I think Norm hit it . . . It sounds like a GREAT new beginning to me too.

Chris,, really cool,,, merry christmas,, here's to a new year of making music r

mmm

Great great Chris, thanks. Have really enjoyed your works this past year.

Happy Baktun, to you. Happy Baktun, to you. Happy Baktun, dear Chris. Happy Baktun, to you. And many more... (Fabulous graphic)

Perfect for the morning after a projected end. Now what?

Very nice! Love that tuning

woooow,, full bodied indeed! pretty cool how you put this all together ,, in my younger days,, i sometimes took an oven rack,, and strung hung it with a bit of fishing line.. and took the ends and wrapped them around my fingers then placed my fingers in my ears while others played on the wrack with various objects,, have you ever tried this? it's pretty cool and so is this r

This is fabulous! w;-)

Wonderful stuff! That's some guitar work! The new one ? Bee

ok,, i like this r

Just love it when you get all Hendrixy.........

Yeah! What Kavin said. The feedback and whammy bar workout is intense!

I hear this as a nice little birthday card for Jimi.

Bad ass!! Tune and pic!

I love the way this sounds, loose, rocking, driving. Its good.

I never hear the original so this is really good. and new.

"pictures in an underground tunnel",,, very mezorsky ish (sorry for the spelling, to both you and mr M) very nice Chris,,,,

!!

Was this really over a year ago .........

ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.

the scope of this is totally impressive

one of my favorite songs - done really well!

Beautiful Richard!!

this is an excellent song!

finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.

This is cool! You made the google guitar sound like its going through a *huge* stack.

wow. very powerful words and music.

this is excellent - and unique!

lovely Richard! Sounds light music for a candle light dinner.

thank you for the listen and comment on my seagull improv.

Reg - he did do something like that one day - and yes it was great!

and the excellence of the music should be overlooked too.

Reg - you are one heck of a story teller! Have you considered writing a novel or short story?

Hi John, I like this one.

you should be creating music for sci-fi films!

I wish AT had a repeat button. I'm downloading this - great piece Norm!

I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.

This is beautiful! I love the bluesy feel. Would it be ok if I try to add to this?