of…
The old hippie in me has tried to write a Christmas peace song ....I had a couple of hours today with Seb at pre-school so i just got on with it...i think the sentiment is there but the verses do need a polish but hey! ive ran out of time so this…
another sad one from me...i seem to be stuck in the groove....
F Am F Am
G Am G E7
Yesterday I had a dream I became one
I was Watching the waves play around with the sun
While dancing to the sweet vibe of that sunshine
I suddenly felt the…
Chris sent me over this track and i got to wondering what i could do to add to it. The tragedy of the Russian plane flying back from Egypt came to mind .....
CHAOS
The chaos of our time
rules our minds
The crazy
trust in chaos
Chaos will…
Here is my contribution to the latest song writing challenge offered by the Minnesota Songwriters.
(Write a song using the topic: GLASS) Everyone is welcome to participate.
__________________________________________
STAINED GLASS…
Just another obscure saint. Not much known about him. Probably much more important and significant than any of us will ever realize.
Oh, yeah, and then there is Saint Simon. Same thing for him.
RIP Alex.
3 Congas, Vintage Bass Cocktail…
With huge thanks to the awesomeinfinity Jake, Wrinkled Shirt, who let me use his gorgeous instrumental track "Gaza".
The sun left the city, from the ground
Moonlight woke up, falling down
Why are you scared, free as a bird
Now that the heat…
This one is still in progress, Jon the guitarist sent me a riff which i stuck together to get a kinda structure...so this is take 1....
I'm gonna kill a Mockingbird
That mockingbird mocks me with your name
I'm still not over you and it's causing…
In case you are in the mood today to kick some ass with Mike and me.
Congas, Vintage Bass Cocktail Drum, Bongos, and (of course) Cowbell.
Concept=>Drive=>Plan=>Engagement.
6/8
Comments on vaisvil's stuff
great sounds,, fun piece
it simply sounds so authentic.. and this part, at 01'00", is brilliant!
Excellent! The percussion is just perfect.
Firstly, love the rhythm, tinkling and the music. Gets the old hips unashamedly swaying. Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
Dancing to this! Wishing I had a jewel in my navel!!!!!
FNG!!!
COOL!!
very cool, good work
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
been humming the main motif all morning long.. - and i thought, some vocals would be great on this, something of Tom Waits, or CharlElie Couture..
Ooo eerie stuff, beautifully done.
Lovely ethereal sounds here - definitely sensing some magic.
never heard of ethopian scales..heard of gypsy, japanese, mixolydian, lydian, ect. This is yet another interesting creation from you.
post-punk-a-delic! loved the vocal first time i've heard this one; hasn't changed since then!
Mustang and MXR, now that's what I like to hear.
Damn, that's awesome man. Rockin tune...
Complex and cool.
ahh, yes, very tempted! JRR
very cool.... is that a subway escalator?
A classic. Post the lyrics! Perhaps you can convince Din to post a few things on AT... his percussion & mix mastering really are world class.
Comments made by vaisvil
We thank you Reg!
We thank you Brett Warren!
Thanks for your work on this Reg!
Those little green wheels finally caught up with him... Great cover Reg!
John Lennon-esque!
love it!
lovely!
right on the money - the message is golden.
This is very cool!
This song is very cool! I like driving rock songs like this!
Thanks Johnny!
Nice one Reg!
Modulations everywhere! Excellent!
Thanks for the collaboration Reg!
nice song!
oh sad sad about Alex.
thank you for the kind comments.
heavy heavy - love the music and that mocking bird is a gonner... great vocals Reg!
as I said.... too long
Yes!! Been too long !! Great to hear your beats !